Tremendous work from the Spanish scene of the 60s and early 70s – way more than just a batch of obscure jazz cuts, and instead a true testament to this very vibrant musical community! The package brings together some really special tracks from Spanish labels like Edigsa, Ensayo, Hispavox, and others – and really shows that in Spain at the time, there was musical growth that was every bit as strong as in better-known scenes in Germany, France, and Italy – a really rich step forward from American inspiration of the postwar years – into a world of freshly inventive rhythms, really imaginative solos, and some key local touches that really made the music sparkle! Not all players here are of Spanish origin, as the set also shows the key crossroads the scene was offering at the time – a wealth of wonderful hardbop, soul jazz, and modal numbers that include "El Cant Dels Ocells" by Catalonia Jazz Quartet, "Movimiento" by Lou Bennett, "Psique" by Juan Carlos Calderon, "Tema Per Alicia" by Jazz Group, "Asteriscs" by Nits De Jazz Al Jamboree, "Bosnia Calling" by Dusko Goykovich, "Israel" by Modern Jazz Sextet, "Rememberance To Madrid" by Elia Fleta, "Marcha De Los Dioses" by Tino Contreras, and "Laberinto (2nd part)" by Vlady Bas. CD

An incredible trip through the 70s Japanese jazz scene – a second volume of J Jazz that's even bigger and better than the first – with unknown gems from private presses, indie labels, and rarities from the Japanese branches of the major labels, too! Compilers Tony Higgins & Mike Peden (who are both also responsible for the nicely done notes) follow through on all of the things we loved about the first J Jazz compilation, but improve on it by going bigger and digging deeper. The majority of the tracks were recorded from 1969 through the late 70s – with a few recorded in later years – and all have a wonderful way of being open to the stylistic inventions of the time without getting hung up on trends. So while there's some fusiony funk and electric piano, there's plenty of acoustic instrumentation and timelessly inventive material. BBE has outdone themselves on this excellent collection – and the titles include "Dragon Dance" by Makoto Terashita & Harold Land, "Daguri" by Kohsuke Mine Quintet, "Distant Thunder" by Mabumi Yamguchi Quartet, "Animal Garden" by Miyasaka + 5, "Mother Of The Future" by Electro Keyboard Orchestra, "Serenade To A Dimly Lit Street" by Hiroshi Matsumoto/Hideo Ichikawa Quartet, "Teru-Teru Bozu" (Black Keys) by Teru Sakamoto Trio, "Little Giant" by Nobuo & Sharps & Flats, "Brown Trout" by Akira Miyazawa and more. 14 tracks on 3LPs. LP, Vinyl record album

An incredible trip through the 70s Japanese jazz scene – a second volume of J Jazz that's even bigger and better than the first – with unknown gems from private presses, indie labels, and rarities from the Japanese branches of the major labels, too! Compilers Tony Higgins & Mike Peden (who are both also responsible for the nicely done notes) follow through on all of the things we loved about the first J Jazz compilation, but improve on it by going bigger and digging deeper. The majority of the tracks were recorded from 1969 through the late 70s – with a few recorded in later years – and all have a wonderful way of being open to the stylistic inventions of the time without getting hung up on trends. So while there's some fusiony funk and electric piano, there's plenty of acoustic instrumentation and timelessly inventive material. BBE has outdone themselves on this excellent collection – and titles include "Dragon Dance" by Makoto Terashita & Harold Land, "Daguri" by Kohsuke Mine Quintet, "Distant Thunder" by Mabumi Yamguchi Quartet, "Animal Garden" by Miyasaka + 5, "Mother Of The Future" by Electro Keyboard Orchestra, "Serenade To A Dimly Lit Street" by Hiroshi Matsumoto/Hideo Ichikawa Quartet, "Teru-Teru Bozu" (Black Keys) by Teru Sakamoto Trio, "Little Giant" by Nobuo & Sharps & Flats, "Brown Trout" by Akira Miyazawa and more – plus the CD bonus track "Original Bill" by Koichi Matsukaze Trio. 15 tracks on 2CDs. CD

