Maybe one of the warmest recordings we've ever heard from pianist Vijay Iyer – but that's maybe no surprise, as the session is graced with these sublime vocals from singer Arooj Aftab – and delivered in a style that's much more than standard jazz! Iyer plays Fender Rhodes and piano, and adds in a bit of electronics – while Shahzad Ismaily uses moog and a vintage Fender bass – all flowing effortlessly, while Aftab brings in these vocal moments that feel both ancient and yet have a sense of new global horizons too – recorded with just a touch of echo that might evoke vintage 4AD. Titles include "Sharabi", "Eyes Of The Endless", "Shadow Forces", "To Remain/To Return", and "Haseen Thi". LP, Vinyl record album

A stunner of a set from the 70s African scene – and a record that may well be a lot rawer and harder than most that you have in your collection! Ferry Djimmy was originally a boxer, and spent time outside of his native Benin – but on a return to the country in the early 70s, he cut this cooker of a record – one that's completely unbridled and stripped-down – with a lot leaner vibe than most other African funk of the time! Many cuts just have basslines, percussion, and guitar – tight and sinister, and driving forward with non-stop action while Ferry sings the lyrics in a very earthy style. The whole thing's incredible – and titles include "Be Free", "When I Come In The Road", "Young Revolution", "Carry Me Blak", "Ichango", "Love Love", "Chiriki Man", and "Start To Pray". LP, Vinyl record album

A hell of a live set from Turkish percussionist Okay Temiz – a musician who's probably best known for his work with Don Cherry, but who really takes off here at the head of his own group Oriental Wind – in a performance that bubbles over with fusion instrumentation and plenty of global inspiration! The players aren't listed on the jacket, so we can't tell you who does what – but the group features some excellent electric piano and saxophone solos – nicely stretched out, and driven very strongly by Okay's work on the kit. There's a vibe here that's almost a more global take on the territory of Weather Report in their early years – and titles include "Surf On The Nile", "North Of Map", "Saxophone In A Tunnel", and "Moon". (Jazz, Global Grooves) LP, Vinyl record album

An album that really lives up to its title, and one that brings together a host of rare singles from this legendary group – all of which are maybe even funkier than some of the tracks on their albums of the time! The bulk of the record is from very rare 7" singles issued on the Albarika Store label, and the set's completed by two rare compilation cuts as well – and the result is a record that's overflowing with hard-edged gems that really show off the unique funky sound of the TP Orchestra Poly Rhythmo – lots of heavy drums at the bottom, cool criss-crossing organ lines, and a style that's a lot leaner than that of Fela and some of his contemporaries. Titles include "Mi Si Ba To", "Minko E So Non Moin", "Gbeti Ma Diro", "Segla", "Kou Tche Kpo So O", "Mi Ve Wa Se", and "Aiha Ni Kpe We". LP, Vinyl record album

Most folks can't even find Estonia on the map, much less tell you about its music – yet that might change soon, thanks to the legendary quality of the rare gems on this set! As the title implies, there's a great mix here of funky styles – some clubby, some more jazz-based – and the music represents a really lost legacy of grooves from a very unlikely source – tracks that are nicely different than some of the other Eastern Bloc material from the period, and which often have a cool, classy vibe that's quite a nice surprise! The track selection here is every bit as great as the wonderful first volume – and titles include "Maskeraad" by Marju Kuut & Apelsin, "Nuud On Mul Muusika" by Laine, "Mind Veel El Ole (short inst)" by Jaan Kumani, "Veerev Paev" by Els Himma, "On See Hea (inst)" by Pirita, "Malestus (short)" by Eesti TV & Radio, and "Hoia Ennast Koos" by Teravik. (Funky Compilations, Global Grooves) LP, Vinyl record album

A mindblowing look at a really stunning musical moment in Indonesia – a postwar period when older sounds from the nation were updated with more western-styled instrumentation – yet often at a level that still retained all of the charm of their roots! If you dig Indonesian gamelan or vocal performances, you'll find plenty to love here – as rhythmic and melodic elements from those worlds are mixed with jazz instrumentation, electric guitar, and plenty of percussion that often seems to draw a bit from Latin inspirations as much as it does from larger local ensembles and their musical legacy. The style is maybe a bit like musical shifts that were taking place in other Southeast Asian nations at the time – but the results are far less slavish to western pop, and still really retain all the cultural care of earlier years – sometimes in ways that are a lot more lean and personal, with extremely beautiful sounds throughout. Maybe one of the best collections the Soundway label has ever given us – with the usual detailed notes, and tracks by artists who include Orkes Kelana Ria, Mus DS, Zaenal Combo, Yanti Bersuadara, Band Nada Kentjana, Orkes Tropicana, Nada Kantjana, and Chris Byantoro. LP, Vinyl record album

