The Cure get taken into dancefloor territory – but that's OK, given that most of these tracks are from the years when the group was already moving into clubbier sounds after the raw style of their post-punk beginnings! Yet Robert Smith continues to find the right way to bring melancholy to a groove – as you'll hear on the album's remixes of "In Between Days", "The Caterpillar", "Why Can't I Be You", "Pictures Of You", "Hot Hot Hot", "Never Enough", "A Forest", "Lovesong", "The Walk", "Close To Me", "Lullaby", and "Fascination Street". Cassette
Sure, their name marks them as part of that big world of prepackaged soul groups, and yes, their costumes on the cover may look a bit goofy – but over the years, this debut's got maybe a bit more staying power than some of their contemporaries! There's plenty of hip hop production in the mix – mostly handled by Dallas Austin, and with those kind of elements that you might find showing up in remixes of main cuts more than the album cuts themselves – but that also keeps things popping and hopping, and definitely does plenty to offset the youth in the vocals, which might not sound nearly as good on their own. So maybe think of the album as much as Austin's as it is the work of the group, and you'll get the vibe – with titles that include "Spyderman", "Mental Interlude", "Playground", "Little Soldiers", "Jealous Girl", "ABC", "That's My Girl", and "My World". Cassette