A fantastic tribute to the legendary Disco Spectrum series of compilations – a run of records that first burst forth at the end of the 90s, and showed the world that there was a huge amount of underground music to discover from the mainstream disco years! Disco Spectrum cuts aren't the ones you'll know from Saturday Night Fever – or from K-Tel compilations of the time – and instead, they represent the much deeper current of groove that was still burning bright away from the limelight, even while the more commercial disco crumbled into dust – music that was sometimes cut by artists who disappeared quickly, sometimes by older masters, and sometimes by talents who never fully got the respect they deserved. Both Joey Negro and Sean P have given us some great sets before, but this one is right at the top of their talents – filled with gems that include "Let Me Down Easy" by Rare Pleasure, "Spread Love" by Al Hudson & The Soul Partners, "Can't Shake Your Love (Larry Levan 12" mix)" by Syreeta, "Trinidad (special disco mix)" by John Gibbs & US Steel Orchestra, "Isabelle & The Rain" by Jo Boyer, "Don't Let My Rainbow Pass Me By (club 12" mix)" by Cloud One with Margo Williams, "Could Heaven Ever Be Like This" by Idris Muhammad, "I Don't Want You Back" by Ramona Brooks, "Hot To Trot" by Alfredo De La Fe, "Out Of My Hands" by Omni, "Under The Skin" by The Brothers, "Let Me Love You" by Bunny Mack, "Can You Get Down" by Universe City, and "I Want You For Myself" by George Duke with Lynn Davis. CD

Way more than just a random jazz compilation – and instead a set that comes with a hefty book about the Boston jazz underground in the 70s – almost 80 pages in length, complete with images of records, vintage photos, and lots of notes on this under-documented scene! And while Boston's always been something of a hotbed of jazz activity – thanks to the younger students who hit the city to study at Berklee and other schools – this material represents a much deeper, more spiritual current of jazz – work that's in the same territory of the AACM or loft jazz scenes of the period, but also with a current of freewheeling electric material too! At this price, the whole thing would already be great as a collection of rare spiritual jazz, but with the book and overall package it's a hell of a deal – packed with musical goodness on cuts that include "Sketch (parts 1 & 2)" and "Road Through The Wall (parts 2 & 3)" by Thing, "For Margot" and "Tarot The Moon" by Mark Harvey Group, "The Creator Is So Far Out" and "Egypt" by Phil Musra Group, "9 Degrees Black Women Liberation" by Worlds, "Year Of The Ear Herds & Hoards" by Baird Hersey with Dave Liebman, and "Play Sleep" by Stanton Davis' Ghetto Mysticism. CD

Brazilian funk, Brooklyn style – and one of the hippest collections of Brazilian grooves we've ever heard! The collection was put together by New York DJs Sean Marquand and Greg Caz – and it's got a wickedly funky vibe that comes from plenty of 70s samba soul! The style here is really different than other Brazilian Beats titles from Mr Bongo – as the work here is all classic, and chosen from a really fresh perspective – the new wave of interest in this music that's been bubbling up from the American underground, with a completely different perspective on the grooves from older scenes in Rio, Tokyo, or London! Most tracks here should be new to your ears – and although some of the tracks here have been reissued before, but they really come alive in different ways, thanks to the depth and careful pacing of the set. 22 tracks in all – with titles that include "Cafua" by Nonato, "Taieiras" by Ely Camargo, "Jeep" by Erasmo Carlos, "Cobra Criada" by Joao Bosco, "E Necessario" by Tim Maia, "Marcas" by Quarteto Uai, "Skim Dum Dum Dum" by Ana Rosely, "Black Soul Brothers" by Miguel De Deus, "Mais Kriola" by Helio Matheus, "A Festa" by Silvio Cesar, "Tava Mas Nao Tava" by Edson Frederico, "Uma Rosa Pra Dita" by Os Increveis, "Aleluia" by Robson Jorge & Licoln Olivetti, and "Beija-Flor Suite" by Chalo Eduardo. LP, Vinyl record album

An amazing world of music – rare funk, soul, reggae, and other grooves from Belize – all beautifully compiled in the rich Numero Music style! We're really stunned by the set – as we had no idea at all that Belize had anything going on at this level – and the collection is an amazing surprise to our ears, filled with new delights at each turn, and clearly marking Belize as a new funky capitol on our ever-expanding map of musical understanding. Numero really outdid themselves with this package – going far beyond their already-great collections of work from the Bandit and Capsoul labels – to dig up a range of tracks that have never really made it out to the world at large, but which bubble over with influences from American funk and soul at the time. The notes are great, and the booklet's got plenty of excellent images to back up the writings – but the music is the real star of the set, and is presented on 16 tracks that include "More Love Reggae" and "Boogaloo A La Chuck" by Lord Rhaburn, "Theme From The Godfather" and "Backstabbers" by The Professionals, "Can't Go Halfway" and "Shame Shame Shame" by The Harmonettes, "Things Are Going To Work Out Right" and "Rated G" by The Web, "Funky Jive (parts 1& 2)" by Soul Creations, and "Long Time Boy" by Nadia Cattouse. (Global Grooves, Funky Compilations) CD

