An obscure later album from Wally Badarou, but one that still continues the wonderful vibe he served up on his Island Records material in the early 80s – a blend of Caribbean roots, funky soul, and some sweet electronic touches! The album is all instrumental, and blends percussion – both electric and acoustic – with basslines, keyboards, and some other instrumental touches along the way – all shaped with some global inspirations, but mostly groove-heavy, although in a nicely laidback way! If you dug Wally's work in years past, you'll find plenty to love here – on titles that include "The Lights Of Kinshasa", "Pictures Of You", "Keep On Tryin", "Dance In The Dust", "Amber Whispers", "Crystal Falls", and "Purple Lines". (Soul, Global Grooves) LP, Vinyl record album

Maybe the best-known international album from Sidiku Buari – an artist who recorded some killer sets in his native Ghana, but who got a rare chance to work here in the US for this album – which features some tight funky elements by Bernard Purdie on drums, Paul Grivvin on keyboards, and Lou Hemsey on guitar! Hemsey arranged, and there's a gritty vibe to the record that's like some of the best RCA label funk of the time – such as work by the Nite Liters – mixed with some other touches that show Buari's roots on the West African scene – served up in a hybrid that's arguably more successful here than most overseas projects of this nature! Titles include "Ku Ku Maria", "Advice From Father", "Iro Le Pa", "Oh Africa", "Peace", "Then Yebtheyet", and "Karam Bani". LP, Vinyl record album

Although most Nonesuch Explorer sessions were ethnographic ones, recorded in the field by the label's engineers – this one's a studio session, recorded in New York by a group that's reputedly from Ghana, but which seems to be kind of a "fake" one from our perspective. Why? Well, because Charles Earland's playing tenor, for one – and although his native Philly was kind of far away from New York, we never heard it referred to as "Ghana"! Other players here are US-based jazz ones, too – like drummers Sonny Morgan and Robert Crowder, vibist Garvine Masseaux, and bassist George Brooks. The set's still got a strong High Life sound to it – but it also has jazz flourishes, too, in the way that was used some of the Art Blakey Afro-Drum experiments from the same time. Titles include "Ebony", "Bus Conductor", "Saturday Night", and "Sugar Soup". LP, Vinyl record album

A mad batch of funky grooves, with a world's worth of influences in the mix – elements of African, Indian, and other styles – all wrapped around some mighty funky instrumentation at the core! One track has a bit of sitar, another some Ethio organ, one more some Nigerian rhythms – and the album progresses with a lean vibe that makes each of these cultural references nicely unified next to the sharp funky instrumentation at the core! Without the global elements, the set would already be a great funk record – but with them alongside, it really soars to the skies – on titles that include "Mehal Safari", "Flugzeug String Machine", "Tilahun", "The Chase", "Stranger To Myself", and "Seven Wisdoms Of Plutonia". (Deep Funk, Global Grooves) CD

Excellent work from one of the funkiest steel bands around – a totally hip combo who just seem to be getting better and better with each new release! This time around, they've stepped up the beats even more than before – mixing their 70s funk and steel drum work with just a slight current from hip hop production – all of which almost makes you feel like Wu-Tang made a trip to the Caribbean, then came back with these tapes as a result! There's also some additionally cool touches in the horns – used with maybe some slight Ethio jazz inflections at points – alongside other elements that really help move the Bacao aesthetic forward in a mighty nice way. Titles include "Hotline Bling", "Grilled", "How We Do", "Hazy Memories", "In The Crosshairs", "The Champion's Walk", and a very cool take on the "Stranger Things Theme"! CD

Excellent work from one of the funkiest steel bands around – a totally hip combo who just seem to be getting better and better with each new release! This time around, they've stepped up the beats even more than before – mixing their 70s funk and steel drum work with just a slight current from hip hop production – all of which almost makes you feel like Wu-Tang made a trip to the Caribbean, then came back with these tapes as a result! There's also some additionally cool touches in the horns – used with maybe some slight Ethio jazz inflections at points – alongside other elements that really help move the Bacao aesthetic forward in a mighty nice way. Titles include "Hotline Bling", "Grilled", "How We Do", "Hazy Memories", "In The Crosshairs", "The Champion's Walk", and a very cool take on the "Stranger Things Theme"! LP, Vinyl record album

