Two fantastic cuts from one of the greatest Roy Ayers albums ever! "Everybody Loves The Sunshine" is an incredible blend of righteous soul, funk, and jazz – a slow-moving, head-nodding tune that's gone on to have an equally long life as a huge sample and song influence in hip hop! "Lonely Cowboy" is a lesser-remembered tune, but one that's got a great little groove – like finding a lost track on the flipside of a 45! 7-inch, Vinyl record

Four of the best tracks from one of the greatest Roy Ayers albums of all time – and one of the rarest! The record is right in the same vein as Roy's groundbreaking He's Coming LP – a righteous mix of soul jazz, subtle funk, and some of the cosmic wisdom that Roy was spreading among the jazz funk underground – all wrapped up beautifully, but never in a way that's like commercial soul of the time. There's a few instrumental tracks on the album, plus some vocal ones that show that off-beat male/female style that Roy would use more famously in later tracks like "Everybody Loves The Sunshine" or his work with Ramp. Players include Harry Whitaker on electric piano, Edwin Birdsong on organ, Alphonse Mouzon on drums, Jumma Santos on congas – and titles include a version of Nat Adderley's "Hummin", done as "Hummin In The Sun", and very much in the Ramp vein. Other titles include "I Can't Help Myself", "Love", and "The Fuzz" – all great too! 7-inch, Vinyl record

Fantastic early funk from The Commodores – two great tracks on a limited pic sleeve funky 45! "Assembly Line" has a famous break that was big in the old school scene – but is also this massive cut with a really full-on feel that's completely different than any of the group's later hits! "Gonna Blow" is wonderfully wicked too – with a sharp bassline and percussion, and a groove that's almost more like funky fusion than Motown soul! 7-inch, Vinyl record

A funky holy grail – one of the rarest of the rare, and the only album ever cut by funky guitarist Carl "Sherlock" Holmes! Carl's work on the guitar is incredible – fast riffing and jazzy, with a style that's dirtier and messier than some of his 70s jazz funk contemporaries, but which also lays back on a few tracks so that Carl can deliver a sweetly soulful vocal. The album's a real blend of styles, all handled pretty darn well – and this special 2 x 7" single version features the best cuts – "It Ain't Right", "Black Bag", "Investigation", and "Think It Over". 7-inch, Vinyl record

Two killer cuts from the Big Beat, a funky sound library gem from Nick Ingman – not to be confused with the other Big Beat records of the 70s from the KPM label – as this set's got an even sharper, hipper vibe overall! Keyboards are in the lead on most numbers – although they get lots of support from the beats promised in the title – and both cuts are great! 7-inch, Vinyl record

Two fantastic early cuts from bassist Curtis Lundy – one of which features superb vocals from the young Carmen Lundy too! The stellar "Never Gonna Let You Go" was the first time most of us heard Carmen's voice – which is perfect for this uplifting, hard-grooving number that also features superb alto from the great Bobby Watson! The group here also features Steve Nelson on vibes, Hank Jones on piano, and Kenny Washington on drums – and "Jabbo's Revenge" is a wonderful instrumental track from the group! 7-inch, Vinyl record

A trio of heavy hitters from the DeWolfe sound library – all pulled from the super-rare Night Moves album! "Night Moves" is a great bit of slow funk – heavy drums stepping carefully while a clavi line does all these cool things in the middle! "Bank Job" is nicely slow – like they're setting up the heist with Fender Rhodes, and taking their time to get things right! "Zero Hour" is maybe a bit more urgent, but still nicely laidback – funky punching drums at the bottom, peppered by riffing guitar and some mighty nice keyboards! 7-inch, Vinyl record

Two killer cuts from one of the unsung talents of the De Wolfe sound library of the 70s! "Design" has this really cool bongo line that kicks hard throughout the cut – while riffing guitar and just the right touch of some other electric string instrument create a mighty nice groove! "Long Weekend" is even fuller and funkier – and has this offbeat electric keyboard line that's all cool and sprightly next to the heavier groove! 7-inch, Vinyl record

A fully and funky spider from the De Wolfe sound library of the 70s – one that's got all sorts of heavy horns and tight drums, and packs a punch that would be sure to tear open a spiderweb in seconds! That same approach is used on the flipside – a hot-moving cut that's definitely not a cool character – as the whole thing moves along at the pace of some cop/crime chase cut, complete with driving drums and funky horns! 7-inch, Vinyl record

A fully and funky spider from the De Wolfe sound library of the 70s – one that's got all sorts of heavy horns and tight drums, and packs a punch that would be sure to tear open a spiderweb in seconds! That same approach is used on the flipside – a hot-moving cut that's definitely not a cool character – as the whole thing moves along at the pace of some cop/crime chase cut, complete with driving drums and funky horns! 7-inch, Vinyl record

Prime selections from one of the greatest soundtracks of the blacksploitation era – served up with some incredible grooves from maestro JJ Johnson! Martha Reeves sings some of the deepest vocals of her career on the great title track "Willie D" – an old sample cut that you're sure to recognize – and the equally great "Keep On Moving On". The instrumental tunes might be even better, filled with great percussion and jazzy flourishes from JJ – in a style that really keeps things interesting! This 2 x 7" single set features the cuts "Willie D", "Willie Chase", "Keep On Moving On", and "Parade Strut". 7-inch, Vinyl record