Heavy funk from the Bahamas – a whole bunch of groups that will show you that Nassau had a lot more to offer than The Beginning Of The End! The groove here is totally wonderful – somewhat like American funk of the late 60s and early 70s, but served up with some very unusual rhythmic patterns too – a bit Jamaican at times, but certainly not reggae – and somewhat sunny and Caribbean styled, but not in a way that's cheesy or filled with any hokey island-styled stereotypes. Instead, the tunes are deeply funk and soulful – grooving with plenty of dark edges and gritty instrumentation that's often heavy on the guitar. Many numbers have vocals, and those are great too – and as usual with the Numero label, the whole thing's put together with amazing notes and packaging, so that you get a full history lesson and a heck of a lot of photos to support the music too! Titles include "Gonna Build A Nation" by Cyril Ferguson, "Mustang Sally", "I Am The Man For You Baby", and "Funky Fever" by Jay Mitchell, "Theme From Shaft" by Esquires LTD, "Gimme Some Skin (inst)" by Frank Penn, "Words To My Song" by Dry Bread, "People Won't Change" by Willpower, "Take Five" by Ozzie Hall, "Watcha Gonna Do Bout It" and "The Time For Loving Is Now" by Mustangs, "Honesty Is The Best Policy" by Gospel Chandeliers, and "Don't Touch That Thing" by Sylvia Hall. (Global Grooves, Funky Compilations) CD

Heavy funk from the Bahamas – a whole bunch of groups that will show you that Nassau had a lot more to offer than The Beginning Of The End! The groove here is totally wonderful – somewhat like American funk of the late 60s and early 70s, but served up with some very unusual rhythmic patterns too – a bit Jamaican at times, but certainly not reggae – and somewhat sunny and Caribbean styled, but not in a way that's cheesy or filled with any hokey island-styled stereotypes. Instead, the tunes are deeply funk and soulful – grooving with plenty of dark edges and gritty instrumentation that's often heavy on the guitar. Many numbers have vocals, and those are great too – and as usual with the Numero label, the whole thing's put together with amazing notes and packaging, so that you get a full history lesson and a heck of a lot of photos to support the music too! Titles include "Gonna Build A Nation" by Cyril Ferguson, "Mustang Sally", "I Am The Man For You Baby", and "Funky Fever" by Jay Mitchell, "Theme From Shaft" by Esquires LTD, "Gimme Some Skin (inst)" by Frank Penn, "Words To My Song" by Dry Bread, "People Won't Change" by Willpower, "Take Five" by Ozzie Hall, "Watcha Gonna Do Bout It" and "The Time For Loving Is Now" by Mustangs, "Honesty Is The Best Policy" by Gospel Chandeliers, and "Don't Touch That Thing" by Sylvia Hall. (Global Grooves, Funky Compilations) CD

Incredible third coast salsa from the late 70s – amazing stuff from the orquestras of Carlos Ruiz and his Ebirac label – made by singers and players in Chicago's Puerto Rican community of the period that stands up just as well today! Chicago salsa, unlike more nationally popular styles, was rooted in the city's rich Puerto Rican community. They cover material adapted from traditionals and more, done with less pan-Caribbean derived sounds than the Cuban-rooted salseros of NYC and Miami. As fondly remembered as the players of the Chicago salsa scene are by the older Puerto Rican community, records by Orquestas La Justicia, La Solucion, Juventad Tipica '78, Tipica Leal '79 and others are terribly hard to find. Not only has Numero managed to compile a terrific batch of songs, the sound quality is impeccable, too! Titles include "Plena Matrimonial" by Ebirac All-Stars featuring La Calandria & Ramito, "Stone Flower", "Alegre Jibarito", "Guaguanco Coroco" and more by La Justicia, "Afro Theme" and "Ano Nuevo Y Reyes" by Juventud Tipica '78, "A Bailar Son Montuno", "El Gordo Y El Flaco" and "Mini Minoso" by La Solucion, "Mozambique" by La Solucion featuring Mongo Santamaria, "Donde Estabas" by Tipica Leal '79 and more, plus the bonus "Ebirac Radio Spot". The booklet is lavish, too – full of notes and photos that that make it all the more revelatory – providing a historical perspective that can't be overpraised! (Global Grooves, Funky Compilations) CD

