There's less disco here than you might expect, as the group's a very jazzy one – with tenor and flute from South African jazz legend Basil Coetzee, working next to the organ and drum machine of Pops Mohamed as he creates a very cool, unique groove! The music's an extension of other South African funk of the time, but given the use of drum machine on some tracks (a few feature live drum performances), there's a mix of modes going on here that's really unique – jazz funk, but of a leaner style – maybe a bit more laidback, and with plenty of focus on reedwork and keyboard solos! The set brings together tracks from three rare albums by the group – and titles include "Dark Clouds (part 1)", "Spiritual Feeling", "Night Express (single version)", "Kids In The Dark", "I'm Organized", and "Pops Blue". LP, Vinyl record album

A double-length set of work from funky sitar player Ananda Shankar – and a collection that features 2 of his lesser-known albums from the 70s! Musical Discovery of India is a 70s musical tour of Shankar's homeland – performed with his sitar in the lead, and some very sweet soundtrack-style orchestrations in the back!! The style's a bit less funky than before, but still extremely evocative – as it blends Indian styles of instrumentation with more western approaches to soundtrack scoring and a bit of post-colonial travelogue! Titles include "Discovery Of India", "Akbar's Jewels", "Namaskar", "Kaziranga Beat", and "The Hill Train". Next up is Sa Re Ga Machan – a great bit of jungle exotica, composed as a full piece with an "atmosphere of twilight and the feeling of watching animals at a water hole" – but recorded with a sweeping soundtracky feel that makes it more like some lost 70s film gem in the best places! There's some nicely subdued funk in the mix – as Ananda's sitar grooves over guitars, keyboards, and compressed bass and drum parts, occasionally touched with modern exotica styles, as in the work of Mandingo. Titles include "Night In The Forest", "Jungle King", "Jungle Symphony", "Sa Ra Ga Machan", "Romantic Rhino", "Charging Tiger", and "Monkey's Tea Party". CD

Two early calypso albums on Capitol Records – both pretty unique! First up are some of the first-ever recordings by Harry Belafonte – material recorded in 1949, with Pete Rugolo backings that are really amazing – as jazzy and modern as anything Rugolo did for other singers of the time, with only a hint of calypso in the rhythms. Belafonte sounds quite different on the sides than in later years – still with those tremendous vocals, but almost more of a jazz singer at points – which is a really surprising discovery! This aspect's supported strongly by the choice of tunes – which includes "Deep As The River", "Farewell To Arms", "Close Your Eyes", "The Didn't Believe Me", and "I Still Get A Thrill". Next up is a full album of straighter calypso material by Lord Flea & His Calypsonians – but one that also has a bit of a Capitol Records groove! Flea plays acoustic guitar and sings, and percussion is nice and tight – but there's also a fuller sense of space on the record, one that really sets it apart from other 50s efforts of this type – kind of a Capitol clarity that really adds a lot of charm. Titles include "Out De Fire", "Mister Give Me De Rent", "It All Began With Adam & Eve", "Jump In The Line", "Run Run Run", "Love", and "Monkey". (Vocalists, Global Grooves) CD

Highly percussive sounds from the kingdom of Buganda – an area that predates the formation of modern day Uganda, and which has an equally ancient sound to its music! The work here is served up on a variety of instruments – percussion, drums, flutes, and stringed instruments – but there seems to be a unifying approach throughout, as all of the cuts have a fast-moving sort of intensity, which also seems to inspire the vocals with similar energy – very different than most other East African work that we've heard, and with a special quality that feels very timeless, even though most of these recordings are from the postwar years! A great discovery of this overlooked tradition – with selections from Albert Bisao Sssempke, Erusana Lutwana & Budo African Music Club, Evaristo Muyinda, Kopolyano Kyobo, Kalema Hassan Katipa, and Semuwemba George William. LP, Vinyl record album

A set of merengue tracks, but from a very focused source – as the package features all numbers recorded in the Dominican Republic during the 60s and 70s – often with a groove that sets them apart from the rest! The rhythms here are often blindingly fast – so much so, you might be tempted to make sure you're not playing the album at 45rpm – which makes for an even more amazing discovery once you realize that live musicians are moving at such speed with such dexterity – in a way that also creates all this weird tension in the vocals and other instrumentation too! As with other Bongo Joe sets, the track list is great – and titles include "La Negra" by Bilo Y Sus Tipicos, "Me Gustan Las Pegajosas" by Trio Ramirez, "Que Mala Suerte" by Rafaelito Roman, "La Mecha" by Victor Suriel Y Trio Rio Verde, "La Pasion De Cristo" by Trio Royecell, "Por La Manaita" by Negrito Figueroa, "Cana Brava" by Fefita La Grande, and "Los Lanbones" by Aristides Ramirez. (Latin, Global Grooves) CD

A set of merengue tracks, but from a very focused source – as the package features all numbers recorded in the Dominican Republic during the 60s and 70s – often with a groove that sets them apart from the rest! The rhythms here are often blindingly fast – so much so, you might be tempted to make sure you're not playing the album at 45rpm – which makes for an even more amazing discovery once you realize that live musicians are moving at such speed with such dexterity – in a way that also creates all this weird tension in the vocals and other instrumentation too! As with other Bongo Joe sets, the track list is great – and titles include "La Negra" by Bilo Y Sus Tipicos, "Me Gustan Las Pegajosas" by Trio Ramirez, "Que Mala Suerte" by Rafaelito Roman, "La Mecha" by Victor Suriel Y Trio Rio Verde, "La Pasion De Cristo" by Trio Royecell, "Por La Manaita" by Negrito Figueroa, "Cana Brava" by Fefita La Grande, and "Los Lanbones" by Aristides Ramirez. (Latin, Global Grooves) LP, Vinyl record album

