Soulful sounds from 70s Chile – and a record that easily rivals some of the best acoustic work from the post-Tropicalia generation in Brazil! Manduka's got a heady sound that's very much in keeping with his image on the cover – a freer sort of approach to the music than the decade before – with these long-flowing tracks that intertwine folksy elements and regional touches, but always with some slight undercurrent of jazz – almost at a level that rivals the acid folk of the UK scene of the same time, but with a definite deeper South American vibe. The vocals are sublime – extremely haunting, even beyong the boundary of language – and often recorded with some echo around them and the guitar, in a manner that recalls some of the best Geraldo Vandre material. Instrumentation includes some light backing on flute, bongos, acoustic guitar, and harmonica – often used in a gentle, watery sort of way. Completely sublime – one of those lost global gems you'll treasure for years – with titles that include "Entra Y Sale", "Naranjita", "Oiticumana", "De Un Extranjero", "Brasil 1500", and "Patria Amada Idolarada Salve Salve". LP, Vinyl record album

A landmark album in the history of South African jazz – a set that marks a real shift in the way the music was put together, and maybe a new sort of sophistication that would really mark the scene in years to come! The album's not the first recording from pianist Gideon Nxumalo, but it definitely represents a shift in his sound – longer tracks that often have a slow-building sense of shape and spirit, as the more rhythmic modes of earlier years are opened up and relaxed in favor of some of the larger sound of the tracks and solo space. Yet if you're worried about the record not having a groove, don't fret, as there's plenty of that in here too – just in ways that really make the album stand out strongly in a modern jazz idiom. The session details have been lost to the shifting sands of time, but in addition to Gideon's piano, there's guitar, alto, tenor, trumpet, and flute on the record – on titles that include "Early Mart", "Frustration", and "Slow Blues". (Jazz, Global Grooves) LP, Vinyl record album

Way more than just the rock and roll promised in the title – as the music here is surprisingly heartfelt, surprisingly moving, and surprisingly effective – even if we don't know the language! There's definitely a rock style on most tunes, but the music is hardly the kind of knockoff psych or garage from the Vietnam era of Southeast Asia – and instead often has this really organic, well put-together quality that makes these tunes stand strongly on their own! The package is designed to accompany the film of the same name – about the lost history of Cambodian rock at the time – but there's such a great array of notes in the package, the whole CD set is more than visually stunning on its own – and packed with great cuts that include "Crazy Loving You" by Drakkar, "Dance A Go Go" by Sinn Sisamouth, "Don't Be Angry" by Ros Serey Sother, "Unique Child" by Huoy Meas, "The Story Of My Love" by Chhoun Malay, "BCK" by Baksey Cham Krong, "Console Me" by Sieng Fannthy, and "Cyclo" by Yol Aularong. CD

We really loved the first volume in this series, and this second entry maybe goes even deeper into the unique territory of the collection – a genre that's maybe all its own, with a really cool blend of older tracks and contemporary numbers, all served up with a laidback sort of vibe! There's plenty of soul in the mix, but often from a global perspective – and those cuts are mixed in with more 21st century-styled tracks, which makes for a very cool blend of material. Titles include "Baby This Love I Have" by Avis, "Malibu Nites" by Frank Hatchett, "DE 108" by Bach Revolution, "We May Be Cattle But We All Got Names" by Michael De Albuquerque, "Marimba" by Yargo, "Play A Sweet Rhythm On Them Drums" by Okyerama Asante & Black Fire, "Shove Piggy Shove" by LFO, "Lost Children" by Veronica Mickie, and "Storm (Arp Duppy Chip mix)" by Rare Silk. (Funky Compilations, Global Grooves) CD

We really loved the first volume in this series, and this second entry maybe goes even deeper into the unique territory of the collection – a genre that's maybe all its own, with a really cool blend of older tracks and contemporary numbers, all served up with a laidback sort of vibe! There's plenty of soul in the mix, but often from a global perspective – and those cuts are mixed in with more 21st century-styled tracks, which makes for a very cool blend of material. Titles include "Baby This Love I Have" by Avis, "Malibu Nites" by Frank Hatchett, "DE 108" by Bach Revolution, "We May Be Cattle But We All Got Names" by Michael De Albuquerque, "Marimba" by Yargo, "Play A Sweet Rhythm On Them Drums" by Okyerama Asante & Black Fire, "Shove Piggy Shove" by LFO, "Lost Children" by Veronica Mickie, and "Storm (Arp Duppy Chip mix)" by Rare Silk. (Funky Compilations, Global Grooves) LP, Vinyl record album