There's less disco here than you might expect, as the group's a very jazzy one – with tenor and flute from South African jazz legend Basil Coetzee, working next to the organ and drum machine of Pops Mohamed as he creates a very cool, unique groove! The music's an extension of other South African funk of the time, but given the use of drum machine on some tracks (a few feature live drum performances), there's a mix of modes going on here that's really unique – jazz funk, but of a leaner style – maybe a bit more laidback, and with plenty of focus on reedwork and keyboard solos! The set brings together tracks from three rare albums by the group – and titles include "Dark Clouds (part 1)", "Spiritual Feeling", "Night Express (single version)", "Kids In The Dark", "I'm Organized", and "Pops Blue". LP, Vinyl record album

A really funky set from the UK scene of the 70s – an album that mixes West African roots with some of the hipper elements going on in London at the time – a city where Remi Kabaka had been lending his talents to a variety of different records over the years! The set was issued by Island Records, and has the kind of cross-cultural groove the label did so well – and at some level, the record's sort of a second chapter in some of the African-influenced funk that was bubbling over on the London scene in the early 70s – maybe a bit sharper and tighter overall, but no less funky! The basslines are especially nice – nice and deep, with maybe an influence from Jamaican music, even though there's no reggae at all on the set. Titles include "Future Of 1000 Years", "All Black Festival", "African Hustle", "Blue Lagos", "Meteorite", "Sure Thing", and "Kabaka". CD

A really funky set from the UK scene of the 70s – an album that mixes West African roots with some of the hipper elements going on in London at the time – a city where Remi Kabaka had been lending his talents to a variety of different records over the years! The set was issued by Island Records, and has the kind of cross-cultural groove the label did so well – and at some level, the record's sort of a second chapter in some of the African-influenced funk that was bubbling over on the London scene in the early 70s – maybe a bit sharper and tighter overall, but no less funky! The basslines are especially nice – nice and deep, with maybe an influence from Jamaican music, even though there's no reggae at all on the set. Titles include "Future Of 1000 Years", "All Black Festival", "African Hustle", "Blue Lagos", "Meteorite", "Sure Thing", and "Kabaka". LP, Vinyl record album

A stunner of a joint effort from Ethio jazz funk visionary Mulatu Astatke and psych funk genre-busting combo the Heliocentrics – a record we had the highest hopes for and still find wildly above and beyond our loftiest expectations! The collective touch on some classic Mulatu compositions, but the bulk of the material here is brand new, and purely collaborative – if you know the Helioecentrics or you know Mulatu, you can clearly hear what each bring to the table – and it works together brilliantly! There's often a gritty funk bottom end, the best drums and percussion, fat electric bass lines underneath Ethio jazz inspired sax, trumpet, trombone and flute – swirling psychedelic flourishes with theremin and other effects that never take away from the groove. Mulatu's on vibes, percussion, Wurlitzer, drums and keyboards – and his compositions and the Helios trade back and forth throughout the set. There's some additional Ethiopian instrumentation and atmospheric vocals in the mix on some tunes, and more of an astral, avant funk vibe on others, but there's always a brilliant confluence of styles. Bottom line, the album is everything we wanted it to be and more – this will undoubtedly be favorite for years to come! Titles include "Masenqo", "Cha Cha", "Addis Black Widow", "Mulatu", "Blue Nile", "Esketa Dance", "Chik Chikka", "Live From Tiger Lounge", "Chinese New Year", "Phantom Of The Panther", "Dewel"., "Fire In The Zoo", "An Epic Story" and "Anglo Ethio Suite". (Deep Funk, Global Grooves) LP, Vinyl record album

Don't think "disco", think "funky jazz" – because this sweet South African group from the 70s is filled with lots of groovy twists and turns – all in a mode that's quite different than any of the American or European jazz albums we know from the time! The lineup here includes reed heavyweight Basil Coetzee on both flute and tenor sax – working in a quartet with some sublime organ lines from Pops Mohamed – who plays in this snakey sort of way that's a bit like South African jazz piano, but maybe even more flowing and moody. The grooves are sometimes funky, sometimes more modal – but always forward moving in a really great way, but again with a very fresh approach to rhythm! Titles include "Super Natural Love", "Yasmeen's Blues", "Night Express", "Odd's On", and "Echo On The Delay". LP, Vinyl record album

A really unique project from Philippe Samiguel – recorded in Bamako, where Samiguel has worked as a producer for many years – during which time he's pulled together ideas from all sorts of different projects, and forged them into a new groove of his own! Samiguel's worked most famously with Samba Toure – who's here on the record alongside other artists who include Hugo Race, Mariam Kone, Mamadou Sidibe, and others – working on music that has roots in Malian blues, Tuareg guitar, and other west African modes – but which has a quality that's also very much all its own. There's an experimental nature to the project that takes us back to some of the best global experiments from the early days of the Crammed label – and titles include "Are U Satisfied", "The First Tone", "Minamba", "Heaven Sands", "Mad Girl Lament", "Quicksand Blues", and "Golden Cage". CD

An amazing set that documents the early years of the Zamrock scene – the funk and psych informed Afro Rock pioneered by vocalist and African guitar legend Rikki Ililonga and his group Musi-O-Tunya in Zambia from 1973 to 1976 – and compiled beautifully in this great set from Now Again/Stones Throw! It's incredible stuff that blends fuzzed out guitar psychedelia, raw rhythms and brass-heavy funky soul. Ililonga's legacy is represented strongly on the record made by the group he founded, Musi-O-Tunya – who work with electric guitar, bass, sax, western and African drums and percussion – as well as the Zambia album, credited to Rikki Illilonga, in which he sings and plays all instruments except trumpet. The set also includes his Sunshine Love album, in which he sings and plays all instruments except bass and drums – and a it's got a rawer, bluesier psych soul approach overall. The CD version compiles most tracks from those albums plus Musi-O-Tunya's Wings Of Africa LP and bonus tracks from 7-inches from the time. 31 tracks on 2 CDs and comes a great, book-bound package with extensive liner notes by Eothen Alapatt and an interview of Ililonga by Eothen. Disc one includes Musi-0-Tunya tracks "Tsegulani", "Mpondolo", "Walk And Fight", "The Sun", "Dark Sunrise", "The Wings Of Africa", "Jekete Yamankowa" (Parts 1 & 2), "Mpulula", "Smoke" and more. Disc 2 features tracks from the Rikki Ililonga cuts "Sansa Kuwa", "Sheebeen Queen", "Stop Dreaming Mr D", "The Nature Of Man", "The Queen Blues", "Working On The Wrong Thing", "Sunshine Love", "Angel Black" and more. CD