Solidly socking soul from Chicago – a great little set recorded with a really old school feel, but one that's also different than the usual deep funk record! The Uptown Sound have a vibe that's all their own – at one level, a quality that's steeped in classic soul – but at another, with a quality that's strangely offbeat too, almost with an undercurrent of darkness in some of the instrumentation that somehow mixes slight punkish roots into funk! Lead singer JC Brooks follows suit strongly – hitting topics that aren't your usual soul music standards, even though his vocals would be right at home with such fare – and instead, the album's got a range of themes that really keep an edge to the set, of the sort that's bound to find these guys a large audience way outside the usual deep funk underground. JC's a real superstar – even larger on stage, which is a recommendation to catch the group live! Titles include "Love One Another", "Hold You Back", "75 Years Of Art Sex", "How To Stop Loving Someone Who's Stopped Loving You", "He Does The Town", and "Berry Please". CD

Galactic get some heavy production from Dan The Automator – really chunking up their groove with lots of bass on the bottom and plenty of low-end sounds! The approach isn't really hip hop, but it does give the group's homegrown funk approach a sound that fits more closely next to modern sample records in the crates – but the real appeal of the record is the way it manages to do this while still holding a lot of appeal for fans of instrumental funk. Titles include "The Moil", "Bongo Joe", "Bittersweet", "Doomed", "The Beast", "Kid Kenner", and "Uptown Odyssey". CD

No suffering here – as these guys have an upbeat, joyous sound that really grabs us right away – a warm vibe that's very much their own, and which is a nice change from some of the more posturing retro soul on the market! In fact, although these guys work in an old school mode of live instrumentation and strong female lead vocals, there's none of the stock 60s or 70s modes at play – as The Suffers come across with this contemporary style that's made even better by the spontaneity in their musicianship, and the clear amount of great feeling they all get working together – all in support of the totally great lead vocals of Kam Franklin! In a world where so many others might by trying to just copy a big name singer of the 60s, Kam's very much her own person – with phrasing, lyricism, and a personality that come through right away – and which might be equally at home with beats and keyboards, but really take off in the jazzier currents of the rest of the group. Titles include "Dutch", "Midtown", "Giver", "Stay", "Peanuts", and "Slow It Down". CD