Maybe one of the most authentic records ever cut by John Berberian – an American musician, but one who delivered great work on the oud during the 60s – including some projects that were often a bit psychedelic in nature! This set's a bit more straightforward, but equally great – really hard-driving and surprisingly earthy, without any attempts at all to touch up the sound with rock or pop elements – quite a surprise, given that the set was issued on Roulette Records, home to more mainstream rock and soul! Instrumentation includes lots of percussion, plus saxes and guitar – as well as a host of great oud solos from Berberian, on titles that include "Samra Ya Samra", "Dale Dale", "Chifte Telli", "Gamavor Zimfor", "Tamiko", and "Oud Solo". LP, Vinyl record album

An incredible concept album from the South African scene of the early 70s – a record that mixes rootsy percussion with plenty of freak and fuzz – all in a style that seems to take UK psychedelic inspirations and forge them into a very unique Johannesburg expression! Acoustic elements are every bit as important to the music as the electric ones – creating this earthy vibe that's very different than Anglo records of its type – and the soulful vocals from singer Dave Ornellas really send things over the top! The album begins with a seventeen minute, side-long track that's completely beautiful – and side two moves on with similar beauty, on a set of shorter tracks that balance things out nicely. Titles include "African Day", "Here Comes The Sun", "Look Up Brother"," Kissed By The Sun", "Happy Man", and "Love Song". (Rock, Global Grooves) LP, Vinyl record album

A calypso set, but not the sort that you'd know from big crossover records of the late 50s – as the Mighty Sparrow works here with that jazzy blend of horns and rootsy rhythms that kept a strong edge in his music, and made his sounds as important on the pre-reggae scene in London as they were at home in Trinidad! There's a nicely rattling vibe to the record that really matches the sharpness of the vocals – an important current of politics, social commentary, and personal brag – all of which had a huge impact on later sounds and styles of music. The saxophone lines really keep things soulful – and titles include "The Village Ram", "Martin Luther King", "I'll Be Around", "You Don't Love Me", "Castro Eating Banana", and "Tour Of Jamaica". LP, Vinyl record album

Heavy heady funk from the 70s Nigerian scene – a wicked little record that's unlike anything else we've heard before! SJOB is a combo made from ex-members of the group of Sonny Okosuns – all top-shelf players who've clearly got their chops down in the groove department, but are also really willing to experiment with their sound as well! There's some hip spacey elements to the music – cool keyboards that weave in and out of the guitar and tighter rhythms – creating a sense of darkness that's totally great, even when things are still pretty funky. The structure of the tunes is far from familiar Afro Funk too – pretty offbeat and jagged – familiar rhythms one minute, then fresh ones the next! Titles include "Countrylove", "No One Cares", "Stone Funk", "Omo Oloro", and "You Only Live Once". LP, Vinyl record album

A record that's every bit as groovy as you might guess from the title – served up by one of the most unique combos to record for Colombia's Discos Fuentes in the 70s! Afrosound certainly have plenty of rhythms and sounds that resonate with their contemporaries at the top of the South American scene – but they also use rootsier percussion, and served up a rawer sound too – definitely bringing back some West African modes, after that scene had an earlier influence from the world of Afro-Cuban music! There's some especially cool keyboards that get all weird and distorted – like electric guitar on some Peruvian records – balanced with plenty of live, loud percussion – on titles that include "Banana De Queso", "Baila Felipe", "Negua", "Ponchito De Colores", "Carruseles", "Zaire Pop", "Rapsodia Del Chinito", "Me Voy De La Vida", "Salsa Con Tabaco", and "La Negra Saramuya". (Latin, Global Grooves) LP, Vinyl record album

A really well-chosen set of classic Afro Funk records from Fela Kuti – hand-picked by Idris Elba, and brought together in this limited box set! Open & Close is an early classic from Fela Kuti & Africa 70 – the kind of early 70s record that helped both the leader and the group establish themselves as a global powerhouse of funk and soul! The set begins with the side-long "Open & Close" – a righteous tune that's driven onward by lots of tight drums from Tony Allen – young, focused, and completely amazing here – while Fela delivers all these madly leaping electric piano lines amidst the super-sharp horn section – all moving instrumentally for many minutes before the vocals come into play! Side two features two shorter tracks, but still nice and long in comparison to most funky groups – the wonderful "Swegbe & Pako" and "Gbagada Gbagada Gbogodo Gbogodo" – tunes that really send the record over the top! Fela teams up with vibist Roy Ayers on Music Of Many Colors – one of the best soul collaborations ever – a whopping album that brings together the best sides of these monster soul talents of the 70s! In keeping with Fela's work, the tracks are long and Afro-tinged, with a complicated groove that grows over the length of the track. And in keeping with Roy's work, the album has a sweet soulful feel, with lots of nice jazzy touches, cool vibes, and great vocals by Roy. Two long tracks, both classics: "2000 Black" and "Africa, Center of the World". Opposite People is seminal work from one of Fela's most crucial periods – recorded at a time when his soul was the deepest! The album features 2 long tracks – "Opposite People" and "Equalisation Of Trouser & Pant" – and they both have beautiful spooky keyboards in the instrumental passages, then leap into hard soul vocals by Fela. Tremendous stuff – done in a style that shows that no matter how many people cop or remake Fela's sound, he's still the best one to do it! The rare Stalemate album features the side-long tracks "Stalemate" and "Don't Worry About My Mouth" – both really hard-driving numbers, with a fantastic mix of vocals and grooves! Live In Amsterdam is an excellent live set from Fela – one that shows that he was still very capable of going over the top during the 80s! The set's a double LP – and it features 4 great numbers by the group, with Fela on soprano sax, piano, and organ, and plenty of other great work on tenor, alto, and trumpet. Titles include "Gimme Shit I Give You Shit", "Custom Check Point", "Movement Of The People", and "Political Statement Number 1". I Go Shout Plenty is a great one from Fela – with a date of 1986, but a sound that's pure late 70s! The record features 2 long tracks – "I Go Shout Plenty" and "Why Black Man Dey Suffer" – and they're both hard groovers with a strong political feel. "Why Black Man" is especially nice, and has some great keyboard riffing in the middle, with that great tinny sound that you'll hear on the best Fela albums. One that we almost never see – and issued on the Decca subsidiary Afrodisia. LP, Vinyl record album

