(Vocalists, Folk/Country) CD

Johnny returns to prison for another incredible set, released in its entirety for the first time with the 9 songs left off of the original LP! Like the Folsom gig, the set was captured by producer Bob Johnston, who also so masterfully recorded Bob Dylan at his most primal. Unlike the Folsom set, in which Johnny was famously accompanied by the Tennessee Three, the San Quentin band was fleshed out to include all of the still performing Carter women, Carl Perkins and the Statler Brothers. Another breathtaking prison recording, featuring the famous version of "A Boy Named Sue" where you hear the crowd going completely nuts. Tracks include "I Walk The Line", "Darlin' Companion", "San Quentin", "Wanted Man", "There'll Be Peace In The Valley", "Ring Of Fire", "He Turned The Water Into Wine", "Daddy Sang Bass", "I Don't Know Where I'm Bound" and more. 18 tracks in all, with lots of previously unreleased photos and essays, including some insight from Merle Haggard – who had, uh, his own little gig at San Quentin if you catch my meaning. CD

Includes the songs "Cry! Cry! Cry!", "Hey Porter", "Folsom Prison Blues", "I Walk The Line", "Get Rhythm", "Big River", "Guess Things Happen That Way", "Ring Of Fire", "Jackson", "A Boy Named Sue (Live)", "Sunday Morning Coming Down", "Man In Black", "One Piece At A Time", "Highwayman", "The Wanderer", "Delia's Gone", "Rusty Cage", "I've Been Everywhere", "Give My Love To Rose", "The Man Comes Around (Early Take)", and "Hurt". CD

A really fantastic bit of lost country work from Billy Gray – an artist best known for his collaborations with Hank Thompson, but coming across here with a much more down-to-earth style! The set's got lean production and really well-done songs – the kind of rare country nugget that often fell between the cracks of bigger Nashville hits, but which is totally ripe for rediscovery all these many years later – in part as a glimpse at a secret history of country that was often hidden from the masses. Gray's approach is very much in a Texas honky tonk mode – small combo backing, steel guitar, and a blue-tinged vocal style that has some nice echoes of older Ray Price – but updated a bit more for Billy's generation. Titles include "Downtown Dallas", "You Got Caught", "How Would She Look In A Kitchen", "Big Hearted Sue", "Completely Confused", "Fortune Teller", "I'll Go Broke Loving You", and "Heart Of A Beggar". CD

Rare Capitol country from the great Kay Adams – a female singer with a distinct love of trucking songs, and one who also hails from the Buck Owens side of the spectrum too! Kay only cut a handful of records over the years, and this set's a great addition to her catalog – as it features unissued cuts that were recorded live with backing from Buck's group The Buckaroos – all done at the Buck Owens Ranch Show, and with a sound that's very much like Owens' excellent work of the time – with some of the more truck-themed tunes you'd be likely to hear from labelmate Red Simpson. Titles include "Rocks In My Head", "Six Days A Waiting", "Roll Out The Red Carpet", "Little Pink Mack", "Bottle Baby", "I Let A Stranger Buy the Wine", "Down Down Down", "Loose Talk", and a duet with Dick Curless on "A Devil Like Me". CD features three bonus tracks too! CD

A treasure trove of work from a singer who's finally getting his due – Louisiana legend Jimmy Donley, an artist whose career was as short-lived as his time on the planet – but who worked during the early 60s in a wonderful blend of soul, R&B, and rough-edged rock! The package is amazing – and a much-needed look at this artist who burned incredibly brightly for a few short years, before taking his own life in the mid 60s. Jimmy's a hell of a singer, and a damn great songwriter too – and according to the notes, most of the tunes on the set originated with him, but were sold quickly to others to earn cash – a fact that hardly keeps the music from being a great representation of Donley's genius. There's definitely some echoes of New Orleans soul in the recordings, but given that many of the sessions were handled by Huey P Meux, there's also a west Louisiana vibe, too – with almost some grittier east Texas elements as well. The sound is quite unique – and uniquely breathtaking in this scope – a 2CD set that features 20 songs issued on singles for the Tear Drop label – plus another 36 tracks as demos, duets, and other rare material! Titles include "A Woman's Gotta Have Her Way", "Think It Over", "Strange Strange Feeling", "Love Bug", "Baby Ain't That Love", "Just A Game", "Santa Don't Pass Me By", "Baby Heaven Sent Me You", "Loving Cajun Style", "Forever Lillie May", "I Still Care", "It's Time To Say Goodbye", and "I'll Keep On Movin". CD

A pair of wonderful albums from the great John Fahey – back to back on a single CD! First up is Rivers & Religion – a really unique album by John Fahey – issued during a short stretch of initial mainstream approval, and a brief time of recording for Warner Brothers! Some of the album's quite different than the spare, solo Fahey you might know – and mixes his legendary guitar work with more elaborate elements than usual – additional instrumentation that includes bass, banjo, clarinet, piano, trombone, and fiddle – but all used at a level that really supports John's presence, not occludes it. Other tracks return to spare acoustic steel string guitar – creating an evocative balance that's mighty nice. Titles include "Funeral Song For Mississippi John Hurt", "Texas & Pacific Blues", "Dixie Pig Bar B Q Blues", "Lord Have Mercy Song", and "Deep River". After The Ball is a set with a disco ball on the cover, but a record that fits right in with the best early 20th century aesthetic in the work of John Fahey – particularly his way of reiimagining older musical traditions! There's a bit of added instrumentation on the record – two tracks that have some slight trad jazz flourishes – but overall, the album's mostly a solo effort with loads of wonderful guitar work from John – still as creative and as complicated as in his best recordings for Takoma! Other added instrumentation sometimes expands the sound with mandolin or banjo, but again in very sensitive ways – and titles include "Bucktown Stomp", "Om Shanthi Norris", "Beverly", and "Horses". CD

Way more than just another box set by a well-established act – as this collection moves way past their hits, and pulls together a huge amount of unreleased material that really testifies to the long-running genius of one of the most unique British groups to emerge in the late 60s! The set does feature key album highlights, but also includes 55 previously-unissued tracks, and lots of rare material too – as well as a fair bit of live recordings that really show the role that improvisation played in the group's performance – that odd current of jazz that could sometimes show up and color the way that the group presented its influences from more ancient forms of music. The group also shifted members with ease, and really moved their sound around over the years – in a way that many fans would say was only a continued refinement of their aims. The huge set documents this change, and also includes the unreleased Manor album – and comes in a special box with 48-page book, and a total of 121 tracks on 7 CDs, nearly half of which (55 tracks) are previously unreleased. CD