After hitting big success with Paul Simon's Graceland album in the mid 80s, Warners kind of had a little burst of renewed activity in recording the sorts of artists they paid attention to more in the glory days of the late 60s/early 70s record industry boom. Fortunately, Miriam Makeba benefitted from that surge of activity, and was able to cut this excellent album in a style that was far rootsier than any she'd used in years! The record has a pretty spare feel overall, and most tracks only feature vocals and percussion – with some occasional extra instrumentation, and production that's very much in the Ladysmith Black Mambazo mode from the time. titles include "Sabumoya", "Congo", "Icala", "Ihoyiya", and "Embahaceni". LP, Vinyl record album

A big crossover hit for Osibisa – a record that has the group softening up their groove slightly from the heady days of the Roger Dean album covers, yet still retaining enough Afro Funk to keep things interesting! If anything, the rhythms here are a bit pan-global – sometimes hard and heavy, sometimes lighter and more focused on the melodies of the tunes, especially on the catchier numbers – and instrumentation includes plenty of horns and percussion! Titles include "African Jive", We Belong", "Home Affairs", "Osibirock", and "Kelele". LP, Vinyl record album

The Nigerian scene might be best-remembered as a hotbed of Afro Funk in the 70s – but during the same key stretch, the nation also gave rise to a heady rock underground, too – one that often mix psychedelic inspirations with some of the soul and funk that were coming from the bigger names on their scene at the time! In other words, there's plenty of guitars here – but also plenty of groove – basslines that really get the tunes going, and a mix of funky drums and rootsy percussion that make the music way more than just standard rock of the time – and even a lot groovier than some of the Zamrock or South African sounds that got a bit more exposure. The package is as great as the sound within – a big book that's filled with detailed notes on the music, the scene, and the tumultuous Nigerian politics of the period – plus lots of photos and images as well! The collection features 18 tracks in all – titles that include "Mother" by Waves, "Never Never Let Me Down" by Formulars Dance Band, "Keep On Moving" by The Hygrades, "Everybody Likes Something Good" by Ify Jerry Krusade, "Onye Ije" by The Strangers, "Stone The Flower" by The Hykers, "Never Too Late" by The Apostles, "Tell Me" by PRO, "Float" by Tirogo, "I Can't Be Satisfied" by Founders 15, and "Ballad Of A Sad Young Woman" by Wrinkar Experience. LP, Vinyl record album

Led by Big Boy Dansoh. LP, Vinyl record album

Wonderfully fuzzy work from Amanaz – one of the trippiest, headiest groups of the Zamrock scene of the 70s! The guitars here are very full and present – not at a hit you over the head jamming label, but with this rich sonic element that has lots of bassy undercurrents – at a level that makes the album a head-nodding gem all the way through – poised perfectly between some of the more psyche styles of the African scene of the time, and some of the more thoughtful singer-songwriter material. The group have a quality that's surprisingly deep – very soulful, and with a subtle power that comes through strongly – thanks to a mostly-English batch of lyrics (although a few tunes here are in their native Bemba.) No cuts are all-out funky, but all have this great slow-funk sort of charm – and titles include "I Am Very Far", "Sunday Morning", "Khala My Friend", "Green Apple", "Africa", "Making The Scene", "Easy Street", "Big Enough" and "Kale". LP, Vinyl record album