A well-written account of one of the most important record labels in the early years of 78rpm singles – the legendary Paramount Records, home to important work from blues legends like Son House, Skip James, and Blind Lemon Jefferson – and key jazz musicians such as King Oliver, Louis Armstrong, and Fletcher Henderson! The label was up in Wisconsin, an unlikely spot to showcase sounds that came from the south – but as the title indicates, Paramount was an important cultural partner to the great northward migration after WWI – a relationship that's brought out here in vivid detail, but with a narrative sensibility that would also make for one hell of a movie! Scott Blackwood provides details on the artists and their scenes alongside the label's history and production process – and as fans of Paramount know, the whole thing culminates in a very famous story at the label's end. Book is hardcover, 199 pages, with a fair bit of black and white images. Book

Beautiful images from the legendary Ann Arbor Blues Festival – a long-running even that's pulled together an amazing range of talent over the years – a good number of whom are featured here! The festival probably hit its biggest fame in the early 70s – when recordings documented work by Sun Ra, Art Ensemble, and many blues musicians – and most of the images here even predate those years, as almost all the photographs appear to be from 1969 and 1970 – huge appearances for still-living blues legends! The quality of the images is great – and the book features images of John Lee Hooker, Son House, Sippie Wallace, Sunnyland Slim, Roosevelt Sykes, Fred McDowell, Little Brother Montgomery, Willie Dixon, Robert Lockwood, Buddy Guy, Lowell Fulson, and many others – all in crisp, vintage black and white. 128 pages, softcover, with images throughout. Book

A book that's almost 100 years old, but which still has a resonance all these many years later – a fantastic look at the underground of hoboes, hustlers, and hoods in the early 20th Century – penned by a newsman who spent plenty of time riding the rails himself! There's nothing too polished or sentimental about the book at all – and Jack Black really tells it like it is, in a way that was a huge influence to the beats and generations of writers over the years – including William S Burroughs, who provides an introduction to the whole thing! The book is a key precursor to years of pulp crime and JD fiction – a fantastic document that's still a hell of a read all these many years later. 317 pages, softcover – with two bonus articles on crime by Jack Black, and an illustrated section by Joe Coleman! Book

A really cool project, and one that's even cooler than you might guess from the title – as the graphic novel is a very well-done exploration of key strands of electronic music – starting with the early years, moving through disco, Chicago House, Detroit Techno, and beyond – all with individual chapters that really do a great job of telling the story! At some level, the book is a bit like the hip hop history of Ed Piskor, but there's a different approach to storytelling too – as the scenes are interwoven with more personal, reflective elements – almost a Harvey Pekar quality at times, which really makes the narrative come alive. The artwork is great – mostly black and white, but with some color as things move to the 21st Century – and we're really pleasantly surprised at how enjoyable the book is, and especially proud of the way it handles Chicago. Harcover edition is 239 pages, with images throughout – and a smaller text section at the end. Book

About 30 years back, Joseph Lanza first turned us on to an amazing array of 60s easy listening records that we'd never fully given their due – and here, he continues the journey, but with a key shift into the world of psychedelia too! The book is a wonderful look at the way that easy listening and instrumental pop tried to stay vibrant in the second half of the 60s – and it follows the way that easy artists of the time were picking up the aesthetics of the younger generation in a variety of ways – not just doing cover versions of songs by The Beatles and Stones, but also going for trippier artwork on their album covers, and using more unusual studio techniques in production – all in ways that made for a huge legacy of very groovy records! At times, things would even move backwards – as older songs from the early part of the century were given a mod spin for the 60s generation – and the range of topics covered here is as wonderful as Lanza's presentation. The book is a very cool 7" square format – with lots of album reproductions and great graphics, plus a list of 50 essential records at the back – served up in a softcover volume that's 237 pages in length. Book

John Lurie rose to fame from the New York scene of the late 70s – soon to become a world-class musician, actor, and even TV personality – but definitely someone who spent time in the trenches, and earned his stripes along the way! The book is written in very honest, down to earth language – and Lurie pulls no punches, both in the way he represents others, and his own experience – prose that will definitely stand as an answer to anyone who might have thought of Lurie as a poseur or a dabbler over the years. This hardcover edition contains some black and white photos, and is 434 pages in length. Book

From our perspective in the 21st Century, the film career of director David Lynch is the stuff of legend – long and loudly hailed – yet for the man himself, the road to success was a long one – and even along the way, Lynch struggled with countless creative difficulties and personal issues that sometimes made the path between thought and expression a very long one! Here, Lynch himself recounts a lot of those years of struggle, with plenty of help from co-writer Kristine McKenna – who weaves together all sorts of material from dozens of interviews with people in Lynch's life and career, both personal and professional – voices that are added to David's own to provide a very illuminating picture of the real world that's obscured by the cinematic image. Hardcover edition is 577 pages, with many black and white images throughout. Book

A really strange side of an equally strange author – the legendary Haruku Murakami, the Japanese writer whose work has helped redefine the world of fiction in the past few decades! Murakami's known for being an enthusiast whose love for certain things shows up in his work – most notably jazz and other styles of music – but here, he gives the world a look at his love of specific t-shirts in his closet – presented with full color images, and some great Murakami prose alongside the photographs. Given the extensive writing in the book, the volume is maybe a bit like some of Haruki's other non-fiction books and essays – although this one is maybe a bit more personal and down to earth, as it also touches on his every day life and choices. The book is hardcover, 178 pages, with full color images throughout. Book

A beautiful combination of words and image – as the poetry of Patricia Smith is combined with vintage 70s photographs by Michael Abramson – the same sort of material that was featured in the Light On The Southside book/album from the Numero Group! This presentation is quite different than that one, though – as Abramson's images from Chicago nightclubs are presented on stark full pages, often with Smith's words as a sidebar – as if she's writing lyrics to his music, in a collaboration that comes off beautifully. As with Light On The Southside, the photographs here were taken at Chicago clubs that include Pepper's Hideout, Perv's House, and The High Chapparal – but they seem nicely different here, and include a number of images that were not in that book. 190 pages, hardcover, and filled with striking images and black and white. Book