An album with a very classic look on the cover – and an equally classic sound to match – one that takes us back to some of the hippest, coolest work by early 60s singers like Sam Cooke or Marvin Gaye! Both artists are a good comparison here, as Leon Bridges is unabashedly in the same territory – cool, classy, yet undeniably soulful – at this level that never has to overstate itself, or try too hard to reach for facile funky parts, or any kind of party-moving sort of vibe. Leon's vocals are wonderful – clearly born to sing music this great – and the backings are a nice change from the usual retro soul modes, and instead have this deep soul vibe that's perfectly captured in a Texas small studio setting. Titles include "Better Man", "Brown Skin Girl", "Lisa Sawyer", "Pull Away", "Flower", and "Twistin & Groovin". (Neo Soul, Deep Funk) CD

The group's no ensemble, but they're definitely analog – as the one-man combo Charif Megarbane handles a whole host of cool electric sources for the music – a mix of mellotron, Rhodes, Wurlitzer, Farfisa, Moog, and other keys – mixed with an electric koto, flute, vibes, theremin, and field recordings too! There's also key use of acoustic guitar, which warms up and humanizes the sound wonderfully – as do the French vocals, which appear from time to time, and make the whole thing sparkle like some underground Parisian project from years back – almost building a bridge from the 70s Saravah scene forward to the music of Stereolab and Laetitia Sadier. The album's every bit as great as those two references would imply – and titles include "The Patterns Of A Hand", "Ainsi Souffle Le Vent", "Sens Dessus Dessous", "Passe Compose", "Les Orpailleurs", and "Octopolis". (New Grooves, Deep Funk) LP, Vinyl record album

A fantastic second album from this ultra-hip French combo – a group who effortlessly mix up jazz, funk, and global elements in the best cross-cultural tradition of the Parisian scene! Cotonete have been around for many years, even though they haven't given us many records – and it's clear from this set that their sound has gelled and evolved even more than before – no gimmicks or easy tricks on the record, and instead this really cohesive blend of keyboards from Florian Pellissier with trumpet, saxes, guitar, trombone, bass, and plenty of percussion! Guests include Omar, Leron Thomas, and Sabrina Malheiros – each of whom sing on a single track – and titles include "Satori", "La Derniere Guitare", "Bebete Vaobora", "Venezuela", "Cinq Pour L'Aventure", and "What Did You Run For". CD

A fantastic second album from this ultra-hip French combo – a group who effortlessly mix up jazz, funk, and global elements in the best cross-cultural tradition of the Parisian scene! Cotonete have been around for many years, even though they haven't given us many records – and it's clear from this set that their sound has gelled and evolved even more than before – no gimmicks or easy tricks on the record, and instead this really cohesive blend of keyboards from Florian Pellissier with trumpet, saxes, guitar, trombone, bass, and plenty of percussion! Guests include Omar, Leron Thomas, and Sabrina Malheiros – each of whom sing on a single track – and titles include "Satori", "La Derniere Guitare", "Bebete Vaobora", "Venezuela", "Cinq Pour L'Aventure", and "What Did You Run For". LP, Vinyl record album

Guitarist Lucas De Mulder gets some great props on this album even before the needle dropped – as funky guitar legend Eddie Roberts stepped up to produce the whole thing, and even has his famous combo The New Mastersounds provide the instrumentation on the set – with some nice trumpet help from Gabe Mervine! The feel is a bit like some of Roberts' own records, but with more of the funky core that NMS can provide – perfect for Lucas, as he's got this sharply riffing style that's really amazing – a completely deft approach to funky guitar that we'll be likely to hear on many great records in years to come! But for now, this starter is more than enough – bubbling over with great instrumentals that include "Hot Ba Ri O", "Come Out At Night", "Several Times", "Redbone", "Warm Nights", "Fruit Salad", "Feel The Spirit", "Underground Dance", "Ginger Beat", and "Keep Walkin". CD

