A group with a sound like no other – one that features home-made electronics and amplification, and an array of highly-percussive instrumentation that includes thumb pianos, megaphones, microphones, and old car parts! Konono's been making this music for the past 25 years – working in the suburbs of Kinshasa as a collective of musicians experimenting with the relation of sound and rhythm – using a fair bit of distortion to push the boundaries of their style. There's a unique relationship here between traditional African rhythms and newer electronic music – almost a primitive electronica, if you will – but with a style that goes way beyond such a facile tag. Titles include "Paradiso", "Mama Liza", "Kule Kule", "Lufuala Ndonga", and "Masikulu". CD

A surprisingly wonderful little project – one that brings together shorter snippets of Fela's classic tunes, into an extended sound collage that's got a really captivating feel! We initially expected this one to be gimmicky and a bit silly, but it's really not – and instead stands as a loving "mixtape" that showcases the best bits of Fela's genius – a keyboard solo here, a vocal chant there, all the while pushed along by the great one's groundbreaking Afro Funk rhythms! The set includes one very early number by Fela from 1964 – "Ololufe Mi" – plus bits of later tracks that include "Mr Follow Follow", "Ariya", "Unnecessary Begging", "Swegbe & Pako", "Monkey Banana", "Trouble Slee", and "Look & Laugh". CD

The mighty Mulatu Astatke has given us lots of amazing music over the years – key records both home in Ethiopia and here in the US – yet this performance may well be one of his most special, as it unites the legendary musician with a host of giants from the American scene – all in a one-off performance that finally gave Mulatu his due! The leader handles vibes at the helm of an all-star group that includes Bennie Maupin on flute and soprano sax, Azar Lawrence on tenor, and Phil Ranelin on trombone – all spiritual jazz giants of the 70s who only further expand the genius of Mulatu's music – in the company of some younger musicians who include Miguel Atwood Ferguson on violin and Brandon Coleman on electric piano and organ. The whole thing is very much in keeping with the best Mulatu classics from back in the day, but also pushes things forward wonderfully too, with a lot more jazz in the mix – on titles that include "Yekermo Sew", "The Radcliffe", "Kasalefkut Hulu", "I Faram Gami", "Yekatit", "Mulatu", and "Ebo Lala". CD

Maybe the greatest record so far from Tinariwen – and a set that definitely has them really honing their amazing guitar-based skills, yet all without sounding commercial or crossover at all! The album's got a fullness that we've never heard before from the group – kind of a righteous power that really pushes their sounds and social agenda forward very strongly – at a level that really descends regional boundaries, and really lives up to the globe-trotting spirit of the group in recent years. The sound is wonderful – completely evocative right from the start, yet still very much focused on the core energy of the group, without any attempts to ever overproduce anything at all. Titles include "Emajer", "Koud Edhaz Emin", Tahalamot", "Sendad Eghlalan", "Toumast Tincha", and "Timadrit In Sahara". CD