A really heady album with a nicely trippy vibe – almost as if some of the spirit of Kingston had seeped into a more psychedelic West African setting – with a really wild, unique album as the result! There's some great slow-stepping rhythms on the set, very heavy on bass – and the vocals of singers Danny Black and Moore Black are often recorded with a bit of echo that brings out all these cool qualities – and which, with the bass, almost make the whole thing feel like a more laidback take on territory explored a few years earlier by Cymande! The set's also got some lean keyboards sewing the rhythms together, but never getting in the way of the darkness of the grooves – on titles that include "I'm A Living Man", "I Know You Know What I Know", "Be What You Are", "Smiling Girl", and "Doing It If You Can". LP, Vinyl record album

A beautiful debut from Pedro Ricardo – an artist with a name that sounds like a contemporary of the MPB scene in 70s Brazil – and one who works here with a rock-solid sound that might easily place him in that legacy! Pedro's music is definitely contemporary, and he's Portuguese, not Brazilian – but shares the same language, and the same sort of temporal spanning of some of our current favorites from the Brazilian underground – effortlessly blending elements of jazz and more rootsy expressions, sometimes with modern inflections, sometimes a lot more earthy overall! There's plenty of wonderfulness happening here – a truly individual statement from an artist we'll be keeping our ears on for years to come – on titles that include "Soprem Bons Ventos", "Entre O Vale E O Eco", "Tema 2", "Deheba", "Ode Ao Gato", "A Marcha Que O Monte Parou", and "Cantar Das Kandakinhas". LP, Vinyl record album

A really great South African group from the early 80s – and one with a sound that's a lot funkier and clubbier than most of the music from their scene that was being sent out through the world music market! Instead, the vibe here is like some of the coolest club tracks of the time – both underground New York work from the electro scene, and some of the more keyboard-heavy tracks that were showing up in the more Cosmic Euro dancefloors – served up with an approach that often has vocals just egging on the instrumentation, instead of the other way around – as keyboards and basslines take the lead on titles that include "Keep On Moving", "Picnic", "Let's Go Dancing Boogie Boogie", "Starlight", "Jah Jay Love", and "Picnicing". LP, Vinyl record album

... LP, Vinyl record album

It's been quite a few years since Bombino's previous record – and in that time, it almost feels as if he's locked himself up somewhere and learned how to be even more amazing on guitar! His sense of sound, tone, and timing is incredible – and the record's one of those Tuareg sets that can easily stand next to Anglo greats from the years of psych and hard rock – but with that special sub-Saharan quality that also makes a player like Bombino so unique – as he spins out long lines of freedom and fuzz over plenty of driving rhythms! Titles include "Darfuq", "Alwane", "Tazidert", "Aitma", Si Chilan", "Mes Amis", "Ayes Sachen", and "Nik Sant Awanha". LP, Vinyl record album

It's been quite a few years since Bombino's previous record – and in that time, it almost feels as if he's locked himself up somewhere and learned how to be even more amazing on guitar! His sense of sound, tone, and timing is incredible – and the record's one of those Tuareg sets that can easily stand next to Anglo greats from the years of psych and hard rock – but with that special sub-Saharan quality that also makes a player like Bombino so unique – as he spins out long lines of freedom and fuzz over plenty of driving rhythms! Titles include "Darfuq", "Alwane", "Tazidert", "Aitma", Si Chilan", "Mes Amis", "Ayes Sachen", and "Nik Sant Awanha". LP, Vinyl record album

The first album from the Black Children Sledge Funk Band – a combo who've got a sound that's a lot more lean than their name – with plenty of the funk that you might expect, mixed with some of the slightly trippy elements of the Zamrock generation too! The vocals are processed in a really cool way, and layered down next to the guitar – which often has some nice effects as well – all of which creates this swirlingly seductive sound on top of the funky rhythms at the core! Titles include "Mr Who", "Love Is Fair", "Funky Child", "Another Girl", "Hard Life", "Sledger Afro Funk", and "Feelings I've Got". LP, Vinyl record album

