This may be street funk, but it was clearly recorded in some of the hippest studios of the time – with just the right touches to keep these cuts sounding as raw and urgent as when they were recorded back in the day! The set mixes together album tracks, rare funky 45s, and even a few unissued gems that have been unearthed by the folks at Ace Records – all to make for a package that's way different than just about any other mainstream funk compilation on the market! And sure, maybe the set's an introduction to a genre, but it also features plenty of funky nuggets for rare collectors too – in a lineup that includes "Brand New Girl" by Billy Garner, "Funky Kingston" by Tribe, "Foolish Man (part 1)" by The Huck Daniels Co, "Stop" by Camille Lil Bo, "Do It" by Billy Sha Rae, "Mother Popcorn" by The Mellow Matics, "Soul Feeling (part 1)" by Eddie Giles, "Get Me Back On Time Engine 9" by National Soul Review, "Here Comes The Judge" by Larry & Tommy, and "Bad On Bad" by Chet Ivey. LP, Vinyl record album

A great collection of rare and unreleased New Orleans funk – from the golden days of the genre – and with work by some of the best producers in the Crescent City! Very hard and heavy funk, with choppy riffs and hard drums – plus, there's even a few cuts with nice electronics. Legendary cuts by Eddie Bo, The Gaturs, Louisiana Homegrown, Chuck Cornish, Sonny James and more. Includes the tracks "Chiller" by Louisiana Homegrown, "Soul Power" by Walter Washington and the Soul Powers, "Ali, Funky Thing" by Chuck Cornish, "Lighten Up" by Sonny Jones, and "I'm Mr. Big Stuff" by Jimmy Hicks. Plus, the LP also features two different mixes of Eddie Bo classics "Hook & Sling" (a much longer version) and "If It's Good To Ya, It's Good For Ya" (done here in a 5 minute version.) LP, Vinyl record album

The funky side of New Orleans soul – from a series that has been giving us some of the best underground nuggets for many years, and at a level that goes farther than most of the 60s-centric collections of Crescent City funk! This time around, there's a great rare unissued track from Robert Parker – the excellent instrumental take of "The Hiccup", paired with his vocal version of the tune too – next to titles that include "What's His Name Black Samson" by Willie West, "Stink Bomb" by Eddie Bo, "Tweedie Pie" by Raymond Winnfield, "Da Boys From Across The Tracks" by George Porter's Joy Ride, "Accept What You Expect" by Louisiana Purchase, "Water Hole" by Sam & The Soul Machine, "Things Could Be Better" by Raymond Winnfield, and "Sweet Thing" by Willie Tee. LP, Vinyl record album

A long-overdue return to form for this legendary compilation series – and one that presents a huge number of rare cuts, with a very cool approach! Side one is vocal, and side two is instrumental – and together, both sides serve up the kind of hard-edged material that make the New Orleans scene of the late 60s/early 70s such a treasure trove for lovers of funky 45s – maybe even more fantastic in this generation than in the better-known Crescent City scene of the early 60s. There's loads of killers here – vocal tracks that include "Get On Up (part 1)" by Chuck Conway & The Amars, "Sooky Feeling (part 2)" by Brotherhood, "Fly In My Pie" by Tommy Ridgley, "You Got To Do Better" by Lonnie Jones, "Little Boy Blue" by Buck Sinegal, and "You Don't Know How To Turn Me On" by Deacon John – and instrumental tracks that include "Funky Jaws" by Larry Jones, "Bumping" by Tyrone Chestnut, "Accept What You Expect" by Louisiana Purchase, "Don't Change Nothin" by The Scram Band, "Getting To The Middle (part 2)" by Eddie Bo, and "Hard To Handle" by Anthony Butler & The Invaders. LP, Vinyl record album

A massive batch of boogaloo gems – all wrapped up in one mighty package! Tico Records was one of the first great New York indie labels to focus on Latin music in the postwar years – and by the time of the huge late 60s boom in the world of Latin Soul, the label were definitely in a great position to turn out some killer work from a variety of artists! Some of the label's artists were aging, but reinvigorated by the energy of the younger generation – who also got access to the top shelf Tico presentation, as they brought in some of the best soul styles from East Harlem to trim things down from the larger Latin ensembles of the previous generation, and really send things home with a funky sort of groove. This set's a great overview of these key years at Tico – and titles include "Sock It To Me" and "Psychedelic Baby" by Joe Cuba, "Tighten Up" and "The Horse" by Al Escobar, "Fever" by La Lupe, "Be's That Way" and "Bobo Do That Thing" by Willie Bobo, "El Watusi" and "Babalu" by Ray Barretto, "Hit The Bongo" and "Coye Como Va" by Tito Puente, "My People" by Joe Panama, "Come An Get It" and "The African Twist" by Eddie Palmieri, "Aquarius/Let The Sun Shine In" by Celia Cruz & Tito Puente, "Madrid" by Candido, "Times They Are A Changin" by Jimmy Sabater, "El Pito" and "Bang Bang" by Joe Cuba, "Fat Mama" and "TP's Shing A Ling" by Tito Puente, and "Yes I Will (part 1)" by Gilberto Sextet. (Latin, Funky Compilations) LP, Vinyl record album