Iranian garage rock – kind of hard to believe at first, but a surprising musical discovery overall! The package documents a very overlooked scene – rock bands from late 60s Iran who were clearly inspired by the American underground of the time – working in a heady brew of guitar, organ, bass, and drums – usually with vocals in the local dialect, but a rockish groove that owes plenty to the US. There's less Eastern elements in the music than you'd find in Arabesk rock from Turkey – although some tunes here do have an exotic flavor at points, and really stand out from the rest. Yet even on the straighter numbers, the difference in language really gives these tunes an odd sort of feel – almost unsettling as you try to reach for familiar elements, then find them different in the end. Titles include "Mehtaab" by The Littles, "Shekar Dar Kohestan" by The Golden Ring, "Hadjime Khali" by Kourosh, "Raks Raks Raks" by Moha Jamin, "Meekshi Manoo" by The Flowers, "Dance Music" by Penahi, and "4 x 8 Jadeed" by The Littles. Comes with full note in English, too! (Rock, Global Grooves) LP, Vinyl record album

A musical masterpiece from this legendary Egyptian talent – a blend of strings, grooves, and soul – all served up at a level that's got a sense of power that moves way beyond its Mid East roots! This is the kind of record that most of us in the western world overlooked for decades – and which represents a sophistication of sounds and rhythms that's really ripe for new discovery all these many years later! The tracks are long, the rhythms infectious, and the orchestrations are completely sublime – on titles that include "Takassim Oud", "Hebina Hebina", "Alachan Malich Gheriak", and "Ya Habaybi Ya Ghaybin". LP, Vinyl record album

Beautiful sounds from Roger Fahkr – a Lebanese singer/songwriter who recorded most of this music in the late 70s – but with a sound and style that's every bit as compelling as western talents from the earlier part of the decade! The tunes often begin with voice and acoustic guitar, but usually bring in a bit of keyboards or other elements to expand things slightly, but all while keeping the moody quality of Roger's English-language vocals intact – all with a quality that could easily have this work standing next to some of our favorite recordings by artists like Rodriguez, Terry Callier, or Alzo & Udine! There's an inexplicable quality to all of these cuts – a uniqueness that really lives up to our comparison with those other greats – and the whole pacakge is a huge discovery of an artist who might have been a huge global force, had he had the chance back in the 70s. Titles include "Sad Sad Songs", "My Baby She Is As Down As I Am", "Express Line", "Insomnia Blue", "Lady Rain", "Everybody Is Going Home", "Sitting In The Sun", "The Wizard", "Trip Thru Time", "Gone Away Again", and "Had To Come Back Wet". LP, Vinyl record album

Groovy rock from Iran – 60s & 70s material that's got the raw and rumbling grittiness of some of best garage rock of the time and others that flirt with psychedelia – most with the Middle Eastern flourishes blended beautiful with western rock and beat sounds! Wonderful stuff all around, regional garage psych beat grooves ripe for discovery! aIncludes "Uncle Chainmaker" by Zangoleah, "Avenue Of Love", "Way To Life" by Kambiz, "Take Leila Away" by Tigers, "Bartender" by Big Boys, "Rain And Rain" a great cover of the Rolling Stones hit "Play With Fire" by Takkhalha, "Shirley" by Ojubeha and more. LP, Vinyl record album

A stunning set of funky tracks from the Libyan scene – music that's not free in a "free jazz" sort of way, but which definitely shows a new sense of liberation in the way the group puts together their groove! The combo's headed by legendary arranger Najib Alhoush – and the style here is very much like American jazz funk from that 70s moment when things were tilting a bit more strongly towards the clubs – rhythms picked up, and often laced with lots of riffing guitar and wah wah work – but also touched with plenty of elements that mark the music as quite far from the American shores – not just in the lyrics, but also in the way that things are inflected with a special sort of cultural current. As always with Habibi Funk, the package is a revelation – a real discovery of music we never would have heard otherwise – with tracks that include "Al Qualb Mrayef", "Law Yom Saalak Had", "Anan Qualbi Ehtar", "Hawelt Nensa Ghalaak", "Mathasebnish", and "Arb Share'i". CD

A stunning set of funky tracks from the Libyan scene – music that's not free in a "free jazz" sort of way, but which definitely shows a new sense of liberation in the way the group puts together their groove! The combo's headed by legendary arranger Najib Alhoush – and the style here is very much like American jazz funk from that 70s moment when things were tilting a bit more strongly towards the clubs – rhythms picked up, and often laced with lots of riffing guitar and wah wah work – but also touched with plenty of elements that mark the music as quite far from the American shores – not just in the lyrics, but also in the way that things are inflected with a special sort of cultural current. As always with Habibi Funk, the package is a revelation – a real discovery of music we never would have heard otherwise – with tracks that include "Al Qualb Mrayef", "Law Yom Saalak Had", "Anan Qualbi Ehtar", "Hawelt Nensa Ghalaak", "Mathasebnish", and "Arb Share'i". LP, Vinyl record album