A really fantastic idea for a project – and one that comes off even better than we would have guessed – new versions of classic grooves from the nations of Cabo Verde and Guinea Bissau, performed by a really well-matched group of singers and musicians, in a mode that's quite different than the usual revival record of this nature! The songs are definitely classics, but the presentation is very contemporary – directed by producer Guts, and Francisco Sousa, with a special ear for avoiding the sorts of cliches that both mar a project like this, and some of the stereotypes that get reinforced by reissues on the market. Instead, there's a fresh criss-crossing of cultures, but one that never waters down the roots at all – maybe a bit like some of the best Parisian productions of the 70s and 80s post-colonial years. Titles include "Dunia Be Tene", "Riba Bass Di Mi", "Citi Ku Liti", "No Guinea", "Mulato Ferrera", "Segunda", and "Di Mas". LP, Vinyl record album

A really heady album with a nicely trippy vibe – almost as if some of the spirit of Kingston had seeped into a more psychedelic West African setting – with a really wild, unique album as the result! There's some great slow-stepping rhythms on the set, very heavy on bass – and the vocals of singers Danny Black and Moore Black are often recorded with a bit of echo that brings out all these cool qualities – and which, with the bass, almost make the whole thing feel like a more laidback take on territory explored a few years earlier by Cymande! The set's also got some lean keyboards sewing the rhythms together, but never getting in the way of the darkness of the grooves – on titles that include "I'm A Living Man", "I Know You Know What I Know", "Be What You Are", "Smiling Girl", and "Doing It If You Can". LP, Vinyl record album

It's been quite a few years since Bombino's previous record – and in that time, it almost feels as if he's locked himself up somewhere and learned how to be even more amazing on guitar! His sense of sound, tone, and timing is incredible – and the record's one of those Tuareg sets that can easily stand next to Anglo greats from the years of psych and hard rock – but with that special sub-Saharan quality that also makes a player like Bombino so unique – as he spins out long lines of freedom and fuzz over plenty of driving rhythms! Titles include "Darfuq", "Alwane", "Tazidert", "Aitma", Si Chilan", "Mes Amis", "Ayes Sachen", and "Nik Sant Awanha". LP, Vinyl record album

It's been quite a few years since Bombino's previous record – and in that time, it almost feels as if he's locked himself up somewhere and learned how to be even more amazing on guitar! His sense of sound, tone, and timing is incredible – and the record's one of those Tuareg sets that can easily stand next to Anglo greats from the years of psych and hard rock – but with that special sub-Saharan quality that also makes a player like Bombino so unique – as he spins out long lines of freedom and fuzz over plenty of driving rhythms! Titles include "Darfuq", "Alwane", "Tazidert", "Aitma", Si Chilan", "Mes Amis", "Ayes Sachen", and "Nik Sant Awanha". LP, Vinyl record album

An album that became an instant legend in global music circles – the recorded debut of Victor Deme, a guitarist and singer who'd been working in his native Burkina Faso for over 30 years before getting the chance to step inside a studio! The turn "studio" might be a loose one here – as the album was recorded on a four track, in a distant space in the country – but has a vibrancy that beats most other bigger label releases of the time – thanks to a tremendous power in Deme's vocals, which have a raspy presence that grabs you far beyond just an understanding of language – and which are often matched by guitar work from Issouf Diabate, who inflects these subtle bluesy elements that spark new colors in the songs, but in a nicely understated way. A record with a very unique sound, and a lasting classic – with titles that include "Dankan", "Tama Ngogon", "Dala Mogoya", "Djon Maya", "Toungan", "Cherie", "Burkina Mousso", and "Djarabi". LP, Vinyl record album

A stunner of a set from the 70s African scene – and a record that may well be a lot rawer and harder than most that you have in your collection! Ferry Djimmy was originally a boxer, and spent time outside of his native Benin – but on a return to the country in the early 70s, he cut this cooker of a record – one that's completely unbridled and stripped-down – with a lot leaner vibe than most other African funk of the time! Many cuts just have basslines, percussion, and guitar – tight and sinister, and driving forward with non-stop action while Ferry sings the lyrics in a very earthy style. The whole thing's incredible – and titles include "Be Free", "When I Come In The Road", "Young Revolution", "Carry Me Blak", "Ichango", "Love Love", "Chiriki Man", and "Start To Pray". LP, Vinyl record album

