Fantastic material from Tim Buckley – rare tracks recorded in 1968 and 1973, both presenting two different slices of his too-short career – and standing together as a great addition to his too-small catalog of recorded work! The first half features small sessions from 1968 – with Tim on those amazing vocals of his and Lee Underwood on lead guitar – plus a bit of vibes from Dave Friedman, in a manner that echoes the great use of that instrument on his Elektra albums of the late 60s. The songs are dreamy, open, and have that sublime blend of blueness and flow that really set Tim apart from his contemporaries – titles that include "Danang", "Happy Time", "Buzzin Fly", "Song To The Siren", and "Ashbury Park" – all done in unusual versions. The second half of the record features material recorded in 1973 – songs that are a bit more tight, with more of an overall group feel – almost jamming in the way the whole thing comes together! 1973 titles include versions of "Honey Man", "Falling Timber", "Quicksand", "Stone In Love", "Sefronia", "Because Of You", and "The Dream Belongs To Me". (Rock, Folk/Country) CD

Easily one of our favorite albums by Tim Buckley – and a record that really opens up with some key jazzy touches! Buckley's still got his roots in folk here, and his vocals are yet to hit the extremes of Starsailor or Lorca – but there's also a new sense of inflection to the way he puts over the lyrics, shaded in by use of vibes, kalimba, harmonium, and harpsichord – the latter two of which are played on the session by Don Randi! Tracks are relatively short, but high in concept – and include the protest song "No Man Can Find The War", plus "Hallucinations", "Phantasmagoria In Two", "Carnival Song", "Pleasant Street", "Morning Glory", and "Goodbye & Hello". (Rock, Folk/Country) LP, Vinyl record album

Tim Buckley live – in a really amazing performance from 1969 – one that really shows how much jazz impulses he had in his music! The tracks here are all quite long – and although in the folksy mode of Tim's studio work, also seem to have more improvisation too – both on the guitar and the vocals – especially when Buckley gets going in those eerie wordless ways that are almost his take on scat styles from jazz! Buckley's guitar almost takes on these Sandy Bull-type tones – very harmonic, and perfect not just with his vocals, but also the electric piano work of Lee Underwood – which underscores some of the jazzier elements in the music. The basslines are subtle, but beautiful too – really structuring the sounds in these warm currents that are always moving forward – on long takes of titles that include "Venice Mating Call", "Nobody Walkin", "I Had A Talk With My Woman", "Chase The Blues Away", "Buzzin Fly", "Gypsy Woman", "I Don't Need It To Rain", and "Driftin". (Rock, Folk/Country) CD

(Rock, Folk/Country) CD

An excellent introduction to the work of one of the more interesting singer-songwriter avant folksters of the 60s. Tracks include "She Is", "Song Slowly Song", "No Man Can Find The War", "Morning Glory", "Goodbye And Hello", "Buzzin Fly", "Strange Feelin", "Chase The Blues Away", "So Lonely", "Moulin Rouge", and "Song Of The Siren", "Sweet Surrender", "Make It Right", and "Who Could Deny You". (Rock, Folk/Country) CD

Features the "Song to the Siren" from the final episode of The Monkees plus two other live recordings – packaged with a 120 page chapbook in English and Italian. (Rock, Folk/Country) CD

An exceptional early release from the tragic Tim Buckley – done with a really unique sound that mixes late 60s folk rock with some subtly jazzy overtones! The record features beautiful string arrangements from the legendary Jack Nitzsche, and some beautiful work on piano, harpsichord, and celeste by Van Dyke Parks! But Buckley's the main star of the set – crooning beautifully with his sad-tinged voice, on wonderful tracks that include "Wings", "Aren't You the Girl", "She Is", and "Understand Your Man". (Rock, Folk/Country) CD

A wonderful album from the eternally underrated Hoyt Axton – whose rich, folksy lead vocals are given some fairly soaring arrangements on tunes that range from topical but not quite protest folk material to some trippier, chemically enhanced narratives! Hoyt's got the kind of easygoing, laconic drawl to keep a rustic vibe in the overall sound, but on these tunes he really stretches out into some some lyrically ambitious numbers that bring Tim Buckley to mind, and he also employs mean growl to some seedier numbers that surprised us even more. He dabbles in these eclectic sounds without ever betraying his Hoyt-ness (look at that, we made up a new word). Titles include "Way Before The Time Of Towns", "Beelzebub's Laughter", "Sunshine Fields Of Love", "Sunrise", "Kingswood Manor" and more. LP, Vinyl record album

