A fantastic look at the underground world of jazz record bars in Tokyo – served up here in a stunning array of full color photographs that showcase dozens of spots! The book is a great document of the "jazz kissa" – small bars where the owner is a lover of music, has a huge jazz record collection, and pours out drinks while spinning records in a very intimate, laidback space! Most of these club have stunning sound systems – often pictured in the book – and they are tiny, with just a few seats for drinkers/listeners – which makes the experience of enjoying a classic jazz record there feel even more unique. There's a bit of text, but most of the hardcover volume is full color photographs – presented in beautiful artbook style. Book

A stunning book – even more amazing than we were expecting, and we were really expecting a lot! This is a heavy, hardcover, full color volume that takes a deep dig into the world of British jazz during some crucial modern years – presented with oversized images throughout, in the manner of some hefty art book from Taschen or one of those other fancy publishers! Author Richard Morton Jack presents listings for hundreds of crucial albums – each with both front and back cover artwork reproduced in full, in a size that's about a square 9" for most of the records, on pages that are much larger, with text at the bottom on each record, and even inner label reproductions! If you love Brit jazz from this period as much as we do, you'll find plenty to love – as the book contains listings for crucial records by giants like Joe Harriott, Stan Tracey, Graham Collier, Mike Westbrook, John Stevens, Don Rendell, and dozens of others – not just familiar albums, but really rare ones we've never seen before – work on the Lansdowne series on Columbia, and other labels that include RCA, EMI, Argo, and CBS – plus smaller indies too. The book is as beautiful as having an original pressing of one of these gems in your hands – and given that most of the originals go for hundreds of dollars, if/when you can find them, the book is a hell of a deal. Hardcover, 372 pages, and in full color throughout. Book

An insanely detailed book on the role of drugs in American music – written by a guy who's already written a fair bit about drugs and culture! This time around, Martin Torgoff turns his eye towards the postwar years – looking at the interwoven landscapes of jazz, underground culture, and drugs from the late 40s through the 60s – with chapters that look at both famous figures and lesser-known personas – in a list that includes Billie Holiday, Lester Young, William S Burroughs, Allen Ginsberg, Charlie Parker, and many more. The book's filled with short chapters that almost each read like a story themselves – never too exploitative, and often never with any sort of judgement at all – just surprising detail about the relation between drugs and performance, writing, or other artistic creation. These short chapters work well to weave together a world behind the scenes – subtle forces that later shaped more famous creations – and the book is a hefty 412 pages, with some black and white images. Book

A huge book on the equally-huge creative legacy of bassist William Parker – a musician who first arose in the loft jazz scene in New York during the 70s, but who's gone on to be one of its greatest surviving players, and one who's transformed the inspirations of that world into so many different modes of expression over the decades! Author Cisco Bradley really digs deep – following Parker from his southern roots to his childhood in the South Bronx, to his strong contributions to avant scenes, first in New York, then around the globe – all with a sensitivity to community and context that shows that Parker isn't just some genius musician, but both an evolving participant in creative activity, and one whose contributions have transformed the landscape as well! The book is softcover, 402 pages, and has copious notes, a discography, and even some black and white images as well. Book

A long-overdue document of the artistic activity of Roscoe Mitchell – best known to most as a key member of both the AACM and Art Ensemble Of Chicago as a jazz musician, but a surprisingly accomplished painter too! Mitchell's artistic career is captured here in both distant chapters – his early work in the 60s, including a few famous paintings that ended up on album covers – and his more recent burst of visually creative activity in the past fifteen years, presented here in a stunning array of very vibrant images! The painting on the cover is just the tip of the iceberg – as the book features dozens of other artworks, in an edition that's 138 pages in length – complete with an interview with Mitchell on his creative activity too. Book