A great assortment of rare jazz and soul – and a set that you can totally dig, even if you don't know the meaning of Klinkhamer! The title's a reference to a Dutch record shop, whose owners compiled these tracks – but the music here has a very universal appeal, especially if you dig your music on the deeper side of the spectrum – as the cuts are mostly late 70s/early 80s numbers, served up in a blend of spiritual and funky jazz styles, with just a bit of vocals in the mix. Almost all the cuts here are pretty darn hard to track down on vinyl, which makes for a very essential set – and titles include "Kweenie" by Don Jules Pules Band, "Offshore Sounds" by Rene Van Heldingen, "Epitaph" by Gianno Basso, "Don't Let Love" by Oasis Band, "Funky Blues" by Sergio Coppotelli, and "Holy Ghost" by Eddie Holman. LP, Vinyl record album

One of our favorite compilations of all time – a smoking batch of soulful jazz from the 60s, with a slight bit of funk and blues thrown in as well! The set's exactly what's promised in the title – jazz cuts, but with an ultra-cool mod vibe – the kind of soulful sounds that played big with the younger London crowd digging American music in the mid 60s – and also the kind of music you'd be likely to find blasting out of a backroom jukebox on the west side of Chicago! There's loads of rare single mixes of LP tracks on the set, and a number of smoking 45s from artists you might know better from more mainstream work – really hitting hard here, alongside a few special numbers from the indie underground too. Tracks are cool enough for old school hipsters – but appealing enough to bring in a new listener too – and as proof of that, we've given this one away for many years as a Christmas present. The collection features 25 tracks in all – non-stop pleasure throughout – with titles that include "Soul Shoutin" by Shirley Scott, "Tengo Tango" by Cannonball Adderley Sextet, "Whip It On Me" by Billy Hawks, "Yeh Yeh" by Mongo Santamaria, "Black Talk" by Charles Earland, "I'm Ready" by Otis Spann, "Mama Rufus" by Merced Blue Notes, "Theme From NYPD" by Johnny Hammond, "Step Out & Get It" by The Nomos, "Why Don't You Do Right" by Mark Murphy, "Collard Greens" by Freddie McCoy, "Theme From The Carpetbaggers" by Jack McDuff, "Filthy McNasty" by Eddie Jefferson, "Evil Ways" by Cal Tjader, "Kenny's Theme" by Kenny Burrell, and "Games" by Ivan Boogaloo Joe Jones. LP, Vinyl record album

An incredible addition to the rich legacy of Stax Records – a collection of rare tracks, almost all of which appear here for the first time ever – a set that represents recordings done by all the great songwriters who were working for Stax at the time, most of whom were also recording artists on the label! Given that fact, these aren't scratchy recordings performed by hacks who can't sing – as almost all the material features the sort of top-shelf vocalists who made Stax such a deep soul powerhouse in the 60s and 70s – represented here in a style that shows just how much freedom of creative expression the label allowed its best – very different than the way some of the bigger companies would just cram a song down a quickly-booked session in the studio! Plus, these demo tracks are done in a variety of modes – some with very stripped-down instrumentation, some with fuller groups – and together, they offer a key look at the creative process at Stax – one that's very different than the iconic sound of productions in their Memphis studio, and which really shows an even deeper range of expression through the variety of approaches. This LP version features tracks that later became hits in the finished versions – titles that include "A Woman's Love" by Carla Thomas, "634-5789" by Eddie Floyd, "If Loving You Is Wrong" by Homer Banks, "I Got To Be Myself" by Carl Smith, "I'll Be Your Shelter" by Homer Banks, "I've Got No Time To Lose" by Deanie Parker, "I'll Be The Other Woman" by Shelbra Bennett, "Respect Yourself" by Mack Rice, "Woman To Woman" by Henderson Thigpen, and "We Can Love" by Eddie Floyd. (Soul, Funky Compilations) LP, Vinyl record album