A warmly intimate album from Joao Gilberto – one that has the singer and guitarist in the same special space as his wonderful albums from the early 70s - a bit more sophisticated than the bossa years, but equally personal throughout! The set was co-produced by Helen Keane – who was bringing real magic to the records of pianist Bill Evans at the time – and music is by a core combo that includes American jazz musicians Ralph Grierson on keyboards and Grady Tate on drums – with some additional larger arrangements from Claus Ogerman, but used in a way that never clutters up the sound at all. Instead, Joao sounds beautiful right up front in the mix – with those sublime raspy vocals, and perfectly-placed lines on acoustic guitar – on titles that include a fabulous reading of "Estate", plus Jobim's "Wave" and "Zingaro", and the tracks "Caminha Cruzados", "Tin Tin Por Tin Tin", and "Besame Mucho". LP, Vinyl record album
All the elements that make the music of Antonio Carlos Jobim so wonderful – summed up perfectly in the title of this American session from the 60s! The sounds are full of the gentle love that Jobim always brought to his writing and performance – a sense of space and style that really set him apart from so many other composers of the time – all given just the right sort of string charts from arrangers Gaya and Dedoato, whose work here echoes the space of the leader – so that things are far from the soppy use of strings on American instrumental records of the time. Other Brazilian talents are on hand to ensure that the sound is perfect – including Baden Powell and Marcos Valle on guitar, Luiz Eca on piano, and Oscar Castro Neves as well – on titles that include darkly sophisticated versions of bossa classics like "Preciso Aprender A Ser So", "Berimbau", "Samba Torto", "Chuva", and "Imagem". Nice stuff, and with a lot more bite than the "love and strings" title might imply! LP, Vinyl record album
(Stereo gold label pressing. Cover has light wear.)
The wonderful world of Antonio Carlos Jobim gets a whole lot bigger on this American release from the 60s – thanks to a collaboration with the great Nelson Riddle, the arranger whose work made so many of Frank Sinatra's albums so great! Riddle really understands the jazzy elements at the core of Jobim's tunes – and backs his guitar and vocals with a great 60s California take on the bossa nova – one that's never trying too hard to cross over, and which instead really respects the genius of Jobim at the core! Antonio sings on most tracks – some even with English lyrics that are really great – and titles include "Useless Landscape", "Bonita", "Surfboard", "She's A Carioca", "Aqua De Beber", and "Favela". LP, Vinyl record album
(Mono white label promo. Cover has a promo sticker.)
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