A tremendous entry in this wonderful series – a set that proudly proclaims its contents with the "NOW" on the cover! Back when the Spiritual Jazz series first started on the Jazzman label, the music was mostly relegated to material of the John Coltrane generation and the generation that followed – but in the past decade or so, there's been a huge explosion in new artists that explore the deeper, more righteous currents of jazz – music that's pulled in from the farther reaches of free improvisation, to righteous, message-oriented styles that often mix modal rhythms with more exploratory solo passages. Yet this new generation is hardly slavish to the sounds of Impulse Records – as they've really moved beyond, and have used a globe's worth of influences and new 21st Century concepts to bring fresh spirit to the music – opening things up in ways that have made this new movement one of our greatest sources of inspiration in recent years. This double-length entry is a fantastic overview of the sounds that are currently reshaping the planet – and titles on volume 2 include "Flute Song" by Wildflower, "Slow Sweet Burn" by Abeeku, "Palms To Heaven" by The Cosmic Range, "Nova" by Menagerie, "Avo's Tune" by Teemu Akerblom Quartet, "Paris" by Jonas Kullhammar, "Vessels" by The Jamie Saft Quartet, "What Do I Tell My Children Who Are Black "by Angel Bat Dawid, "Trane's Groove" by Carla Marciano, "For Coltrane" by Steve Reid Foundation, "Empty Streets" by Vibration Black Finger, and "Memory Ritual" by The Pyramids. LP, Vinyl record album

An ear-opening set of Japanese jazz from a time when that nation's scene was really taking off – a period in the 70s when all sorts of new artists and new ideas were really flying around – and leaving behind a huge recorded legacy that's been mostly out of reach for us in the west! Japan always had a few big names in jazz that got exported overseas, but the work here is from some of the smaller names who were still turning out incredible music – much of it only issued on vinyl, and not reissued later – brought together here with copious notes that really tell you a heck of a lot about the music! There's definitely a post-Coltrane vibe going on – lots of spiritual elements, mixed with both moments that are funkier and more soulful, and others that are a bit more freewheeling – often stretched out on extended tracks that really let the artists take off and find their space. Titles include "Black Nile" by Hideyasu Terakawa, "Kirisame" by Ryusei Quartet, "Honey Sanba" by Katsuyuki Itakura, "Cumulonimbus" by Shigeharu Mukai, "Song Of Island" by Yasuhiro Kohno Trio + One, "Phoebus" by Hiroshi Murakami & Dancing Sphinx, "Morning Tiede" by Kohsuke Mine, "Kemo Sabe" by Masao Nakajima, "Song For Hope" by Aki Takase, "Planets" by Masaru Imada Trio + 1, "1/4 Samba" by Tatsuya Nakamura, "Acoustic Chicken" by Koichi Matsukaze, and "Cumorah" by Eiji Nakayama. CD features bonus tracks – "Wolf's Theme" by Seiichi Nakamura, "Burning Cloud" by Ryojiro Kurusawa, and "Groovy Samba" by Hideo Shiraki. CD

A wealth of spiritual sounds from more recent years – served up in a killer compilation that focuses on all the great new sounds that have been emerging from different global scenes – a sublime blend of jazz, soul, Latin, and other modes – all at a level that gives us plenty of hope for both modern music, and the future of humanity too! The set follows in the spirit of nuggets from the past we've always dug from the Right Tempo/Easy Tempo label – but work here is instead all new, and represents a great outpouring of contemporary talents who draw inspiration from the best currents of 60s and 70s righteous expression, the find a way to make bold new statements of their own. Titles include "Envoy" by Mary Ancheta Quartet, "Subway" by Azar Azar, "Let The Sunshine In" by Jimetta Rose & Voices Of Creation, "Formative Stages" by Organic Pulse Ensemble, "Who Will Save The World" by Anthony Joseph, "Naboro" by Tino Contreras, "For Horace" by Raffy Bushman, "Cut To The Chase" by Malcolm Strachan, "Ruptura" by Mama Terra, "Seasons In My Mind (Patchworks version)" by Yellowtail with Mark Murphy, and "Afro Blue" by Francesco Sotgiu. LP, Vinyl record album

