One of Miriam Makeba's hippest albums of all time – a set that marked the end of her association with Reprise Records, and her fame in the crossover American scene of the 60s – and for good reason, too – as the whole thing's brimming over with much more righteous energy than ever before! Makeba's really letting loose here – not content to bring South African custom and culture to the overseas mainstream, but instead stepping forth with a new sense of mission and message – one that even comes through when she takes on some more familiar tunes by other artists at the time! The set features production from Lewis Merenstein, who'd done Astral Weeks – and the sound here is so different than Miriam's records from just a few years before – thanks also in part to the great backing arranged by George Butcher, which adds in lots of bass, percussion, and horns that take Miriam into a hipper 70s Afro Soul mode. Titles include "Lumumba", "Kulala", "Tululu", "Down On the Corner", "In My Life", and a great cover of "For What It's Worth". LP, Vinyl record album

A powerful and righteous album from Brother Moves On – as you might guess from the title – a group led by singer Siyabonga Mthembu, who's worked with Shabaka & The Ancestors – in a lineup that also features some contributions from Shabaka Hutchings as well! The group span their South African roots with some of the contemporary London vibe – mixing jazz elements with vocals and other production elements – in a lineup that also features work from Mthunzi Mvubu on alto and Muhammad Dawjee on tenor. Shabaka Hutchings adds in some flute and clarinet to the group's songs – and titles include "Bayakhala", "Sphila", "Puleng (ext version)", "Sweetie Love Oh", "Mazel", "Ta Tom", "Itumeleng Revisited", and "Hamba The Reprise". (Jazz, Global Grooves) LP, Vinyl record album

Fantastic work from King Sunny Ade – one of his first truly global releases, and an album that marked a whole new sound in his music! Sunny had been issuing lots of his own records back home in Nigeria – but this set has the juju master working in London, with really fantastic production that pushes his sound in really great ways – echoey waves of basslines and percussion, subtle but powerful vocals, and percolating guitar that takes on a whole new sonic sensibility in the setting! There's a richness to the texture that's amazing – almost as if Brian Eno produced – and titles include "Synchro Feelings Ilako", "Mo Ti Mo", "Penkele", "Maajo", "Synchro System", "E Saiye Re", "Tolongo", "E Wele", and "Synchro Reprise". LP, Vinyl record album

A pair of groundbreaking records from King Sunny Ade – both of which represent a new wave of interest in African music after the initial burst of the Fela Kuti generation! First up is Synchro System – fantastic work from King Sunny Ade – one of his first truly global releases, and an album that marked a whole new sound in his music! Sunny had been issuing lots of his own records back home in Nigeria – but this set has the juju master working in London, with really fantastic production that pushes his sound in really great ways – echoey waves of basslines and percussion, subtle but powerful vocals, and percolating guitar that takes on a whole new sonic sensibility in the setting! There's a richness to the texture that's amazing – almost as if Brian Eno produced – and titles include "Synchro Feelings Ilako", "Mo Ti Mo", "Penkele", "Maajo", "Synchro System", "E Saiye Re", "Tolongo", "E Wele", and "Synchro Reprise". Next up is Aura – a crucial record in the early days of the global scene in the 80s – a set that lifts the music of King Sunny Ade from its roots in Nigeria, and mixes it up with some fresh elements that really open things up for a world's worth of ears! The approach isn't commercial – at least not in the modes of the later world music years – but there's occasional elements that echo the beat culture rising up in New York and London, mixed with the warmer sounds that were always at Sunny's music – especially that way of making the acoustic percussion and basslines come together in flowing waves of completely sublime sound! All tracks are nice and long – and titles include "Gboromiro", "Oremi", "Ire", "Iro", "Ogunja", and "Ase". CD

A 2CD set that features 3 of Miriam Makeba's late 60s albums for Reprise! In Concert is pretty great set – a bit folksier than most of Makeba's other work for Reprise, but recorded with a pretty lively groove on many numbers, a lot more interesting than some of Makeba's early work in the folk vein. The record includes a 7 minute version of "A Piece Of Ground", a nice take on "Mas Que Nada", and the cuts "Ibabalazie", "Click Song", "Jolinkomo", and "Reza". Pata Pata was the album that really put Makeba on the map – as her hit version of the song "Pata Pata" forever guaranteed that African-tinged grooves would have a place in the pop charts! The track's included as the lead off song on this classic album of "uptown African soul" (if we might use such a term), and other goodies include "Click Song Number 1", "A Piece Of Ground", "West Wind", "Ha Po Zamani", and "Jol'inkomo". Makeba has Miriam really hipping up her style a lot, taking the earlier folksy sound and infusing it with a bit more of the Hugh Masekela-driven African soul styles of the late 60s. Jerry Ragovoy produced the record, and he and Miriam handled all the arrangements. Tracks are a mix of mellower numbers with more jaunty tracks in the style of Miriam's hit "Pata Pata" (which isn't on this album.) Titles include "U Mngoma", "Iphi Ndilela", "Sibongile", "Hamba Naye", and "Umoya". CD