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Brazil — CDs

XBossa nova, samba, MPB, Tropicalia, choro, and more -- a great selection of music, both vintage and contemporary!

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✨✧ Stan Getz & Joao GilbertoGetz/Gilberto #2 (with bonus tracks) ... CD
Verve, 1964. Used ... Out Of Stock
A very different record than the first collaboration between Stan Getz & Joao Gilberto – but that's also one of the things that makes it great! The album's more of a split LP than a shared one – as side one features a live performance from the great mid 60s Stan Getz quartet that featured Gary Burton on vibes – a wonderfully cool combo that was very under-documented on record, and which makes a key appearance here. The combination of Burton's vibes and Stan's tenor is pure genius – a sound that's got all the subtle hues and cool colors of the Getz bossa recordings, but which is quite different overall. Stan's tone is amazing on these tunes – and titles include "Here's That Rainy Day", "Tonight I Shall Sleep With A Smile On My Face", "Grandfather's Waltz", and "Stan's Blues". Side two features Joao Gilberto without Stan – playing in a very groovy trio that's more straight bossa than most of his other US recordings – cool small combo grooving that's totally great! The lineup features Gilberto on guitar and vocals, Keeter Betts on bass, and Helcio Milito on drums – all working in a sweetly grooving mode on titles that include "Samba De Minha Terra", "Meditation", "Bim Bom", "Rosa Moreno", and "O Pato". CD also features 5 bonus tracks with vocals from Astrud Gilberto – "It Might As Well Be Spring", "Only Trust Your Heart", "Corcovado", "Garota De Ipanema", and "Eu E Voce" – all from the Getz Au Go Go album. (Jazz, Brazil) CD
(Out of print 1993 Verve/Polygram pressing.)

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CD, LP, Vinyl record album cover art
✨✧ Toninho HortaOnce I Loved ... CD
Verve, 1992. Used ... Out Of Stock
Incredibly great work from Toninho Horta – especially considering that the album's a US release from the early 90s! Horta's working here in a tight trio with Gary Peacock on bass and Billy Higgins on drums – both players we can trust to keep things real, and help Toninho hit a groove that's solidly jazzy. The style is more straight jazz than some of Horta's other work – but in a really great way – and although he sings a bit on the set in that wordless way of his, there seems to be more of a focus than before on well-played guitar solos, both electric and acoustic. Titles include "Pica Pau", "Lullaby Of Birdland", "My Funny Valentine", "Minas Train", "Footprints", "Tarde", and "O Amor Em Paz". CD
 
 
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