A much-needed look at the Dutch jazz scene in the 50s and 60s – a spot in Europe that was turning out some really fantastic modern material – at a level that's every bit as great as better-known work coming from France, Germany, and Scandinavia at the time! Many of the players here quickly became giants who would dominate on the Dutch scene for years to come – and even at this early point, their work is wonderful – occasionally graced with guest work from American players, but already more than great enough on its own – and filled with a mix of sharp rhythms, new ideas, and impeccable instrumentation throughout. As with other Sdban titles, the presentation is wonderful – not just a great set list, but an overall feel that makes the package as hefty as the music inside. Titles include "Four On Six" by Kwartet Martin Verlinden, "So Why" by Kwartet Leo Meyer, "Amsterdam Blues" by Diamond Five, "Lady Elisabeth" by Tony Vos Quartet, "Blues For Eddy" by Red & Brown Brothers, "Sem" by Frans Elsen, "Relaxin With Rhythme" by The Rhythme All Stars, "Mensen Van Morgen" by Herman Schoonderwalt, "Wives & Lovers" by Rita Reys & Oliver Nelson, "Comin Home Baby" by Trio Tony Vos, "Sing Sing Sing" by Leddy Wessel with Jack Van Poll, "Blues Minor" by Boys Big Band, and "Afro Blues" by Herbie Mann with Wessel Ilcken Combo. CD

An incredible trip through the 70s Japanese jazz scene – a second volume of J Jazz that's even bigger and better than the first – with unknown gems from private presses, indie labels, and rarities from the Japanese branches of the major labels, too! Compilers Tony Higgins & Mike Peden (who are both also responsible for the nicely done notes) follow through on all of the things we loved about the first J Jazz compilation, but improve on it by going bigger and digging deeper. The majority of the tracks were recorded from 1969 through the late 70s – with a few recorded in later years – and all have a wonderful way of being open to the stylistic inventions of the time without getting hung up on trends. So while there's some fusiony funk and electric piano, there's plenty of acoustic instrumentation and timelessly inventive material. BBE has outdone themselves on this excellent collection – and titles include "Dragon Dance" by Makoto Terashita & Harold Land, "Daguri" by Kohsuke Mine Quintet, "Distant Thunder" by Mabumi Yamguchi Quartet, "Animal Garden" by Miyasaka + 5, "Mother Of The Future" by Electro Keyboard Orchestra, "Serenade To A Dimly Lit Street" by Hiroshi Matsumoto/Hideo Ichikawa Quartet, "Teru-Teru Bozu" (Black Keys) by Teru Sakamoto Trio, "Little Giant" by Nobuo & Sharps & Flats, "Brown Trout" by Akira Miyazawa and more – plus the CD bonus track "Original Bill" by Koichi Matsukaze Trio. 15 tracks on 2CDs. CD

A much-needed look at the Dutch jazz scene in the 50s and 60s – a spot in Europe that was turning out some really fantastic modern material – at a level that's every bit as great as better-known work coming from France, Germany, and Scandinavia at the time! Many of the players here quickly became giants who would dominate on the Dutch scene for years to come – and even at this early point, their work is wonderful – occasionally graced with guest work from American players, but already more than great enough on its own – and filled with a mix of sharp rhythms, new ideas, and impeccable instrumentation throughout. As with other Sdban titles, the presentation is wonderful – not just a great set list, but an overall feel that makes the package as hefty as the music inside. Titles include "Four On Six" by Kwartet Martin Verlinden, "So Why" by Kwartet Leo Meyer, "Amsterdam Blues" by Diamond Five, "Lady Elisabeth" by Tony Vos Quartet, "Blues For Eddy" by Red & Brown Brothers, "Sem" by Frans Elsen, "Relaxin With Rhythme" by The Rhythme All Stars, "Mensen Van Morgen" by Herman Schoonderwalt, "Wives & Lovers" by Rita Reys & Oliver Nelson, "Comin Home Baby" by Trio Tony Vos, "Sing Sing Sing" by Leddy Wessel with Jack Van Poll, "Blues Minor" by Boys Big Band, and "Afro Blues" by Herbie Mann with Wessel Ilcken Combo. LP, Vinyl record album