Includes field recordings from Ghana, Turkey Bali, Peru, Bulgaria, Uganda, Spain, Himalayas, Japan, Paraguay, Yugoslavia, Niger, Mexico, Java, and Dalarna. LP, Vinyl record album

Although most Nonesuch Explorer sessions were ethnographic ones, recorded in the field by the label's engineers – this one's a studio session, recorded in New York by a group that's reputedly from Ghana, but which seems to be kind of a "fake" one from our perspective. Why? Well, because Charles Earland's playing tenor, for one – and although his native Philly was kind of far away from New York, we never heard it referred to as "Ghana"! Other players here are US-based jazz ones, too – like drummers Sonny Morgan and Robert Crowder, vibist Garvine Masseaux, and bassist George Brooks. The set's still got a strong High Life sound to it – but it also has jazz flourishes, too, in the way that was used some of the Art Blakey Afro-Drum experiments from the same time. Titles include "Ebony", "Bus Conductor", "Saturday Night", and "Sugar Soup". LP, Vinyl record album

Tony Allen never lets us down – and even though he recorded this set well into the first decade of his "comeback" years, an album like this still has the same sort of fresh, urgent feel that got him noticed again by a whole new generation of fans! There's definitely lots of Allen's roots with Fela in the music – the kind of Afrobeat grooves that Tony first helped invent back in the 70s – but as with some of his other recent records, there's also a strong willingness to play with tradition, too – mixing in unusual sounds and patterns that really keep things interesting, and which show why Allen's probably been the best ambassador of Afrobeat styles in the 21st Century! Vocals are by Allen and a few other singers over the course of the set – and the band's a super-tight combo with some especially great keyboards from Claude Dibongue. Titles include "Secret Agent", "Ijo", "Switch", "Celebrate", "Ayenlo", "Pariwo", "Nina Lowo", "Atuwaba", and "Alutere". LP, Vinyl record album

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An unusual later album from the singer who recorded both for Chess Records in the 60s, and worked with the Art Ensemble Of Chicago in the 70s! This is a spiritual set, taking Fontella Bass back to her roots – with production from Wayne Horvitz. (Soul, Global Grooves) CD

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A classic recording of Buddhist chants – from the legendary Gyuto monks! CD

Gidon Kremer on violin, Friedrich Lips on accordion, Per Arne Glorvigen on bandoneon, Vladimir Tonkha on cello, Michel Portal on clarinet, Alois Posch on double bass, Elisabeth Chojnacka on harpischord, Mark Pekarsky on percussion, and Vadim Sakharov on piano. (Jazz, Global Grooves) CD

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Hardly a pirate album at all – and instead one of the first big global moments of fame for the mighty Orchestra Baobob – a Senegalese combo who'd really been honing their craft during the 70s! The album has the group working with all the soulful currents of their early work – and especially that inflection from Cuban styles that made some of the groups in Dakar so unique – a special trans-Atlantic handshake between the nations that really helped these guys take off once they got exposure on a record like this! Titles include "Coumba", "Utru Horas", "Werente Seringe", "Ray M'Bele", "Toumaranke", "Ngalam", and "La Rebellion". CD

Hardly a pirate album at all – and instead one of the first big global moments of fame for the mighty Orchestra Baobob – a Senegalese combo who'd really been honing their craft during the 70s! The album has the group working with all the soulful currents of their early work – and especially that inflection from Cuban styles that made some of the groups in Dakar so unique – a special trans-Atlantic handshake between the nations that really helped these guys take off once they got exposure on a record like this! Titles include "Coumba", "Utru Horas", "Werente Seringe", "Ray M'Bele", "Toumaranke", "Ngalam", and "La Rebellion". LP, Vinyl record album

A great return to form for Orchestra Baobab – a group who really shone on the Senegalese scene in the 70s, but disbanded right as they were hitting global fame – eventually reuniting around the time of this album, thanks to demand from listeners around the world! The style is nicely unadorned here – handled by Youssou D'Dour with Nick Gold of the World Circuit label – in a way that replicates some of the earlier music by the group that was issued by the label, and which helped lead to their reunion! There's maybe a bit less funk than in the 70s, but the rhythms are still nice and sharp, sewn together with lots of great work on guitar – and maturing, heartfelt vocals on tracks that include "Dee Moo Woor", "Sutukun", "Bul Ma Miin", "Gnawoe", "Ndongoy Daara", "Jiin Ma Jinn Ma", and "Hommage A Tonton Ferrer". CD

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