Beautiful vocal work from Guy Cabay – put together with a strong touch of jazz, a bit of bossa, and a swirling vibe that's mighty nice! Guy's got a breathy style of singing that works perfect with the backings – and its bits of guitar, organ, and other elements – often used as gently as Cabay's vocals, but in a style that's warm and sophisticated – like some of the hippest material on Saravah Records in the 70s, particularly work by Pierre Barouh! These tunes also often have a breezy rhythm that borrows from bossa nova, and which really suits the style of Guy's vocals – on titles that include "Julia Deus", "Pove Tiesse", "Tot Reguede", "Camamele Et Cataplame", "A M'Vwezene", "Li Robaleu", "Pax Pollinibus Bonae Voluntatis", and "Li Sabat D'Sinte Mere L'Oto". LP, Vinyl record album

Veronique Chalot sings in French, but she cut this beautiful album for the Materiali Sonori label in Italy – with a really groundbreaking mix of styles that definitely loves up to the other gems we love on the label at the time! As you might guess from the cover, Veronique plays dulcimer, and sings in a dreamy style that befits her image on the front – but the small group behind her also brings in all sorts of other unusual instrumentation – flutes, percussion, bass, and violin – used in these eerie ways alongside Chalot's moody vocals – creating a vibe that's somewhere between early solo work by Nico, and the soundtrack to Wicker Man! A really haunting record throughout – a lot like the best experiments on the Saravah label – with titles that include "L'Empoisonneusse", "Chant De La Montagne", "Le Souliers De La Belle", "Danse Des Sorcieres", "Chant De La Mer", "An Dro-Ronde", and "Bourree". LP, Vinyl record album

One of the greatest soundtracks ever – an archetypal album from French composer Francis Lai, and a record that set the tone for countless other imitations to come – yet which is still the best! The groove here is really unique – a spare blend of bossa influences, jazzy organ lines, and wordless vocals that are sung beautifully by French singers Nicole Croisille and Pierre Barouh – and although a mainstream success, the record was the initial force behind the legendary Saravah imprint that Barouh would form later, to record a wide range of groundbreaking work in a variety of genres. But history aside, the music here is plenty – and from the very first note the whole soundtrack grabs you with a sense of warmth and sentiment that defy description – modes never heard before in the soundtrack world, and which really broke the mold from Hollywood conventions! Titles include the seminal bossa number "Samba Saravah", plus "A Man & A Woman", "Today It's You", "In Our Shadow", "At 200 MPH", and "Stronger Than Us". (Soundtracks, French) LP, Vinyl record album

Genius work from French composer Francis Lai – one of his greatest soundtracks ever, and done during the same period as Live For Life and A Man & A Woman! The feel here is very similar to the work of those films – and was also done for a project directed by Claude Lelouch – and as on A Man & A Woman, both Pierre Barouh and Nicole Croisille sing vocals on the session, bringing a really groovy vocal touch to the set! The tunes range from broadly sweeping and soaring numbers, to others that have a bouncy French pop feel – and Lai really comes through with some beautiful instrumentation for the set, especially on a few of the tracks that feature organ! There's three versions of the great track "Killy", an anthemic ditty that's sung by Nicole Croisille, and played again on solo organ – and other tracks include "Descente", "Peggy", and "13 Jours En France". (Soundtracks, French) LP, Vinyl record album

