Rootsy work from singer Joao Do Vale – one of his strongest albums ever, recorded by Chico Buarque, who also makes an appearance on the album, along with guests that include Nara Leao, Tom Jobim, Clara Nunes, Jackso Do Pandeiro, Luiz Gonzaga Jr, and others. The approach is mostly samba-based, with some soulful touches that add a lot of warm to the session – and titles include "Pe Do Lageiro", "Na Asa Do Vento", "Pipira", "Fogo No Parana", "Minha Historia", "Morena Do Grotao", "Carcara", and "O Canto De Ema". CD

One of Sadao Watanbe's excellent late 60s bossa albums – beautifully rich, but mellow readings of bossa nova numbers – in a way that takes music that had already been introduced to Japan a few years earlier, and gives it even wider exposure with Sadao's wonderfully soulful, jazz-based approach! Sadao plays both flute and alto sax – and backing is from a small combo that mixes in Brazilian-styled guitar and percussion next to the piano from Masabumi Kikuchi and drums from Masahiko Togashi – who you'll know from other Japanese jazz of the time! Watanabe's reeds have a raspy, off-kilter quality that's almost more human than many Brazilian jazz efforts of the time – and titles include "O Grande Amor", "Felicidade", "Here's That Rainy Day", "Agua De Beber", "White Wave", "From Russia With Love" and "So Danca Samba". (Jazz, Brazil) CD

Beautiful bossa nova from 60s Japan – groundbreaking work from the young Sadao Watanabe! Like one of his obvious influences, Stan Getz, Watanabe had a great role in bringing the bossa nova out of Brazil – taking a music that had already been introduced to Japan a few years before, and giving it even wider exposure with his wonderfully soulful, jazz-based approach. And although there were earlier Japanese bossa albums, this one stands out as one of the true classics – the Getz/Gilberto set of 60s Japan, although without the vocals of that Verve date. Sadao plays both flute and alto sax, and backing is from a small combo that mixes in Brazilian-styled guitar and percussion next to the bass and drums. Watanabe's reeds have a raspy, off-kilter quality that's almost more human than most Brazilian jazz efforts of the time – and titles include versions of "Song Of The Jet", "Felicidade", "Reza", and "Morning Of The Carnival" – plus some nice originals like "America" and "Cupid's Song". (Jazz, Brazil) CD

A beautiful tribute to Antonio Carlos Jobim – one recorded especially for the Japanese market, and featuring original recordings by some of our favorite Japanese artists – including Monday Michiru, Bird, Tica, Orange Pekoe, Akiko, Noa Noa, and Ino Hidefumi! The lyrics here are often in English, and the overall style's a bit like some of the American bossa sessions of the 60s – warm and jazzy, with backings that are full, but never too lush to be sleepy – cast in just the right blend of influences to make the package a really fresh take on the sound of Jobim – one that honestly sparkles a lot more than most recent efforts of this type from Brazil. French bossa maestro Pierre Barouh also works on the record – and titles include "Double Rainbow", "Samba De Maria Luiza", "Two Kites", "Quiet Nights", "One Note Samba", "Ela E Carioca", "Someone To Light Up My Life", "No More Blues", and "Wave". CD