A stunning set of funky tracks from the Libyan scene – music that's not free in a "free jazz" sort of way, but which definitely shows a new sense of liberation in the way the group puts together their groove! The combo's headed by legendary arranger Najib Alhoush – and the style here is very much like American jazz funk from that 70s moment when things were tilting a bit more strongly towards the clubs – rhythms picked up, and often laced with lots of riffing guitar and wah wah work – but also touched with plenty of elements that mark the music as quite far from the American shores – not just in the lyrics, but also in the way that things are inflected with a special sort of cultural current. As always with Habibi Funk, the package is a revelation – a real discovery of music we never would have heard otherwise – with tracks that include "Al Qualb Mrayef", "Law Yom Saalak Had", "Anan Qualbi Ehtar", "Hawelt Nensa Ghalaak", "Mathasebnish", and "Arb Share'i". CD

A stunning set of funky tracks from the Libyan scene – music that's not free in a "free jazz" sort of way, but which definitely shows a new sense of liberation in the way the group puts together their groove! The combo's headed by legendary arranger Najib Alhoush – and the style here is very much like American jazz funk from that 70s moment when things were tilting a bit more strongly towards the clubs – rhythms picked up, and often laced with lots of riffing guitar and wah wah work – but also touched with plenty of elements that mark the music as quite far from the American shores – not just in the lyrics, but also in the way that things are inflected with a special sort of cultural current. As always with Habibi Funk, the package is a revelation – a real discovery of music we never would have heard otherwise – with tracks that include "Al Qualb Mrayef", "Law Yom Saalak Had", "Anan Qualbi Ehtar", "Hawelt Nensa Ghalaak", "Mathasebnish", and "Arb Share'i". LP, Vinyl record album

Nearly 50 years African music from each corner of the continent – in celebration of 50 years of independents for the majority of the regions – with icons & legends and many more that are comparably unknown or yet to cast such a great shadow. It features material from the 60s through the 00s and tracks by Miriam Makeba, Mulatu, Cesaria Evora, Rail Band, Manu Dibango, Bembeya Jazz National, Orchestra Baobab, Salif Keita, Alpha Blondy, Angelique Kidjo, Amadou & Miriam, Mamadou Barry and many more. 50 tracks on 4CDs and comes with a nice booklet of notes & photos: "Pata Pata" by Miriam Makeba, "Yekermo Sew" by Mulatu, "Soul Makossa" by Manu Dibango, "Sodade" by Bonga, "Keme Bourema" by Balla Et Ses Balladins, "Behido" by Ernesto Djedje, "Cono" by Salif Keita, "Bamba" by Baaba Maal, "Batonga" by Angelique Kidjo, "Africa Five" by Mamadou Barry and many more. CD

(Out Sound, Global Grooves) LP, Vinyl record album

Funky African work from Fred Fisher – a Nigerian trombonist who crafted his own unique groove at the end of the 70s! Fred both sings and plays trombone – the latter with a Fred Wesley-like soulfulness – and his rhythms here are really wide-ranging, and embrace a host of new styles coming into play at the time – including a fair bit of influences from American soul! Some cuts have a rootsy groove, while others move into tighter dancefloor territory – never in a commercial style at all, but with traces of boogie and other 80s modes in the mix. Vocals are sometimes in English, which furthers the global appeal of the music – and the set brings together tracks from 4 different albums by Fisher. Titles include "Say The Truth", "Asa Sa", "Iye Ye Mu Elediamemisise", "No Way", "Let Love Free", "WTFS", "Beautiful Dancer", "Happy Blue Night", "The Beginning Ishan", "Ehimedede", "Babajoo", and "Ebi Lolo". 2LP set features 12 tracks in all. Note: The music on the whole set is great, but there are a few tracks that suffer sound-wise from some distortion in the masters used. Most of the other tracks are fine, though. LP, Vinyl record album