Incredible third coast salsa from the late 70s – amazing stuff from the orquestras of Carlos Ruiz and his Ebirac label – made by singers and players in Chicago's Puerto Rican community of the period that stands up just as well today! Chicago salsa, unlike more nationally popular styles, was rooted in the city's rich Puerto Rican community. They cover material adapted from traditionals and more, done with less pan-Caribbean derived sounds than the Cuban-rooted salseros of NYC and Miami. As fondly remembered as the players of the Chicago salsa scene are by the older Puerto Rican community, records by Orquestas La Justicia, La Solucion, Juventad Tipica '78, Tipica Leal '79 and others are terribly hard to find. Not only has Numero managed to compile a terrific batch of songs, the sound quality is impeccable, too! Titles include "Plena Matrimonial" by Ebirac All-Stars featuring La Calandria & Ramito, "Stone Flower", "Alegre Jibarito", "Guaguanco Coroco" and more by La Justicia, "Afro Theme" and "Ano Nuevo Y Reyes" by Juventud Tipica '78, "A Bailar Son Montuno", "El Gordo Y El Flaco" and "Mini Minoso" by La Solucion, "Mozambique" by La Solucion featuring Mongo Santamaria, "Donde Estabas" by Tipica Leal '79 and more, plus the bonus "Ebirac Radio Spot". The booklet is lavish, too – full of notes and photos that that make it all the more revelatory – providing a historical perspective that can't be overpraised! (Global Grooves, Funky Compilations) CD

We really loved the first volume in this series, and this second entry maybe goes even deeper into the unique territory of the collection – a genre that's maybe all its own, with a really cool blend of older tracks and contemporary numbers, all served up with a laidback sort of vibe! There's plenty of soul in the mix, but often from a global perspective – and those cuts are mixed in with more 21st century-styled tracks, which makes for a very cool blend of material. Titles include "Baby This Love I Have" by Avis, "Malibu Nites" by Frank Hatchett, "DE 108" by Bach Revolution, "We May Be Cattle But We All Got Names" by Michael De Albuquerque, "Marimba" by Yargo, "Play A Sweet Rhythm On Them Drums" by Okyerama Asante & Black Fire, "Shove Piggy Shove" by LFO, "Lost Children" by Veronica Mickie, and "Storm (Arp Duppy Chip mix)" by Rare Silk. CD

We really loved the first volume in this series, and this second entry maybe goes even deeper into the unique territory of the collection – a genre that's maybe all its own, with a really cool blend of older tracks and contemporary numbers, all served up with a laidback sort of vibe! There's plenty of soul in the mix, but often from a global perspective – and those cuts are mixed in with more 21st century-styled tracks, which makes for a very cool blend of material. Titles include "Baby This Love I Have" by Avis, "Malibu Nites" by Frank Hatchett, "DE 108" by Bach Revolution, "We May Be Cattle But We All Got Names" by Michael De Albuquerque, "Marimba" by Yargo, "Play A Sweet Rhythm On Them Drums" by Okyerama Asante & Black Fire, "Shove Piggy Shove" by LFO, "Lost Children" by Veronica Mickie, and "Storm (Arp Duppy Chip mix)" by Rare Silk. LP, Vinyl record album

There have been lots of Lowrider soul compilations on the market over the years – documenting the great of of mellow cuts on the LA scene of the 60s – particularly the kind that could move slow, but with a heavy groove at the bottom – perfect for chilling out in the back of a car on an endless summer night! Yet few have ever done the job as well as this collection – because in the hands of Ace/Kent Records, the music finally gets proper historical context – moved past the jargon of the East LA in crowd, and presented with great sound, and the kind of detailed notes that really get at the special qualities that made the west coast soul scene so different than the east in the 60s! The set list is superb – fantastic mellow soul tracks that are perfect, even if you don't care about this history – and titles include "It's Not That Easy" by Reuben Bell with The Casanovas, "I Really Love You" by The Ambassadors, "As I Sit Here" by The Whispers, "One More Chance" by The Four Tees, "Take A Step" by Aesop's Fables, "Why'd You Put Me On" by Bobbi Row & The Englishmen, "I Wanna Chance" by The Vows, "Second Hand Happiness" by Jimmy Conwell, "Be Kind To Love" by The Interpreters, "As Long As I've Got You" by The Charmels, "Don't Forget About Me Baby" by Jeff Dale, "I'm A Lonely Man" by Bobby Burn, "Crying All By Myself" by William Bell, "I'm Just Passing Time" by Melvin Hicks & The Versatiles, "When You're Poor" by The Lovers, "It's So Hard To Break A Habit" by The Webs, "Find Me" by The Attractions, "Never Gonna Let Him Know" by Debbie Taylor, and "Pretending Dear" by The Lovelles. (Soul, Funky Compilations) CD