A beautiful book, and one that's almost as enjoyable as finding a box of rare records from the funk and soul underground of the 60s and 70s! The book is a huge overview of funk and soul from Ohio – starting with the early 60s, and running up to the big years of Ohio funk that rose on the charts into the 80s – presented here with information on 1700 different artists, 500 record companies, and over 3000 different albums – many presented with label scans and other visual information too! Both the Numero Group and soul historian Dante Carfagna are no strangers to the Ohio scene – as they've both plumbed the depths in recent decades, and have given us no end of fantastic discoveries that we never would have heard otherwise – really wonderful material from Cinncinnatti, Cleveland, Columbus, and other cities – all music that makes up the rich array of scenes and talents presented in the book. There's a very visual presentation to the book – with over 125 pages alone of rare photos, posters, and other images from the scene – next to another huge chapter that features almost 80 more pages of rare record label scans and covers! Next to that, you'll find chapters that list different Ohio record labels, along with releases; Ohio pressing plants and recording studios; and even Ohio funk and soul artists who recorded for non-Ohio and national labels, and some who made no records at all! We love the presentation – as the huge book is very image and information-heavy, with no essays or other writing at all – beautifully done in a hardcover volume, with 350 pages – super-hefty, and a great gateway to continued digging for rare material from this surprising hotbed of funk and soul. And hopefully, we'll see books on the rest of the 49 states to follow in this format! Book

A huge testament to the power of New York City in American music – especially during those 20th Century years when the city was able to foster scene after scene, style after style – serving as a launchpad for sounds that would forever transform the world! The book looks at Latin, bebop, folk, doo wop, punk, disco, and other styles from the pre-hip hop years – and traces the way that local styles became national ones, via the recording opportunities and entertainment showcases that were unique to NYC! The author has a keen knowledge of cultures in all five boroughs, and the music as well – and this softcover edition is almost 500 pages, with some sections of black and white images. Book

The first-ever full collection of work from underground comix pioneer Frank Stack – an artist who arguably created the first ever underground comic, and whose work appeared in a variety of publications over the years – from National Lampoon, to some of Harvey Pekar's most compelling stories! Stack has a style that's cartoony, but surprisingly pointed – more Jules Feiffer, than the goony style of some of his underground contemporaries – and very well-suited to the subject matter he chooses to portray especially some of his more political material. The large book features work from Blab, Drawn & Quarterly, National Lampoon, Mineshaft, Weirdo, and Ripoff Press – and the book is black and white, 224 pages, softcover. Book

An amazing history of Japanese jazz, and another great testament to the impact jazz had on global cluture! The book covers the entire history of Japanese jazz, from the first wave in the dancehalls of the 1920s, to the amazing renaissance of the 60s and 70s. It's a well-paced, incredibly researched, thoughtfully laid out story that we are glad to have had the opportunity to enjoy – with a lot history of that is deeply neglected in the Dusty Groove half of the world, if not everywhere. There are life stories of passionate, unrecognized musicians that mirror those in other parts of the world, as well as those unique to the Japanese experience. Atkins understands the artistic impulses of the musicians and followers, which is essential to the book's appeal to music freaks like us, but he's also an accomplished historian with a great capacity for conveying the nationalist cultural big picture. More than 350 pages, including the bibliography (which is worth the price alone) with a lot of amazing photos that help push the narrative along at a fast clip, not unlike a great piece of music! Book

A fantastic slice of work from WEB Dubois – materials showcased at the Paris Exposition of 1900, in a special exhibit in which Dubois tried to convey the reality of black life in America to a larger international audience! The materials include a number of handmade charts, graphs, and maps – all created by DuBois as an early sort of data analysis, with a very visual punch – images that instantly conveyed the black experience in America in the years after the Civil War – combined with a range of photographs that provided visual illustration of the contents. Much of DuBois' efforts were to showcase advancement and achievements – and the large 11" x 17" presentation of the softcover book allows the reproductions of these materials to really get the kind of prominence they had at the exposition. The book is the first-ever reproduction of all these items, along with the photographs – and features a new essay by historians Stephen G Hall and Jacqueline Francis. Book

An overlooked history in jazz – a huge book that not only documents important female-led groups and solo artists in the music, but also focuses on those that were heavily featured in visual media as well! The scope might seem small at first, but the author expands with a voluminous range of artists from the 20s through the 50s – leaders, musicians, and singers who were able to get exposure in film and television that they might not have received otherwise! The book has dozens of black and white photos – many illustrating the visual potential of the artists – and subjects include Hazel Scott, Lena Horne, Peggy Lee, Ina Ray Hutton, Phil Spitalny & His Musical Queens, International Sweethearts Of Rhythm, The Ingenues, Carl Adams, and others. Softcover edition is 316 pages, with black and white photos. Book