A huge book on the equally-huge creative legacy of bassist William Parker – a musician who first arose in the loft jazz scene in New York during the 70s, but who's gone on to be one of its greatest surviving players, and one who's transformed the inspirations of that world into so many different modes of expression over the decades! Author Cisco Bradley really digs deep – following Parker from his southern roots to his childhood in the South Bronx, to his strong contributions to avant scenes, first in New York, then around the globe – all with a sensitivity to community and context that shows that Parker isn't just some genius musician, but both an evolving participant in creative activity, and one whose contributions have transformed the landscape as well! The book is softcover, 402 pages, and has copious notes, a discography, and even some black and white images as well. Book

A fantastic volume put together by bassist William Parker, and one that shows his larger connection to cultural activity in general – as it features Parker interviewing four key artists, most of whom are represented here in ways that go far beyond music! The subjects within include trombonist Steve Swell, saxophonist Alan Glover, writer/painter Christopher Collins, and artist Jalalu Kalvert Nelsen – each of whom is interviewed in a very insightful way by Parker, in sections that also feature some of their non-musical creative work. The book features poetry from both Swell and Collins, both of whom are represented by visual artworks – as are Nelsen and Glover. Book features a mix of color and black and white images throughout! Book

A really beautiful book, and one that's quite different than most other jazz books we can think of – in that it approaches its main subject matter from many different directions, in a way that actually proves to be more illuminating overall! As the title implies, the book looks at the huge run of recordings that avant pianist Matthew Shipp has done for the Rogue Art label – and author Clifford Allen begins with a look at Shipp himself, then his New York setting, then interviews with collaborators who include Whit Dickey, William Parker, Joe Morris, and Rob Brown – before then moving on to look at the Rogue Art label, through an interview with its founder – then ending with page after page of liner notes for Shipp albums on the label – including a few that haven't been released yet! The presentation is very smart, and really opens up Shipp's creative process in a great way – and this softcover edition is 207 pages, with some black and white images. Book

The music scene in Williamsburg, Brooklyn, is one that's had an undeniable impact on cultural activity in recent decades – yet it's also one of those scenes that initially happened without most folks taking place – that is, it was a real artist and musician's scene, and not the kind that was easily open to outsiders until many years later! In this really well-done book, Cisco Bradley (who also gave us a great volume on William Parker) digs deep into the earliest days of the Williamsburg scene – that late 80s moment when Manhattan and other spots had become too expensive for the truly creative – and the other side of the East River emerged as a great place to move, live, and continue to make music. Bradley really gets at the criss-crossing elements of the scene at the time – and follows it well into the 21st Century, to a time when the changing real estate market in Brooklyn, and subsequent zoning changes, started to give Williamsburg the same creative fate as Soho, the East Village, and other important New York scenes in previous decades. Different initial chapters look at key spaces as forces – warehouses and lofts, clubs and galleries, and even pirate radio – and later chapters look at the larger forces causing change in the 21st Century. A really hefty book, as well-researched as it is well-written – 388 pages, softcover, with some black and white images. Book

An insanely detailed book on the role of drugs in American music – written by a guy who's already written a fair bit about drugs and culture! This time around, Martin Torgoff turns his eye towards the postwar years – looking at the interwoven landscapes of jazz, underground culture, and drugs from the late 40s through the 60s – with chapters that look at both famous figures and lesser-known personas – in a list that includes Billie Holiday, Lester Young, William S Burroughs, Allen Ginsberg, Charlie Parker, and many more. The book's filled with short chapters that almost each read like a story themselves – never too exploitative, and often never with any sort of judgement at all – just surprising detail about the relation between drugs and performance, writing, or other artistic creation. These short chapters work well to weave together a world behind the scenes – subtle forces that later shaped more famous creations – and the book is a hefty 412 pages, with some black and white images. Book