Part one of a massive two volume set that looks at the growth and change in African American sacred music from the Civil War onwards – shifts that occurred for years before the music became to be known as gospel, but with an ear towards all those elements that would really come to the forefront in the postwar years! Writer Robert Darden has roots both in the field of gospel journalism, and academia – and he blends both together in ways that follow a well-researched body of evidence, but also presents things in a very down to earth way at points. The book his hugely annotated, with some black and white images throughout – and is a fascinating look at this often-undocumented years of music. Hardcover edition is 210 pages. Book

Paul Morley wrote famously for the NME during the key years of punk, post-punk, and new wave – which makes him very able to draw a rich portrait here of contemporary and scenemate Tony Wilson – the man behind Factory Records, The Hacienda club, and a huge legacy of music in the 80s and beyond! Morley also helped form ZTT Records, and is very smart and well-read – and he brings in a surprising amount of theory and other references – really getting at the politics behind the art and business impulses of Wilson – in a very detailed book that's way more than you might expect! Morley also opens the door to other voices along the way – with occasional commentary from contemporaries – before dipping back in to this very deep, very well-written look at one of the most important figures on the UK scene during the late 70s and 1980s. This heavy, hardcover edition is a massive 604 pages, with some images in the middle. Book

A massive folkloric project – one that really shows how much the form has evolved since the early days of recording! This huge book-length collection looks at the rich legacy of Appalachian music as it moved north towards the Mason-Dixon line – from roots in Virginia and Tennessee, to northern spots in Maryland and Pennsylvania as those older communities languished. The first half of the collection focuses on important 60s recordings of Ola Belle Reed and the New River Boys – done by folklorist Henry Glassie, and very well recorded – and the second half looks at the long legacy of music that's continued in that area, sometimes after the sounds have faded from the source of their original roots. CD one features all recordings of Ola and her contemporaries – while CD two features recent material with a surprisingly vibrant feel – and artists include TJ Lundy, Ryan Paisley, Hugh Campbell, Zane Campell, Dave Reed, and John Miller – as well as the Debusk-Weaver Family. The book itself is worth the price of admission – hardcover, full of photos and writings – and over 250 pages long! (Folk/Country, Books) CD