A fantastic bit of vocal jazz, sung by the legendary Swingle Singers in a style that shaped easy listening and soundtrack music for years to come! The French group had roots in vocalese jazz traditions – from groups like Lambert Hendricks & Ross or Les Double Six – but for this groundbreaking album, they moved into a semi-classical vein, and did these great jazzy takes on compositions by Johann Sebastian Bach. The whole thing sounds hokey, but it's plenty groovy – and it was a huuuuge influence on easy and soundtrack work for decades to come, including the wonderful work of I Cantori Moderni and some of the groovier French composers. Titles include "Sinfonia", "Prelude No 9", "Bouree", "Aria", "Choral No 1", and "Fugue In D Major". (Vocalists, French)LP, Vinyl record album
(Red label stereo "Bachanalia" pressing in a Grammy Award Winner cover, with a cut corner, light wear and aging, and bumped corners.)
One of Francis Lai's more successful soundtracks, written shortly after his legendary work on Un Homme et Une Femme and Vivre Pour Vivre. The theme of the film is one of Lai's most instantly recognized ones, and it's served up here in a number of different versions with spare haunting keyboards. The rest of the score's a mix of spare moody electric tracks and sweeping orchestral ones with a great rush of emotion. Titles include "Un Homme Qui Me Plait", "Concerto Pour La Fin D'Un Amour", "Las Vegas Circus Ballet", and "Les Filles En Cage". (Soundtracks, French)LP, Vinyl record album
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