A sublime 70s groover from the great Tamba Trio! This one works off of the expanded sound that the bossa jazz combo were forging on their late 60s work for CTI – adding in some more complicated arrangements by Luiz Eca to the regular piano/bass/percussion groove, pushing the sound into a more complicated style that reminds us of the best 70s work of Edu Lobo! The tracks are wonderfully written – with a jazzy rhythm at the core of most of them – but the added washes of sound and color really flesh out the group's unique vision, and make the album one of their greatest ever! Titles include "Reflexos", "Mestre Bimba", "Ossaim", "Em Casa", "Morada", "Infinito", "Gazera", and "Nao Tem Nada Nao". CD

This bossa LP on Columbia is pretty good stuff! The record was recorded with some of Brazil's best bossa players – like Luiz Bonfa, Roberto Menescal, and Luiz Eca (of Tamba Trio fame). John Hammond produced the session, so you can be sure it's got the kind of rootsy sound that will make the tracks have a bit more kick than if the album was in the hands of a regular pop-bossa producer. Titles include "Avion", "Reza", "Vagamente", "Ela E Carioca", "Zomba", and "Alem Da Imaginacao". (Jazz, Brazil) CD

A fantastic 70s album from this legendary harmony quartet – a female group that first emerged during the bossa generation in 60s Brazil, but who seem to hit an even more sublime sound with this rare gem from 1972! The setting is kind of post-bossa – maybe in the territory that Marcos Valle and some of his contemporaries were hitting – as the quartet work with fantastic arrangements from Edu Lobo and Luiz Eca of the Tamba Trio – in modes that are complicated and sophisticated, yet also straightforward and groovy – a perfect blend for the vocal harmonies! The album features the girls' incredible take on the Milton Nascimento song "Tudo Que Voce Podia Ser" – and other great tracks include "Quando O Carnaval Chegar", "Inclensa", "Cantoria", "Canto De Oba", and "Zanga Zangada". CD

Beautiful stuff – and a record we never tire of hearing! This album's a sublime extension of the earlier Brazilian style of the Tamba Trio – in a set that has them adding a fourth member, and picking up some cool new sounds from producer Creed Taylor! The set brings the group's earlier blend of bossa jazz and vocal harmonies into play with Taylor's spacious sensibilities in the early days of CTI – that stretch when the label was partnered with A&M Records, in a mode that also echoes some of the best studio qualities of that imprint too! The songs are longer than usual – nicely stretched out in a beautiful blend of jazz, bossa, and voice – and tracks include a classic reading of Luiz Eca's "The Dolphin", a great take on "Canto De Ossahana", and the tracks "Flower Girl", "We & The Sea", and "Lemanja". CD

Beautiful stuff – and a record we never tire of hearing! This album's a sublime extension of the earlier Brazilian style of the Tamba Trio – in a set that has them adding a fourth member, and picking up some cool new sounds from producer Creed Taylor! The set brings the group's earlier blend of bossa jazz and vocal harmonies into play with Taylor's spacious sensibilities in the early days of CTI – that stretch when the label was partnered with A&M Records, in a mode that also echoes some of the best studio qualities of that imprint too! The songs are longer than usual – nicely stretched out in a beautiful blend of jazz, bossa, and voice – and tracks include a classic reading of Luiz Eca's "The Dolphin", a great take on "Canto De Ossahana", and the tracks "Flower Girl", "We & The Sea", and "Lemanja". CD

The return of a legend – and a tremendously groovy little record! Brazilian keyboardist/composer Antonio Adolfo's been making records for years – but easily his greatest albums were those cut at the end of the 60s with his Brazuka group – a cool combination of funky rhythms, electric keyboards, spacious production, and female vocals – all wrapped up with that glorious Blue Brazil sound of the EMI/Odeon label. Here, Adolfo recaptures that sound beautifully – returning to modes he hasn't touched in decades – and getting tremendous treatment from the Far Out label, who really help him hit that classic sound right. The record's an instantly timeless set that rivals all of Antonio's wonderful work from many years back – recorded with Adolfo on keyboards, live jazzy rhythms, a bit of strings, and twin harmony vocals from daughters Carol Saboya and Luisa Saboia – soaring out beautifully with a really groovy sound. The whole thing's wonderful – even better than you might expect – and titles include "Bola Da Vez", "Papo Furado", "Luizao", "Eu E Voce", "Tudo E Brasil", "Domingo Azul", "Tao Iguais", "SOS Amazonas", "Sonho Estelar", and "Dono Do Mundo". CD

The legendary 1962 Bossa Nova concert at Carnegie Hall – and one of the first live recordings of the young bossa nova in all its glory! The concert is famous not only because it was a bit of a disaster (according to legend, just about nobody got paid!), but also because it brought together a huge amount of Brazilian talent on one stage, and premiered their music to a rabid US audience – very fresh at the time, as the big Verve boom of bossa recordings hadn't even started to take hold! The recording has a stunning live feel, and it preserves all the acoustics of Carnegie Hall, complete with lively crowd response. Oscar Castro Neves backs up most of the singers – including Sergio Ricardo, Carmen Costa, Carlos Lyra, Ana Lucia, and Chico Feitoso – and the LP has other instrumental performances by Joao Gilberto, Milton Banana, Roberto Menescal, Luiz Bonfa, and Sergio Mendes – all young bossa giants, really opening up here with their talents! The set features 15 tracks in all – and titles include "O Barquinho", "Influencia Do Jazz", "Outra Vez", "Zelao", "Nao Faz Assim", "Bossa Nova Em Nova York", and "Passarinho". CD

The legendary 1962 Bossa Nova concert at Carnegie Hall – and one of the first live recordings of the young bossa nova in all its glory! The concert is famous not only because it was a bit of a disaster (according to legend, just about nobody got paid!), but also because it brought together a huge amount of Brazilian talent on one stage, and premiered their music to a rabid US audience – very fresh at the time, as the big Verve boom of bossa recordings hadn't even started to take hold! The recording has a stunning live feel, and it preserves all the acoustics of Carnegie Hall, complete with lively crowd response. Oscar Castro Neves backs up most of the singers – including Sergio Ricardo, Carmen Costa, Carlos Lyra, Ana Lucia, and Chico Feitoso – and the LP has other instrumental performances by Joao Gilberto, Milton Banana, Roberto Menescal, Luiz Bonfa, and Sergio Mendes – all young bossa giants, really opening up here with their talents! The set features 15 tracks in all – and titles include "O Barquinho", "Influencia Do Jazz", "Outra Vez", "Zelao", "Nao Faz Assim", "Bossa Nova Em Nova York", and "Passarinho". CD

A sound that's as gentle as the breezes of the sea – served up in a lovely package that brings together Brazilian grooves both old and new! This volume follows nicely in the spirit of others in the series – going for a unique corner of Brazilian music that echoes with the inspiration of the Atlantic – an inspiration that echoes not just in the lyrics of the tunes, but also in the way they open up in gentle waves of sound. There's a sense of quietude here that recalls the calmness of the ocean in the morning, and the set features 14 titles from a 40 year range of recordings – including "Joao Valentao" by Caetano Veloso, "Canto De Yemanja" by Joyce, "Corrida De Jangada" by Edu Lobo, "Veleiro Azul" by Luiz Melodia, "Desejo Do Mar" by Johnny Alf, "O Mar E Meu Chao" by Dori Caymmi, "Brisa No Mar" by Nana Caymmi, "Domingo Azul Do Mar" by Wanda Sa, and "Wave" by Nara Leao. CD