Pure vocal magic – featuring the lovely Flora Purim at the height of her California powers – working in a sublime mix of jazz, fusion, and Brazilian rhythms – a sound that she virtually invented! The group on the set is one of her greatest of the time – with players that include Joe Henderson, George Duke, and Stanley Clarke – coming together with some great Brazilian percussion from husband Airto. The tracks are tight and jazzy – and include "Light As A Feather", "Dr. Jive (parts 1 & 2)", "Butterfly Dreams", "Moon Dreams", and "Dindi". This is the stuff that virtually defined the Brazilian/American groove of the 70s – and it's still light years ahead of any of Flora's many imitators! LP, Vinyl record album

Great stuff – one of Flora Purim's more R&B-sounding albums from the 70s, produced by George Duke with an appreciation for Flora's Brazilian jazz roots, but with a smoother sound that's in keeping with Duke's own work of the time! The combination is pretty sweet – a professional culmination of the mixture of fusion and Brazilian jazz that had been happening in the San Francisco scene during most of the 70s, and featuring many of the musicians who had helped make that groove so strong. Players include Airto, Sheila Escovedo, Joe Farrell, Ronnie Foster, Bobby Lyle, and Larry Williams – and tracks include "Niura Is Coming Back", "From The Lonely Afternoon", "Freeway Jam", "Beijo Partido", "Corine", and "Love Lock". LP, Vinyl record album

One of Flora Purim's most ambitious albums of the 70s – recorded with larger backings than usual, and some occasional additional vocal help from Urszula Dudziak and Googie Coppola! The "encounter" of the title is a reference to the added players on the set – as Flora's groove is expanded by a host of well-chosen players – some familiar from other Purim records, some making a strong initial appearance here. George Duke plays a host of keyboards on the set, and other musicians include Joe Henderson on tenor, Hermeto Pascoal on keyboards and vocals, Ron Carter on acoustic bass, Alphonso Johnson on electric bass, Ngugu Chancler on drums, Raul De Souza on trombone, McCoy Tyner on piano, and of course the ever-present Airto on percussion! Flora's vocals are as lovely as ever, and if anything seem to reach even farther to the heavens in a setting like this. Titles include "Windows", "Black Narcissus", "Dedicated To Bruce", "Tomara", and "Latinas". LP, Vinyl record album

A beautifully soulful record from Flora Purim – still awash with touches from her Brazilian roots, but also done with a great 70s LA sound! Airto's helping Flora out on production, but the real hero here is Michel Colombier – who handles most of the arrangements and wrote a good deal of the tunes with Purim and Airto – mixing his own expansive studio talents with their organically-forged groove, in a way that makes the record a real standout from the California fusion scene of the 70s! Players include Randy Brecker, Lee Ritenour, George Duke, Herbie Hancock, Harvey Mason, and other jazz heavyweights – and titles include "The Hope", "I Just Don't Know", "In Brasil", "Blues Ballad", "Why I'm Alone", "Walking Away", and "Samba Michel". LP, Vinyl record album

A classic batch of Bay Area Brazilian grooves – recorded in the sweet breezy electric style of the Fantasy studios, and featuring the vocals of the lovely Flora Purim in the lead! The session's got a great mix of Brazilian and American fusion players – including Airto (of course!), Ron Carter, George Duke, Egberto Gismonti, Alphonso Johnson, Robertinho Silva, Hermeto Pascoal, and Ndugu Leon Chancler. Pascoal's reed work is a very nice treat, especially over the warm keyboards of George Duke. Purim's voice is as wonderful as ever, and the album's got lots of nice numbers, like "Ina's Song", "Andei (I Walked)", "Time's Lie", and "Open Your Eyes You Can Fly". LP, Vinyl record album

Excellent work from Flora Purim – one of the wonderful west coast bits of Braziliana recorded in the Fantasy Records studios during the mid 70s! The record's a perfect example of the greatness that arose when Brazil's best talents had the chance to work with some of America's best jazz and fusion players – a sublime fusion of talents that resulted in a groove that would dominate the west coast scene for most of the 70s. In this case, Flora's backed by a great group that includes Hadley Caliman, Oscar Castro-Neves, Carlos Santana, Ron Carter, George Duke, Earl Klugh, and Airto – and the set includes a great choice of breezy numbers, perfect for Flora's vocals, like "Vera Cruz", "Silver Sword", "Casa Forte", "Mountain Train", and "Search For Peace". LP, Vinyl record album

One of Flora Purim's last albums for Milestone – and much less of a straight Brazilian fusion session than some of her other records – more in the soul style she'd explore in years to come! Flora's singing in English a bit more than before, and some of the tunes have a nice dose of R&B in the mix – sliding in nicely with fusion-inspired instrumentation from a lineup of players that includes George Duke on keyboards, Oscar Brashear on trumpet, Joe Henderson on tenor, Alphonso Johnson on bass, and Ndugu Chancler on drums. Flora's vocals are as heavenly as ever – and she soars over the top of the tunes with all the grace of her earlier sessions! Titles include "Look Into His Eyes", "Juicy", "What Can I Say", "That's What She Said", and "You Are My Heart". LP, Vinyl record album