Mindblowing minimalism from the legendary Sandy Bull – an artist who might have had acoustic roots in folk music, but who was instantly turning his music into something else – drawing on modal styles of Eastern music, European generations of expression on guitar, jazz-based improvisation – and maybe even prefiguring work to come from composers like Terry Riley and La Monte Young! This album's one of Bull's first, and it's pure genius right from the start – with a side-long performance on the incredible "Blend", which features slight drums from jazz musician Billy Higgins – which Sandy extrapolates these long passages on acoustic guitar. Side two features the fantastic "Carmina Burana Fantasy" on banjo – a kind of trans-historical performance that's right up there with John Fahey's best of the decade – alongside equally mindblowing "Non Nobis Domine" and "Little Maggie" – and the closing electric guitar genius of "Gospel Tune". LP, Vinyl record album
(Stereo red label pressing with deep groove. Cover has half split top & bottom seams, some surface wear & aging, name in pen.)
Incredible String Band —
Wee Tam ... LP Elektra, 1969. Near Mint- ...
$16.99
Half of the fourth album from The Incredible String Band and by far their most sprawling work to date – which was originally split into separate LPs for the US release – this bein the more intimate Wee Tam portion! Multi-instrumentalists Mike Heron & Robin Williamson began using studio multi-tracking to incredible effect on their previous LP, and continue on that path here, though accompanied by violin and percussion by Rose. Titles include "Job's Tears", "The Yellow Snake", "Beyond The See", "The Half-Remarkable Question", "Ducks On A Pond" and more. LP, Vinyl record album
(Late 60s red label big E pressing. Includes the booklet, Elektra catalog from 1966, and the Elektra inner sleeves. Box has split corners, tears in the top and bottom edge, center splits in the spine and bottom seam, and is faded at the spine.)
(Mono white & red label pressing with deep groove. Includes the booklet and Elektra fall/winter 1959 catalog. Cover has some surface wear, yellowing from age, a tiny bit of pen at the top right, and some light stains in back.)
8
Incredible String Band —
I Looked Up ... LP Elektra, 1970. Very Good+ ...
Temporarily Out Of Stock
A nicely subtle album from the Incredible String Band – a set that maybe doesn't have the same sort of fanfare as their earliest albums, but which also has the group really honing their sound! Make no mistake, there's nothing commercial or pop-oriented going on – it's just that Mike Heron and crew have really found a way to make a lot with a little – using acoustic guitar, violin, dulcimer, and bits of other instrumentation in these ways that have the relaxed nature of a folk group, but with more far-reaching power that befits their role in the British scene of the time. Heron's vocals are always wonderful – and Robin Williamson sings as well, as does Licorice McKechnie – and titles include "Black Jack Davy", "The Letter", "This Moment", and "Fair As You". LP, Vinyl record album
(Red label "big E" stereo pressing. Cover has some ring and edge wear, yellowing from age, split top seam, some splitting in the bottom seam, and is lightly bent at the bottom left corner.)
9
Batdorf & Rodney —
Off The Shelf ... LP Atlantic, 1971. Near Mint- Gatefold ...
Out Of Stock
(Green & red Rockefeller label pressing with Warner rim logo. Cover is slightly wrinkled at the bottom right corner inside the gatefold, with some splitting in the bottom seam.)
A very unusual set from Prestige records – rural southern blues, recorded by Alan Lomax with help from Shirley Collins – featuring tracks from Fred McDowell, John Dudley, Matti Gardner, Miles Pratcher, Ed Young, Viola James, Leroy Gary, and Leroy Miller! (Blues, Folk/Country)LP, Vinyl record album
(Original pressing – red label with deep groove! Cover has light wear, but this is a great copy.)
Prime Hag, recorded during his peak song writing years in the early 70s, and one of the better LPs recorded with the Strangers! Merle's in his gentler story song mode for much of the record, but with driving Bakersfield honky tonk sound to keep things moving at a tight clip. Haggard penned several of the tunes, including "Daddy Frank (The Guitar Man)", "Turnin' Off A Memory" and "Irma Jackson", but nods to Tommy Collins and Bob Wills for the Bakersfield style stompers – including "Bring It On To My House, Honey", "Wildwood Flower", and "The Funeral", plus Red Foley's great "Old Doc Brown". LP, Vinyl record album
A great collection of Merle Hagard classics – including "Kentucky Gambler", "Daddy Frank", "Okie From Muskogee", "Uncle Lem", "Swinging Doors", "Mama Tried", "The Fightin Side Of Me", "Silver Wings", "Sing Me Back Home", "Sing A Sad Song", "Branded Man", "Working Man Blues", and "I Take A Lot Of Pride In What I Am". LP, Vinyl record album