Killer soul from the 60s – a wonderfully rich array of hard soul grooves – all with a superb pedigree! The "At" here is short for "Atlantic" – as in Atlantic Records, the source of all the very groovy cuts on this set – as well as some from the early years of Stax Records too! But if you're thinking the collection's just another batch of overplayed Atlantic soul hits from the 60s, then think again – because the track selection is wonderful, and the compilation goes out of its way to pick lesser-known gems and rare singles – including some by artists we didn't even realize recorded for Atlantic! There's definitely a few familiar cuts on here, but there's lots more that were only briefly issued as 45s – as you'll hear on titles that include "Holding On With Both Hands" by Eddie Floyd, "Able Mable" by Mable John, "Walking Up A One Way Street" by Willie Tee, "At The Club" by The Drifters, "It Ain't What You Got" by Jimmy Hughes, "Help Me Get The Feeling" by Ray Sharpe, "Some Other Guy" by Richie Barrett, "I'm Gonna Run Away From You" by Tami Lynn, "Que Sera Sera" by The High Keys, "Keep Lookin" by Solomon Burke, and the amazing "Some Kind Of Wonderful" by Soul Brothers Six, a monster track that is worth the price of the CD alone! (Soul, Funky Compilations) CD

Loads of killers that played big in the Carolina scene – including "Te Ta Te Ta Ta" by Ernie K Doe, "Across The Street" by Lenny O'Henry, "Fat Boy" by Billy Stewart, "39 21 46" by Showmen, "Thank You John" by Willie Tee, "Quiet Place" by Garnett Mims, "You Keep Telling Me Yes" by Cannonball, "Would You Believe" by Tempests, "Ms Grace" by Tymes, "Shaggin" by Band Of Oz, "Hey Hey Baby" by Swinging Medallions, and "Summertime's Callin Me" by Catalinas. (Soul, Funky Compilations) LP, Vinyl record album

The funky side of New Orleans soul – from a series that has been giving us some of the best underground nuggets for many years, and at a level that goes farther than most of the 60s-centric collections of Crescent City funk! This time around, there's a great rare unissued track from Robert Parker – the excellent instrumental take of "The Hiccup", paired with his vocal version of the tune too – next to titles that include "What's His Name Black Samson" by Willie West, "Stink Bomb" by Eddie Bo, "Tweedie Pie" by Raymond Winnfield, "Da Boys From Across The Tracks" by George Porter's Joy Ride, "Accept What You Expect" by Louisiana Purchase, "Water Hole" by Sam & The Soul Machine, "Things Could Be Better" by Raymond Winnfield, and "Sweet Thing" by Willie Tee. LP, Vinyl record album

A great look at the huge influence on 60s soul from Burt Bacharach – a rich legacy that goes way beyond the big hits from Dionne Warwick, to include a wealth of work from artists you might not expect! Back in the early days, Burt was the tall white guy running around the Brill Building – where he made key connections to a range of different artists, and was able to already hit the ground running – with a huge legacy that would go onto inform soul singers for years to come! In fact, we'd almost say that Bacharach's music sounds even better in the hands of these singers than in more mainstream pop artists – and although a few of these cuts are well-known hits, you'll find plenty more great ones here to discover. Titles include "Alfie" by The Delfonics, "Reach Out For Me" by Willie Tee, "Message To Martha" by Jerry Butler, "Long After Tonight Is All Over" by Irma Thomas, "Another Tear Falls" by Marv Johnson, "Walk On By" by Gloria Gaynor, "Anyone Who Had A Heart" by The Orlons, "The Look Of Love" by Nina Simone, "Forgotten Man" by Gene McDaniels, "A House is Not A Home" by Mavis Staples, "Don't Make Me Over" by Brenda & The Tabulations, "This Empty Place" by Cissy Houston, and "My Little Red Book" by Tony Middleton with Bacharach himself! (Soul, Funky Compilations) CD