Some of the most obscure work ever recorded by Lebanese singer/songwriter Roger Fakhr – late 70s recordings that were originally only circulated on tape within a small community of friends and supporters, and material that has a vibe that almost feels like some of the best late 60s material from the American scene! Roger sings in this beautifully moody vocal style that's maybe somewhere between Bill Fay and Fred Neil – and the instrumentation, while gentle, is also well-pointed – so that slight electric elements mix with acoustic guitar in a very cool way, and always with a sense of arrangement and production that really distances these tracks from any sort of home recordings or demos. Plus, vocals are in English throughout – which furthers the Cali vibe of the material – and the whole thing could well be the record that gets the rest of the world to pay attention to Fakhr's overlooked genius! Titles include "Down To My Bones", "You Look So Funny", "Had To See Harry", "Drinking Tea", "Rainhill", "Road Of Farewell", and "East Of Any Place". CD

Some of the most obscure work ever recorded by Lebanese singer/songwriter Roger Fakhr – late 70s recordings that were originally only circulated on tape within a small community of friends and supporters, and material that has a vibe that almost feels like some of the best late 60s material from the American scene! Roger sings in this beautifully moody vocal style that's maybe somewhere between Bill Fay and Fred Neil – and the instrumentation, while gentle, is also well-pointed – so that slight electric elements mix with acoustic guitar in a very cool way, and always with a sense of arrangement and production that really distances these tracks from any sort of home recordings or demos. Plus, vocals are in English throughout – which furthers the Cali vibe of the material – and the whole thing could well be the record that gets the rest of the world to pay attention to Fakhr's overlooked genius! Titles include "Down To My Bones", "You Look So Funny", "Had To See Harry", "Drinking Tea", "Rainhill", "Road Of Farewell", and "East Of Any Place". LP, Vinyl record album

A great double-length set that collects 2 rare sessions from late in Fela's career! Don't be put off by the date, though, because the material's great – and has that tight hard Afro Beat groove that you'll know from Underground System, another session from around the same time. "ODOO" is over 30 minutes long, with a tight choppy groove, and a very nice hook! "CBB – Confusion Break Bones" is a nice groover too, and is also nearly 30 minutes long! CD

One of the most compelling Bill Laswell productions of the 90s – partly because the work of Maleem Mahmoud Ghania is so great – and also because tenor genius Pharoah Sanders turns in some great work on the set! The core sound comes from Ghania's roots in gnawa – vocals and guimbri from the leader, mixed with rising voices and percussion from a larger ensemble – the topped with the sorts of searing solos that only Pharoah can deliver – usually at a level that's a lot more outside than most of his other recordings of the period! Unlike some other Laswell records, Bill doesn't seem to be involved at all in the music – and instead really just steps back and lets Sanders and Ghania really work magic together with the rest of the ensemble – on titles that include "Bala Moussaka", "Peace In Essaouria", "Salat Anbi", "Mahraba", "Casa Casa Atougra", "Boulandi Samawi", and "Hamdouchi". CD

One of the most compelling Bill Laswell productions of the 90s – partly because the work of Maleem Mahmoud Ghania is so great – and also because tenor genius Pharoah Sanders turns in some great work on the set! The core sound comes from Ghania's roots in gnawa – vocals and guimbri from the leader, mixed with rising voices and percussion from a larger ensemble – the topped with the sorts of searing solos that only Pharoah can deliver – usually at a level that's a lot more outside than most of his other recordings of the period! Unlike some other Laswell records, Bill doesn't seem to be involved at all in the music – and instead really just steps back and lets Sanders and Ghania really work magic together with the rest of the ensemble – on titles that include "Bala Moussaka", "Peace In Essaouria", "Salat Anbi", "Mahraba", "Casa Casa Atougra", "Boulandi Samawi", and "Hamdouchi". LP, Vinyl record album