A really wonderful album from Quarteto Em Cy – the Brazilian vocal quartet who first rose to prominence during the bossa nova years, but soon moved into even more sophisticated material during the 70s! The approach of this set is telegraphed in the title – as the group take on songs penned by Caetano Veloso, Milton Nascimento, Ivan Lins, and Gonzaguinha – the new MPB generation of the 70s, whose music turns out to be perfect for the growing talents of the girls – topped off with some beautiful arrangements from Octavio Burnier, whose work really rises to the level of the vocals! The whole thing's great – a magnificent journey in sound – and titles include "Idolatrada", "Barco Fantasma", "Antes De Seja Tarde", "O Ultimo Trem", "Um Dia", "Ponta De Areia", "Gira Girou", "Ciranda Menina", and "Abandonado". LP, Vinyl record album

A wonderful package of rare bossa work! The set is a great tribute to the composers mentioned above – and it features some of their best songs in classic renditions, packaged in a cover with an 8 page booklet that's filled with great photos and writings in Portuguese. Titles include "O Barquinho" by Pery Ribero, "Fim De Noite" by Coral De Ouro Preto, "Marcha Da Quarta-Feira De Cinzas" by Elis Regina, "Maria Moita" by Nara Leao, "A Morte De Um Deus De Sal" by Roberto Menescal, "Pau De Arara" by Ary Toledo, "Telefone" by Os Cariocas, and "Invluencia Do Jazz" by Carlos Lyra. LP, Vinyl record album

A fantastically soulful album from Jorge Ben – one of his greatest records ever, and a key part of Brazilian music in the 70s! The album marks an earthier shift for Jorge – a sound that's still rooted in the samba influences of the 60s, but which also takes on a bit more soul at the bottom – thanks to rhythmic contributions from Trio Mocoto, who work here famously to help Ben shape the overall feel of the set! There's still a bit of larger orchestrations at moments, but these are used sparingly just to sweeten the sound – leaving the main force of the music to come from Jorge's guitar, and the cuica, percussion, and tamborim of the trio. The vocals are wonderful too – slightly raspy, and with a bit more feeling than we ever remember Jorge having on record – sometimes a bit intimate, yet always with an undeniable presence throughout. One of those records that still sends chills up our spines, year after year – with tracks that include "Oba La Vem Ela", "Ze Canjica", "Pulo Pulo", "Apareceu Aparecida", "Terezinha", "Mulher Brasileira", "Forca Bruta", "O Telefone Tocou Novamente", and "Charles Junior". LP, Vinyl record album

A fantastically soulful album from Jorge Ben – one of his greatest records ever, and a key part of Brazilian music in the 70s! The album marks an earthier shift for Jorge – a sound that's still rooted in the samba influences of the 60s, but which also takes on a bit more soul at the bottom – thanks to rhythmic contributions from Trio Mocoto, who work here famously to help Ben shape the overall feel of the set! There's still a bit of larger orchestrations at moments, but these are used sparingly just to sweeten the sound – leaving the main force of the music to come from Jorge's guitar, and the cuica, percussion, and tamborim of the trio. The vocals are wonderful too – slightly raspy, and with a bit more feeling than we ever remember Jorge having on record – sometimes a bit intimate, yet always with an undeniable presence throughout. One of those records that still sends chills up our spines, year after year – with tracks that include "Oba La Vem Ela", "Ze Canjica", "Pulo Pulo", "Apareceu Aparecida", "Terezinha", "Mulher Brasileira", "Forca Bruta", "O Telefone Tocou Novamente", and "Charles Junior". LP, Vinyl record album

A record that's as striking as the image on the cover – a wonderful set that mixes the soulful vocals of the great Elza Soares with some larger samba backings from Oswaldo Borba – a leader we don't know at all, but who really knocks it out of the park on the set! Elza always seems to do best in settings that have a more unique sort of hybrid – the less-traditional modes that EMI/Odeon was using to really transform Brazilian music during this generation! The record's subtitle refers to "a bossa negra de Elza Soares", and the groove's definitely the main force that makes the record so strong – as you'll hear on titles that include "Era Bom", "Teleco-Teco No 2", "Cartao De Visita", "Sal E Pimenta", "Dedo Duro", and "Samba Em Copa". LP, Vinyl record album