A previously unissued album from Indian guitarist Amancio D'Silva – recorded during his legendary run of work at Lansdowne Studios, but making its first-ever appearance here! The work on the set is every bit as far-reaching and progressive as some of D'Silva's official releases – and like those sides, this one does a tremendous job of blending complicated guitar lines, unusual rhythms, and some super-hip instrumentation! Amancio has a way of playing guitar that's a bit like Gabor Szabo – airy and exotic at times, with a free-flowing quality that's really explored nicely here on the longish tunes on the set. Players include Don Rendell on saxophone, Stan Tracey on piano, and Alan Branscombe on flute, vibes, and electric piano – but best of all is the use of sitar and tabla on the record – often employed sparingly, but in a way that adds some great echoes of Indian music. Titles include "A Street In Bombay", "What Maria Sees", "A Song For Francesca", and "Konkan Dance". (Jazz, Global Grooves) LP, Vinyl record album

A stunner of a set from the 70s African scene – and a record that may well be a lot rawer and harder than most that you have in your collection! Ferry Djimmy was originally a boxer, and spent time outside of his native Benin – but on a return to the country in the early 70s, he cut this cooker of a record – one that's completely unbridled and stripped-down – with a lot leaner vibe than most other African funk of the time! Many cuts just have basslines, percussion, and guitar – tight and sinister, and driving forward with non-stop action while Ferry sings the lyrics in a very earthy style. The whole thing's incredible – and titles include "Be Free", "When I Come In The Road", "Young Revolution", "Carry Me Blak", "Ichango", "Love Love", "Chiriki Man", and "Start To Pray". LP, Vinyl record album

A damn soulful album from Ghanaian percussionist Rim Kwaku Obeng – recorded in LA at the end of the 70s, with loads of sweet clubby touches in the mix! Rim gets in plenty of tight percussion – lots of which showcases his rim-heavy approach to the drums – and also plays keyboards and sings a bit too – in a larger group that mixes in some very hip LA funky elements, a bit like some of the criss-crossing that Hugh Masekela did on his Chisa Records sessions! The style makes for a great bit of funky club with lots of deeper acoustic percussion elements in the sound – and titles include the massive break classic "Funky Drummer", plus "Nothing Is Free", "Spend Your Money", "Gas Line", "Sunkwa", and "Believe In Yourself". Special package – also includes the bonus 12" tracks "International Funk (voc)", and "International Funk (inst)". CD

A damn soulful album from Ghanaian percussionist Rim Kwaku Obeng – recorded in LA at the end of the 70s, with loads of sweet clubby touches in the mix! Rim gets in plenty of tight percussion – lots of which showcases his rim-heavy approach to the drums – and also plays keyboards and sings a bit too – in a larger group that mixes in some very hip LA funky elements, a bit like some of the criss-crossing that Hugh Masekela did on his Chisa Records sessions! The style makes for a great bit of funky club with lots of deeper acoustic percussion elements in the sound – and titles include the massive break classic "Funky Drummer", plus "Nothing Is Free", "Spend Your Money", "Gas Line", "Sunkwa", and "Believe In Yourself". Special package – also includes the bonus 12" tracks "International Funk (voc)", and "International Funk (inst)". LP, Vinyl record album

Dele Sosimi was raised in the shadow of Fela Kuti, literally – as he spent part of his youth in Fela's commune – yet his music is nicely free of some of the overdone Afro Funk modes of the 70s, and instead really finds a fresh way forward with all sorts of wonderful criss-crossings of styles! Sosimi was born in London, and later returned to the city – and the work here really has that special sparkle when the British scene gets things right – bringing together elements of its post-colonial richness, but with a new vision for the future – optimistic and uplifting, but never in a way that makes the music seem too facile or easygoing. One of Dele's key musical partners here is Sam Duckworth, of Get Cape Wear Cape Fly fame – and titles include "Open Up", "Ride Out The Storm", "Ori Mi", "Mo Se Bola Tan", and "E Si Medo". CD

Dele Sosimi was raised in the shadow of Fela Kuti, literally – as he spent part of his youth in Fela's commune – yet his music is nicely free of some of the overdone Afro Funk modes of the 70s, and instead really finds a fresh way forward with all sorts of wonderful criss-crossings of styles! Sosimi was born in London, and later returned to the city – and the work here really has that special sparkle when the British scene gets things right – bringing together elements of its post-colonial richness, but with a new vision for the future – optimistic and uplifting, but never in a way that makes the music seem too facile or easygoing. One of Dele's key musical partners here is Sam Duckworth, of Get Cape Wear Cape Fly fame – and titles include "Open Up", "Ride Out The Storm", "Ori Mi", "Mo Se Bola Tan", and "E Si Medo". LP, Vinyl record album