Whomp! These guys bring it all down on the beat – hitting harder than Cassius Clay at the Rome Olympics in '60, packing bass, guitar, drums & percussion into one funky punch – pounding out a hard heavy groove all the way through their entire debut LP! Of course, these guys have the talent to do it right – sporting a connection to the fellow early oughties funk standard bearers Poets Of Rhythm that you can certainly hear in some of the album's more stoned-out grooves – and like that hip combo, the Whitefield Brothers maintain a strong mix of classic funky modes, with just the right touches of professional trippiness to push the whole thing over the top. An instant classic from El Michels, Bosco Mann, Neal Sugarman, Jay Whitefield and others who fly the flag for classic style underground funk – with tracks that include "Rampage", "Prowlin", "In The Raw", "Sol Walk", "Eji", "Thunderbird", "Weiya", and "Yakuba". LP, Vinyl record album

Abstract Orchestra have already given us two great albums worth of funk remakes of cuts originally created by the Madvillain team of MF Doom and Madlib – and here, Rob Mitchell of the orchestra follows into the production talents of the latter, by serving up remixes of cuts from the previous two album projects! Rob's style is different than that used by Madlib – maybe more hip hop into club, but in a way that still lives up to all the great spirit of the Abstract Orchestra originals – as he serves up Ghost Life remixes of "Curls", "Bistro", "Eye", "Fancy Clown", "Accordion", "Fire In The Hole", "Borrowed Time", and "Fluid". LP, Vinyl record album

Beautifully heavy sounds from Black Market Brass – a group who started out with more of a global funk approach, but who emerge here with the intensity of some lost funky soundtrack – all with the sort of edge you might expect from the cover! The style here is really revolutionary – unlike anything else we've ever heard from a group with "brass" in their name – in part because the group has some very cool distortion on the keyboards and guitar, which gives those electric elements a very sinister sound next to the straight ahead fire of the horns – served up with really hard-driving rhythms throughout, in a way that seems to pull together older traditions of Afro Funk, Nola Brass, and even some of the southern college bands – but all with a very 21st Century vision. Titles include "So Who (parts 1 & 2)", "Into The Thick", "War Room", "Cheat & Start A Fight", "Undying Thirst", and "NBT". (Global Grooves, Deep Funk) LP, Vinyl record album

The first-ever full length album from vibist Max Beesley – and a much-needed expression of some of the deeper ideas that he's always had in his music! Max was an artist who first started making waves during the earliest years of acid jazz on the UK scene – but like the best of his contemporaries, he's really grown a heck of a lot since then – to a point where he's able to deliver a cinematic funky jazz masterpiece like this – a record that's got plenty of his own great work on vibes, amidst heavy drums, funky basslines, and sweet keyboards – all set up in larger arrangements that have a sense of majesty we never would have expected in Beesley's music! Titles include "Saturn's Dust", "We'll Always Have Yesterday", "Fire", "Sergio's Bag", "Ice", "Snake Oil", and "Zeus". (New Grooves, Deep Funk) CD

The first-ever full length album from vibist Max Beesley – and a much-needed expression of some of the deeper ideas that he's always had in his music! Max was an artist who first started making waves during the earliest years of acid jazz on the UK scene – but like the best of his contemporaries, he's really grown a heck of a lot since then – to a point where he's able to deliver a cinematic funky jazz masterpiece like this – a record that's got plenty of his own great work on vibes, amidst heavy drums, funky basslines, and sweet keyboards – all set up in larger arrangements that have a sense of majesty we never would have expected in Beesley's music! Titles include "Saturn's Dust", "We'll Always Have Yesterday", "Fire", "Sergio's Bag", "Ice", "Snake Oil", and "Zeus". (New Grooves, Deep Funk) LP, Vinyl record album