Never-heard lost work from Indian guitarist Amancio D'Silva – a musician who created one of the most legendary albums in the Lansdowne Series at the start of the 70s, still turning out incredible sounds over a decade later! The album's very much out of time – with currents of jazz and Indian music balanced equally, and at a level that's so much different than other experiments of this nature – very organic, and really taking the time to find the right vibe on each of the album's long, beautiful tracks! In addition to D'Silva on guitar, the group also includes Lyn Dobson on flute, Clem Alford on sitar, and Jahlib Millar on tablas – flowing beautifully with Amancio on tracks that include "Raag Bhairagi", "Song For Francesca", "Sapana", and "Raag Kafi". (Jazz, Global Grooves) LP, Vinyl record album

A definite disco sensation from Babla – a singer who refits older Indian film songs with new club grooves for the 80s – definitely very much in the mode that's promised by the title! The set features older songs by Shankhar Jakishan, Kalyanji Anadji, and Hemant Kumar – plus a few originals by Babla too – and the instrumentation also has a fair bit of keyboards in the mix, which creates this spacey disco vibe that's not unlike some of the more cosmic club tracks coming from the European scene at the start of the 80s! Rhythms are all upbeat, and the keyboards give the music a darker edge than you might expect – on titles that include "Aye mere Dil Kahin Aur Chal", "Intian Aartis", "Hamko Tumpe Pyar Aaya", "Kabhi Hota Nahin", and "Man Dole Mera Tan Dole". LP, Vinyl record album

A really fantastic idea for a project – and one that comes off even better than we would have guessed – new versions of classic grooves from the nations of Cabo Verde and Guinea Bissau, performed by a really well-matched group of singers and musicians, in a mode that's quite different than the usual revival record of this nature! The songs are definitely classics, but the presentation is very contemporary – directed by producer Guts, and Francisco Sousa, with a special ear for avoiding the sorts of cliches that both mar a project like this, and some of the stereotypes that get reinforced by reissues on the market. Instead, there's a fresh criss-crossing of cultures, but one that never waters down the roots at all – maybe a bit like some of the best Parisian productions of the 70s and 80s post-colonial years. Titles include "Dunia Be Tene", "Riba Bass Di Mi", "Citi Ku Liti", "No Guinea", "Mulato Ferrera", "Segunda", and "Di Mas". LP, Vinyl record album

Totally cool, totally amazing music from the enigmatic Francis Bebey – a contemporary on the early 80s African scene of William Onyeabor, and an equally experimental artists! Bebey used a fair bit of electronics, but often with sounds that had acoustic roots – in this case, the ultra cool sansa, which is a similar thumb piano to the kalimba – amplified here in really great ways, and mixed with some moody, dark elements throughout! The music has much more of a 70s vintage than you'd guess from the dates on the record – thanks partly to the raw percussion, and very offbeat production – which sometimes is mellow, sometimes bursts out in these shocking waves of sound. Titles include "Sanza Tristesse", "Forest Nativity", "Sunny Crypt", "Ngoma Likembe", "Guinee", "Di Saegi", and "Binta Madiallo". LP, Vinyl record album

Don't think "rock", think "groove" – because oud player John Berberian takes his instrument into some very groovy territory here – mixing its Mid-East roots with a sweet array of modal rhythms and psychedelic elements – all of which make for an album that's even trippier than you'd guess from its cover! The album's one of the few "jazz meets world" sets that really gets things right – bringing together different global elements to come up with a sound that's wonderfully new and fresh – and which moves the whole thing way past its roots in Turkish, Greek, Armenian, and North African styles! Joe Beck plays some great electric guitar on the record – but the main string focus is on the oud, which Berberian uses with this exotic tinge that rivals the instrument in the hands of Ahmed Abdul-Malik on his own albums like this. The lineup also includes tenor and other reeds from Souren Baronian, plus other percussion, and nice use of electric bass to hold the whole groove together – and titles include "The Oud & The Fuzz", "Tranquility", "Chem-oo-Chem", "Iron Maiden", "Flying Hye", "3/8=5/8=8/8", and "The Magic Ground". LP, Vinyl record album

A Caribbean group, but one with a much heavier groove than most – much more of a West African vibe overall, with a very heady mix of percussion, bass, and other heady elements! There's a mixed-up, dubby approach to the music that almost recalls Cymande at times – core musical ideas taken nicely far from their roots – not in a way to make them more commercial, but just to shake things up, recombine then, and come up with a sound that's wonderfully unique! The whole thing is every bit as funky as you might expect, and really criss-crosses scenes and styles with a blend of percussion, guitars, flute, kalimba, keyboards, and Arp. The production is great – nice and moody, with just the right current of echo – and all titles were penned by lead singer Oluko Imo, with tracks that include "Ifetayo", "You People", "Saved Musician", "Kilimanjaro", "Aspire", and "Umbala". This edition also features the bonus track "Imo". LP, Vinyl record album