A set with "modernity" as the title, but a batch of tracks that sound plenty old all the way through – mostly the kind of upbeat soul tracks that played big with the 60s mod scene in London! Yet this isn't the usual collection of mod classics – as the work here is very obscure, and served up in the mix of rare singles and unreleased material that we totally love on other Ace/Kent Records collections – presented with great sound, and very detailed notes that are as fun to read as the songs are to hear! All the artists are American, and look very different than the dapper British gents on the cover – soaring out in a set list that includes "Deuces Wild" by Gary & Gary, "Just Can't Help Myself" by Birdlegs & Pauline, "Oh Lady Be Good" by Charles Hodges, "The Hawg (part 2)" by Eddie Kirk, "See See Rider" by Byrdie Green, "Walk Home With Me" by Ike & Tina Turner, "Sundown" by The Merced Blue Notes, "Go Away With Me" by Hollis Dixon & The Keynotes, "I Found A Little Girl" by Eddie Bo, "The Bounce" by Jackie Lee, "Earthquake" by The Fashionettes, "Air Travel" by Ray & Bob, "That's All I Want" by King Carl, "The Warm Up (part 1)" by Clifton White & His Royal Knights, "Soul Grabber" by Willis Jackson, and "Who Knows" by Willie Tee. CD

The birth of Miami soul, and a beautifully done document of the rare Deep City label – home to Willie Clarke, Clarence Reid, and Betty Wright in the years before Alston and TK Records! Way before Miami soul started cracking the charts at the start of the 70s, Deep City was already putting the best parts in place – working with a tight roster of artists and an equally tight in-house band that rose from the ranks of Florida A&M's Marching 100 band – razor-sharp instrumentalists who helped forge a groove worthy to rival the sounds of Memphis, Muscle Shoals, and even the best of Detroit at the time – given that some of the work here has a much sweeter soul sound than other 60s southern soul. As usual, the Numero team have done an incredible job with the package – pulling out rare photos, personal stories, and just the right amount of information to breathe new life into the Deep City label and help it live anew. CD features 17 tracks in all – including "Paralyzed" and "Good Lovin" by Betty Wright, "Am I A Good Man" by Them Two, "Someone To Fulfill My Needs" and "I Love You Baby" by The Moovers, "I Am Controlled By Your Love" and "Willing & Able" by Helene Smith, "Good Thing (part 1)" by Frank Williams & The Rocketeers, "It's My Baby" and "The Upset" by Paul Kelly, and "Stay Away From My Johnny" by Freda Gray & The Rocketeers. CD

The birth of Miami soul, and a beautifully done document of the rare Deep City label – home to Willie Clarke, Clarence Reid, and Betty Wright in the years before Alston and TK Records! Way before Miami soul started cracking the charts at the start of the 70s, Deep City was already putting the best parts in place – working with a tight roster of artists and an equally tight in-house band that rose from the ranks of Florida A&M's Marching 100 band – razor-sharp instrumentalists who helped forge a groove worthy to rival the sounds of Memphis, Muscle Shoals, and even the best of Detroit at the time – given that some of the work here has a much sweeter soul sound than other 60s southern soul. As usual, the Numero team have done an incredible job with the package – pulling out rare photos, personal stories, and just the right amount of information to breathe new life into the Deep City label and help it live anew. CD features 17 tracks in all – including "Paralyzed" and "Good Lovin" by Betty Wright, "Am I A Good Man" by Them Two, "Someone To Fulfill My Needs" and "I Love You Baby" by The Moovers, "I Am Controlled By Your Love" and "Willing & Able" by Helene Smith, "Good Thing (part 1)" by Frank Williams & The Rocketeers, "It's My Baby" and "The Upset" by Paul Kelly, and "Stay Away From My Johnny" by Freda Gray & The Rocketeers. CD

A fascinating look at musical modes in London during the big years of postwar immigration – a time when former residents of the crumbling British Empire were flooding to London for jobs and a better way of life – often bringing along a huge amount of cultural experience in the process! This set follows wonderfully in the spirit of previous volumes of the series – bringing together a range of different sonic styles that were originally recorded in London as 78rpm singles – where a new wave of Caribbean and West African immigrants were fusing older styles with a newly modern sensibility, and often a fair bit of jazz as well! The set list is wonderful – a great array of well-chosen material – and titles include "Wa Sise" by Willie Payne & The Starlite Tempos, "The Emperor Of Africa" by The Mighty Terror, "Royal Wedding" by The Lion, "Modern Telephone" by Dai Dai Simba, "Sons & Daughters Of Africa" by Lord Beginner, "Caroline" by Trinidad Steel Band, "Ema Foju Ana Woku" by West African Rhythm Brothers, "Kana Kana" by Billy Sholanke, "Boul Ve Se" by Calypso Rhythm Kings, and "My Handy Man" by Marie Bryant. (Global Grooves, Funky Compilations) LP, Vinyl record album