A stunner of a joint effort from Ethio jazz funk visionary Mulatu Astatke and psych funk genre-busting combo the Heliocentrics – a record we had the highest hopes for and still find wildly above and beyond our loftiest expectations! The collective touch on some classic Mulatu compositions, but the bulk of the material here is brand new, and purely collaborative – if you know the Helioecentrics or you know Mulatu, you can clearly hear what each bring to the table – and it works together brilliantly! There's often a gritty funk bottom end, the best drums and percussion, fat electric bass lines underneath Ethio jazz inspired sax, trumpet, trombone and flute – swirling psychedelic flourishes with theremin and other effects that never take away from the groove. Mulatu's on vibes, percussion, Wurlitzer, drums and keyboards – and his compositions and the Helios trade back and forth throughout the set. There's some additional Ethiopian instrumentation and atmospheric vocals in the mix on some tunes, and more of an astral, avant funk vibe on others, but there's always a brilliant confluence of styles. Bottom line, the album is everything we wanted it to be and more – this will undoubtedly be favorite for years to come! Titles include "Masenqo", "Cha Cha", "Addis Black Widow", "Mulatu", "Blue Nile", "Esketa Dance", "Chik Chikka", "Live From Tiger Lounge", "Chinese New Year", "Phantom Of The Panther", "Dewel"., "Fire In The Zoo", "An Epic Story" and "Anglo Ethio Suite". LP, Vinyl record album

Guitarist Eddie Roberts is a legend in contemporary funk – famous first for his work in the New Mastersounds, then for some great records on his own – now working here as a key part of The Lucky Strokes – a group who open up a whole new chapter in Eddie's career! The group's a lean quartet, and features vocals from Shelby Kemp – a raspy-voiced singer who's clearly versed in the more soulful sides of the blue-eyed rock spectrum – working here in modes that evoke The Face and some hipper currents of southern rock – but all delivered with the lean funky style you'd expect from Roberts! The rest of the lineup just features bass and drums – which makes for a mighty spare, guitar-forward album – with titles that include "Whiskey Makes Me Stronger", "Holy Fire", "Grits Ain't Groceries", "Rambler", "Gonna Get In My Way", "Home Sweet Home", and "Gonna Get In My Way". CD

Guitarist Eddie Roberts is a legend in contemporary funk – famous first for his work in the New Mastersounds, then for some great records on his own – now working here as a key part of The Lucky Strokes – a group who open up a whole new chapter in Eddie's career! The group's a lean quartet, and features vocals from Shelby Kemp – a raspy-voiced singer who's clearly versed in the more soulful sides of the blue-eyed rock spectrum – working here in modes that evoke The Face and some hipper currents of southern rock – but all delivered with the lean funky style you'd expect from Roberts! The rest of the lineup just features bass and drums – which makes for a mighty spare, guitar-forward album – with titles that include "Whiskey Makes Me Stronger", "Holy Fire", "Grits Ain't Groceries", "Rambler", "Gonna Get In My Way", "Home Sweet Home", and "Gonna Get In My Way". LP, Vinyl record album

The Jazz Is Dead series goes mighty deep with this gem of a record – opening the door for two legendary Tribe Records talents from the Detroit scene of the 70s – reedman Wendell Harrison and trombonist Phil Ranelin – both of whom sound superb throughout! As with other volumes in the JID series, the production pair really adapt their sound and strategy to fit the best modes of the guest – so that this time around, Ali Shaheed Muhammad's just adding some strong basslines to the tunes, and Adrian Younge plays a variety of keyboards and guitar – yet neither get in the way of the vision that's clearly coming from both Harrison and Ranelin! Tracks almost feel like an update of older Tribe Records modes – and drummer Greg Paul provides a nice crisp crackle at the bottom. Tunes include "Running With The Tribe", "Ursa Major", "Black Census", "Open Eye", "Genesis", and "Fire In Detroit". CD

The Jazz Is Dead series goes mighty deep with this gem of a record – opening the door for two legendary Tribe Records talents from the Detroit scene of the 70s – reedman Wendell Harrison and trombonist Phil Ranelin – both of whom sound superb throughout! As with other volumes in the JID series, the production pair really adapt their sound and strategy to fit the best modes of the guest – so that this time around, Ali Shaheed Muhammad's just adding some strong basslines to the tunes, and Adrian Younge plays a variety of keyboards and guitar – yet neither get in the way of the vision that's clearly coming from both Harrison and Ranelin! Tracks almost feel like an update of older Tribe Records modes – and drummer Greg Paul provides a nice crisp crackle at the bottom. Tunes include "Running With The Tribe", "Ursa Major", "Black Census", "Open Eye", "Genesis", and "Fire In Detroit". LP, Vinyl record album