Very nice 2LP set that brings together a huge amount of Jorge Ben's best tracks from the 60's and early 70's. We hardly need to tell you how great this stuff is, but we should let you know that the set includes the tracks "Chove Chuva", "Mas Que Nada", "Take It Easy My Brother Charlie", "O Telefone Tocou Novamente", "Rita Jeep", "Charles Jr.", "Que Pena", "Zazueira", "Que Maravilha", "Pais Tropical", and lots lots more! LP, Vinyl record album

Late 50s work from these two important Brazilian songwriters – served up here in a cool 70s package! The tracks have a nicely produced quality that makes them some of the most preferred recordings by the two artists – with strong arrangements that set off their voices nicely. There's no arranger listed that we can find, but the whole thing has a nice warm jazzy feel. Titles include "La Vem A Bahiana", "Inquietacao", "Maracangalha", "Risque", and "Dora". LP, Vinyl record album

Kind of a dream combination in one little album – especially if you dig breezy bossa from the 60s! Back in 1966, Verve Records got the great idea of teaming up its (then) biggest Brazilian imports – vocalist Astrud Gilberto and organist Walter Wanderley – both of whom were selling plenty at the time! Astrud's lovely vocals are matched beautifully with the lean, rhythmic bossa grooves of Wanderley's trio – and the result is a record that's near-perfect in execution. Most of the tracks are quite short, as is the record itself – but it's a perfectly concentrated dose of the Verve bossa sound at its best, with tracks that include "Portuguese Washerwoman", "Tu Meu Delirio", "A Certain Smile", "Call Me", "Here's That Rainy Day", "A Certain Sadness", "It's A Lovely Day Today", and a vocal version of Wanderley's big hit "Summer Samba", redone here as "So Nice"! LP, Vinyl record album

An essential introduction to the work of this legendary group – an important American issue of some of their best material – all of which never came out in our market back in the day! If you don't know Os Mutantes, prepare to be blown away – as they were a key part of the Tropicalia movement, alongside bigger names Caetano Veloso, Gal Costa, and Gilberto Gil – creating music that was years ahead of its time, but which has gone on to become legendary over the years! There's so many different elements going on here, it's impossible to pin down – avant and psychedelic modes, Brazilian styles and postmodern ones, all put together with sublime production that's also way ahead of the pack! This Luaka Bop presentation was put together by David Byrne – and it features a total of 14 cuts in all – including an English and Portuguese reading of the famous "Baby", plus the tunes "Ave Lucifer", "Desculpe, Babe", "Adeus Maria Fulo", "Panis Et Circensis", "Bat Macumba", "Dia 36", and "Fuga No II". LP, Vinyl record album

Great live material from 1974, recorded in Bahia, and featuring Caetano, Gal, and Gilberto Gil – each performing tracks on their own! The quality's better than a lot of other Brazilian live albums from the early 70s, and the album's a strong one in Caetano's early 70s catalog – showing his keenly collaborative presence at the time, and offering up one of the few important documents of work with Tropicalia contemporaries Gal Costa and Gilberto Gil! Caetano sings "Felicidade", "De Noite Na Cama", and "O Conteudo"; Gal performs "Acontece" and "Quem Nasceu"; and Gil rounds out the set with "Terremoto", "O Relogio Quebrou", "O Sonho Acabou", and "Cantigo Do Sapo". LP, Vinyl record album

An important American album for the great Milton Nascimento – his first recorded in the US since the earlier Courage set for A&M – and like that record, a perfect bridge between the sound of his work in Brazil and the global modes that he had to offer! A key part of the set is the participation of Wayne Shorter on saxes – an artist that Milton had recorded with on the Native Dancer record – and the group also features work from Herbie Hancock on piano, Raul De Souza on trombone, Toninho Horta on guitar, and Airto on percussion – all jazzy talents who really keep things lean and groovy – in a style that's different than some of Nascimento's 70s work in Brazil. Tracks include "Raca", "The Call", "Os Povos", "Fairy Tale Song", "Francisco", "One Coin",and a nice remake of the classic "Cravo E Canela". LP, Vinyl record album

Given that Capitol had recently linked up with the ever-growing EMI corporation in the early 60s, it was able to take advantage of the global catalog of the music giant, and managed to dip pretty heavily into the Brazilian Odeon catalog of tunes to cash in on the American popularity of bossa nova. This album was one of their bigger imports, and it features material originally recorded in Brazil, with Gilberto up front, backed by arrangements by Jobim. This is the classic material that made Gilberto's fame in the early days – and titles include "Doralice", "O Pato", "Discussao", "Outra Vez", and "Corcovado". LP, Vinyl record album