Guitarist Lucas De Mulder gets some great props on this album even before the needle dropped – as funky guitar legend Eddie Roberts stepped up to produce the whole thing, and even has his famous combo The New Mastersounds provide the instrumentation on the set – with some nice trumpet help from Gabe Mervine! The feel is a bit like some of Roberts' own records, but with more of the funky core that NMS can provide – perfect for Lucas, as he's got this sharply riffing style that's really amazing – a completely deft approach to funky guitar that we'll be likely to hear on many great records in years to come! But for now, this starter is more than enough – bubbling over with great instrumentals that include "Hot Ba Ri O", "Come Out At Night", "Several Times", "Redbone", "Warm Nights", "Fruit Salad", "Feel The Spirit", "Underground Dance", "Ginger Beat", and "Keep Walkin". LP, Vinyl record album

The best record in years – maybe decades – from the legendary Dr John – and a set that stands up strongly next to the messed-up Crescent City vibe of his 70s classics! Big thanks are due to Black Keys' guitarist Dan Auerbach – who produced and supervised the whole recording – and helped create the kind of rootsy studio proceedings that make for just the right vibe to help the Doctor hit all his best classic modes! Leon Michels brings in some great keyboards, too – and an undercurrent of El Michels funk – and Dr John's vocals really sparkle in the setting – stepping out with all the weird raspy elements we love so much. Titles include "Ice Age", "Getaway", "Kingdom Of Izzness", "You Lie", "Eleggua", "My Children My Angels", "Locked Down", and "Big Shot". (Soul, Deep Funk) CD

Nice work from this funky jazz combo – a group who owe plenty to the sound of 60s soul jazz on Prestige and Verve Records, but who also do plenty to make their own mark as well! The album's issued on the same label as the Haggis Horns, and these guys definitely use strong interplay between the horns to make their mark – the trumpet of Nick Malcolm and tenor of Jake McMurchie, set out over some nice grooves from keyboardist George Cooper – who plays piano, organ, and Wurlitzer – plus a bit of vibes as well! There's vocals on one track from Doc Brown – the cut "Rolling On A High" – and all others are instrumental, and include "The Long Haul", "Chasing Fantasies", "Snakebite Playfight", "Net Zero", and "Enigma" – which was recorded live in Paris. (Jazz, Deep Funk) CD

Nice work from this funky jazz combo – a group who owe plenty to the sound of 60s soul jazz on Prestige and Verve Records, but who also do plenty to make their own mark as well! The album's issued on the same label as the Haggis Horns, and these guys definitely use strong interplay between the horns to make their mark – the trumpet of Nick Malcolm and tenor of Jake McMurchie, set out over some nice grooves from keyboardist George Cooper – who plays piano, organ, and Wurlitzer – plus a bit of vibes as well! There's vocals on one track from Doc Brown – the cut "Rolling On A High" – and all others are instrumental, and include "The Long Haul", "Chasing Fantasies", "Snakebite Playfight", "Net Zero", and "Enigma" – which was recorded live in Paris. (Jazz, Deep Funk) LP, Vinyl record album

The fourth album from Sharon Jones & The Dap-Kings – solidifying what we learned pretty early on from the indomitable soul spirit that is Sharon and her impeccable combo the Dap-Kings – it's that this is not some retro soul revival novelty act, what they are is the greatest active embodiment of a true soul sound that will never go away! We've always loved that Sharon Jones & The Dap-Kings recognize the studio and the stage as different worlds. On stage, Sharon is the possibly the most energetic, charismatic presence you'll ever see and the band brings heft and heat. In the studio, they stretch out and diversify wonderfully, bringing both raw, unpolished funky soul realness to some more stripped down numbers and a full on Stax or Hi level heaviness to the bigger ones. The songs are better and more memorable than ever on this record – with "The Game Gets Old" and "I Learned The Hard Way" (an astoundingly strong one/two punch for the opening minutes) plus "Better Things", "Give It Back", "Money". "The Reason", "Window Shopping", "I'll Still Be True", "Without A Heart", "If You Call" and "Mama Don't Like My Man". CD