A mindblowing collection of work from one of our favorite film composers ever – and a package that showcases as much jazz and vocal material as it does his work for cinema! The design is wonderful – a big-styled package with a huge volume of notes and photos – served up with 20 CDs that each focus on a different theme, many of which are presented in full album reissues of material from Michel Legrand's long and storied career – alongside other work that's always been hard to find on CD! CD1 features early jazz records Legrand Jazz and Plays Richard Rodgers. CD2 and CD3 feature vocal material – the albums Michel Legrand Chante, Serenades Du Xxeme Siecle, Les Moulins De Mon Coeur, and Michel Legrand (1981). CD 4 features nouvelle vague/new wave film work. CD5 features work with director Jacques Demy, including some unusual moments. CD6 is a tribute to Steve McQueen – soundtrack work from Thomas Crown Affair, Le Mans, and The Hunter. CD7 features albums with Stan Getz and Bud Shank. CD8 features 22 vocal songs by French performers. CD9 features 19 tracks by international performers. CD10 features rare work for stage musicals, including the long Monte Cristo soundtrack. CD11 features work for animated films – including Il Etait Une Fois L'Espace, Michel's Bird, and Oum Le Dauphin Blanc. CD12 features a tribute to Alain Delon – the soundtracks for Cercle Rouge and La Piscine, plus a vocal track sung by Delon. CD13 features work for director Jean Paul Rappenau – soundtracks for Le Sauvage, Les Maries De L'An II, and La Vie De Chateau. CD14 features full album collaborations with Phil Woods and Sarah Vaughan. CD15 features collaborations with Stephane Grappelli. CD16 features concert performances – the albums Legrand Cinema and Legrand Concert, plus bonus tracks. CD17 features orchestral works from recent years. CD18 and CD19 feature some material from rare or previously unreleased soundtracks. And CD20 features rare and unusual material – including work for Radio Luxembourg, some jazzy bits, and even a commercial for Heineken! (Soundtracks, French) CD

A record with a folksy style at the core, but one that comes across with a really hip hybrid of influences – a lot more like something from early 70s Saravah Records than you might expect from the image of a Celtic harp on the cover! Kristen Nogues does play that instrument, and sings alongside it in Breton – but she's supported with modern, light arrangements that include guitar, piano, flute, cello, violin, and bassoon – all used in ways that are unconventional, and certainly not folksy – almost bringing a New York modern music quality to the record – ala ECM or other labels' recordings of the time. The voice and harp are incredible in this setting – and titles include "Ar Gemenerez", "Hunvre", "Enez Rouz", "Ar Bugel Koar", "Hirness An Devezhiou", and "Pinvidik Eo Va C'Hemener". CD

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Beautiful bossa from late 60s France – a really lovely session that mixes the vocals of Tita with jazzy backings from Trio Camara – who we know from their own legendary album on the Saravah label! The sound here is a bit different than bossa from Brazil – somewhat darker at points, carried off in that cool continental mode that would sometimes show up when sounds from Rio were filtered through 60s Paris – kind of an extra level of hipness that really makes for some special music here. There's a bit of additional strings next to the trio's backing, which underscores some elements of sadness and also makes for a bit of a soundtrack feel at points – and other instrumentation includes acoustic guitar and some occasional flute. Titles include "Anjo", "Trapezista", "Zefa", "Um Motivo De Ser", "Beatriz", "Nao Faz Mal", "Quebra Mar", and "Vejo A Tarde Cair". (Brazil, French) CD

One of our favorite record labels of all time finally gets its due – in a wonderful package that not only brings together some of the coolest cuts from the legendary French imprint Saravah Records, but also tells the story behind the company and it's groundbreaking approach to music! Saravah was born from the fame of Francis Lai's soundtrack for A Man & A Woman (Un Homme Et Une Femme), and from the lyrical contributions of Pierre Barouh – but immediately after, the company began pursuing a musical path like no other – taking on strands of jazz, world music, and the hippest styles in France – and creating new music that was unlike anything that had ever been recorded! Some of the best moments from the legendary label are here – including tracks that have the Art Ensemble of Chicago working with singers – Marva Broome on "Mystifying Mama", Alfred Panou on "Je Suis Un Sauvage", and Brigitte Fontaine on "Comme A La Radio" – plus more titles that include "Monsieur Chimpanze" by Michel Roques, "Sicilienne" by Maurice Vander, "Delhi Daily" by Baroque Jazz Trio, "Le Bruit Et Le Bruit" by Beatrice Arnac, "EDF Power" by EDF, "Trane's Call" by Georges Arvanitas, "Saudade" by Pierre Barouh & Baden Powell, "Je Jouais Le Piano" by Jacques Higelin, "Desert Angel" by Cohelmec Ensemble, and "80 AB" by Areski. CD