A South African jazz set from the end of the 60s, but one with a different vibe than some of the rest – as the group have a lean style that still also seems to mix a fair bit of Township elements in with the jazz – which makes for tracks that have a wonderfully playful mix of modes, and a great sense of energy throughout! The group features Clifford Moses on lead guitar and a bit of vocals – the latter of which have a lightly raspy charm that's really unique – as he steps out next to core work from Richard Schilder on piano, Basil Moses on bass, and Billy Bowers on drums. The set also features some excellent guest work from the legendary Basil Coetzee on flute and alto – on titles that include "Seven Steps Lament", "Katrina", "Interim", "Up From Slavery", "Wells Square", and "Don't Close Your Eyes". (Jazz, Global Grooves) LP, Vinyl record album

NSI stands for "new sounds from the islands" – and that's definitely what you'll get here from this combo who serve up a fantastic blend of Antilles rhythms and contemporary club funk – all very much in the best spirit of the early zouk movement at the time! There's lots of great bass on the record – often used as the key core element of the tunes, with keyboards, guitar lines, and vocals layered alongside – almost with a quality that seems to echo the way that American groups were borrowing bits from the Caribbean and using it to inflect funk and soul up in the New York scene of the early 80s. The music is plenty playful, and very groovy – and titles include "Turn Your Face On Me", "Steel Ka Dance", "Oui Ce Yes Roger A Ti Wawa", and "Moin Epi Vou". LP, Vinyl record album

One of the coolest records we've ever heard from Japanese drummer Akira Ishikawa – even wilder than some of his famous funk sessions of the time! The set definitely lives up to its African Rock promise – as it features lots of sparely percussive tracks that build beautifully – clearly drawing from African inspiration, in the same way that other albums by Akira drew from American funk – then also adding in some cool production and hip effects that help further some of the "rock" side of the agenda! At points, the record almost feels like a solo percussion jam – but at others, the guitars really get heavy, with a jamming intensity that's simply mindblowing. There's lots of psychedelic overtones when the guitars come in – and they make for a wicked contrast with some of the more organic, percussion-oriented moments. All tunes are nice and long, and titles include the extended break cut "Pigmy", plus "Vita", "Na Tu Penda Sana", and "Wanyamana Mapambazuko". (Jazz, Global Grooves) LP, Vinyl record album

One of the coolest records we've ever heard from Japanese drummer Akira Ishikawa – even wilder than some of his famous funk sessions of the time! The set definitely lives up to its African Rock promise – as it features lots of sparely percussive tracks that build beautifully – clearly drawing from African inspiration, in the same way that other albums by Akira drew from American funk – then also adding in some cool production and hip effects that help further some of the "rock" side of the agenda! At points, the record almost feels like a solo percussion jam – but at others, the guitars really get heavy, with a jamming intensity that's simply mindblowing. There's lots of psychedelic overtones when the guitars come in – and they make for a wicked contrast with some of the more organic, percussion-oriented moments. All tunes are nice and long, and titles include the extended break cut "Pigmy", plus "Vita", "Na Tu Penda Sana", and "Wanyamana Mapambazuko". (Jazz, Global Grooves) LP, Vinyl record album

Overlooked mid-period work from this legendary Korean trio – music the group recorded after their first three albums – all records that have been reissued a bit over the years, which these tracks have not! There's a deeply moody vibe to the music – still all the fuzz, freak, and messed-up elements of the past – but sometimes a bit more focused and tuneful – not in a way that has you thinking that these guys are going for hits at all, but just with this quality that shows them maybe finding a way to bring subtle power to their psychedelic leanings, and slip them into the mainstream! Given the timing of the tracks here – from the late 70s/early 80s generation – the music is almost a bridge between older psych modes and that huge explosion of new psychedelic energy that would show up on the UK scene in the latter half of the 80s – music that certainly resonates well with some of these cuts. 2LP set features 23 tracks in all – with titles that include "Dreaming Doll", "Red Balloon", "A Teacup", "Let's Go To The Vineyard", "Portrait Of A Lady Shaman", An Hourglass In Midday", "Chameleon", "Tomorrow & Tomorrow Again", "Fly Away Bird", "A Strange Day Like This", and "Naughty Boy". (Rock, Global Grooves) LP, Vinyl record album