One of the best ever sets of sprawling, spacey soul funk and jazz from the impossible to pen in Burnt Sugar Arkestra Chamber – never an easy group to describe in a nutshell, and that's a good thing – their best work in years and their first effort for the Livewired label! Making Love To The Dark Ages is a weirdly apt title, starting out with kind of dark, bluesy soul backdrop for Lisala's vocal in the beginning of the opening three part suite "Chains And Waters", slowly building into a tense, free jazz groove that's unafraid to pepper it up with some psyche rock guitar, heady/heavy bass, keys and synth, sax and drums. Guitarist and group leader Greg Tate conducts a sprawling chamber with slightly altered lineups depending on the piece, with players including vocal chanteuse Lisala, fellow vocalists Jeremiah, Karma Johnson, Justice Dilla X (who moonlights on piano, too) and others, alto & tenor sax by Matana Roberts and Petre Radu Scafaru, synth by Bruce Mack, cello by Will Martina, acoustic and electric bass by Jason DiMatteo and Jared Michael Nicherson, drums by Chris Eddleton and Trevor Holden & others, guitars by Rene Akan, Vernon Reid, trombone by David Smith, trumpet by Lewis 'Flip' Barnes, Jr, – lots more instrumentation and orchestration. The record rolls in and out of evocative soul, bits of electro and hip hop soundcraft, spaced out astral jazz, sharp solos and textured bursts of noise – never sacrificing a confluent sense of togetherness for all of the diverse sounds. Titles include the suites "Chains And Water" and the title track, plus "Thorazine/81", "Love To Tical" and "Dominata (The Gabri Ballad)". CD

An excellent set from Kevin Ford – best known as the leader of Chicago Afrobeat Project, but working here in a much more stripped-down setting – a funky trio mode that's filled with his own great work on keyboards, served up here with a very cosmic vibe! The drums and bass are nice and heavy – well-pointed and nicely focused – which leaves the keyboards plenty of space to soar over the top and do all these cool spacey things while the rhythms stay funky – in a mode that's clearly inspired by 70s funky jazz, fused through the leaner modes of the London scene, and delivered in a style that's very much the group's own! Titles include "Hashley", "Reduxion", "Type B", "Dillatente", "Strawberry Feels", and "Imperial 7". LP, Vinyl record album