An amazing legacy in music from Mike Cooper – a British musician who started out in the world of folk blues, but never ended up moving towards some of the rockish modes of his contemporaries – instead finding his very own sort of special space in the freedom allowed by the Dawn Records label! The set begins with the very spare Oh Really – a set that has Mike Cooper mostly on guitar and vocals, in a style that's part Piedmont, part Delta blues – but also given a more folksy spin, and graced with Cooper's unusual vocals – almost making the whole thing feel like a spare acoustic version of Canned Heat territory – with titles that include "Maggie Campbell", "Saturday Blues", "Electric Chair", "Crow Jane", and "You're Gonna Be Sorry". Do I Know you is a record that follows up with a sound that's maybe a bit fuller than Mike Cooper's debut, but still relatively spare – with Mike on acoustic guitar and slide guitar, Harry Miller on bass (really great bass, by the way!), and Poor Little Anne on a bit of vocals. Miller brings these deep tones to the record that really transform things – and titles include "Do I Know You", "Start Of A Journey", "First Song", "Theme In C", and "The Link". Trout Steel is a beautiful set from the British scene at the start of the 70s – a record that's got a fairly folksy tone, but lots of jazzy currents as well! The set was issued on the seminal Dawn Records label – and really shows that imprint's commitment to the left side of the spectrum – as Mike Cooper's vocals and acoustic guitar come into play with more guitar from Stefan Grossman – plus alto sax from Mike Osborne, tenor and soprano from Alan Skidmore, piano from John Taylor, and bass from the late Harry Miller – all key players on the UK avant jazz scene of the time! The mix of these players with Cooper's core inspiration is not unlike some of the most progressive material coming from Island Records – or, even better, the special jazzy moments on records by Tim Buckley or Tim Hardin – company that Cooper could very easily keep, given the strength of his songwriting. Titles include "Don't Talk Too Fast", "On My Way", "Hope You See", "Weeping Rose", "Trout Steel", "I've Got Mine", "That's How", and "Pharoah's March". Places I Know blends Cooper's acoustic guitar and rootsy vocals with some very compelling arrangements from Mike Gibbs – the British jazz talent who was already known for his larger ensemble creations at the time, but who works here in these really subtle ways – to inflect Cooper's core inspirations with just some slight instrumental colors, tones, and phrases on most numbers – while Cooper brings in the core Machine Gun Co group on a few more. The result is a record that's way more than familiar folk – and arguably a lot hipper than most of the British acid folk of the time, too – on titles that include "Night Journey", "Paper & Smoke", "Country Water", "Time To Time", "Goodbye Blues Goodbye", and "Places I Know". The Machine Gun Co album is a partner record to Places I Know – recorded in the same sessions, but with tracks that are longer, and even more openly expressive – all with backings from the sweet Machine Gun Co quartet, a group with some especially nice electric piano from Alan Cook! Heavy use of that instrument really works against some of the folksier elements in Cooper's music – with these blocks of warm sound and color that really illuminate the tunes, and almost unlock a new level in the vocals. Cooper plays a bit of electric guitar at times – and titles include "So Glad That I Found You", "Lady Anne", "Midnight Words", and "Song For Abigail". CD also features songs from singles – "Your Lovely Ways (parts 1 & 2)", "Time In Hand", and "Schaabisch Hall". (Rock, Folk/Country) CD

Beautiful work from the Youngbloods – a mixture of folk rock and jazzy phrasing, very much in the same spirit of Tim Hardin or Tim Buckley, with a depth and complexity that's quite surprising, and which has held up surprisingly well over the years – almost more appealing now than when it was first recorded. The electric piano alone is worth the price of admission – jazzy in a way you won't find on the group's other records – and the album features a number of longer tracks – including a sublime reading of Fred Neil's "The Dolphin", and the cuts "Beautiful", "Sunlight", "Ride The Wind", and "Sugar Babe". (Rock, Folk/Country) LP, Vinyl record album