A series of essays on the music and creative practice of the great composer, John Cage – material written over the space of 50 years, by a variety of different authors – each of whom look at a key aspect of Cage's theory and influence! The October title is a reference to the journal of the same name – but the material here didn't just come from its pages, as some of the essays predate the publication – and include "John Cage Or Liberated Music" by Heinz Klaus Metger, "Chance As Ideology" by Koran Boehmer, "Looking Myself In The Mouth" by Yvonne Rainer, "Cage & Asia" by David W Patterson, "John Cage & The Architecture Of Silence" by Branden W Joseph, "Post Cagean Aesthetics & The Event Score" by Liz Kotz, "The Formalization Of Indeterminacy In 1958" by Rebecca Y Kim, and "John Cage & Investiture" by Julia Robinson – who also edited the book. Book

A really cool project, and one that's even cooler than you might guess from the title – as the graphic novel is a very well-done exploration of key strands of electronic music – starting with the early years, moving through disco, Chicago House, Detroit Techno, and beyond – all with individual chapters that really do a great job of telling the story! At some level, the book is a bit like the hip hop history of Ed Piskor, but there's a different approach to storytelling too – as the scenes are interwoven with more personal, reflective elements – almost a Harvey Pekar quality at times, which really makes the narrative come alive. The artwork is great – mostly black and white, but with some color as things move to the 21st Century – and we're really pleasantly surprised at how enjoyable the book is, and especially proud of the way it handles Chicago. Harcover edition is 239 pages, with images throughout – and a smaller text section at the end. Book

A work of fiction, but one that dives deep into the mind of Miles Davis, its main character – in a tale that begins with a police assault outside Birdland one night in August of 1959, then follows Davis as he reacts the the experience – moving around the city, and ruminating about his role in jazz and the impulses that have brought him so far. Author Wesley Brown takes a lot of liberty with dialogue and thoughts that might have been going through Miles' head – and romantic interest Frances Taylor figures strongly in the story as well. Some might argue for the opinions uttered by Davis in the story, and the tone he takes when speaking – but that's also part of the compelling quality of the book, and the risks it takes – imagining internal and external modes amidst a framework of actual events. 65 pages, hardcover. Book

A really cool book of rare jazz posters – most of them from the 70s, with images of posters from the US, EU, and Japan! The collection within is great – and there's so many unusual images that differ nicely from more iconic album covers – which are then mixed with more familiar shots, but restructured for use in posters – some with special information about new release records, concerts, and other events – some presented with spare images on their own! There's promo posters from labels like ECM or Three Blind Mice – and the book also has sections on spiritual jazz, free jazz, Japanese jazz, Brazilian jazz, jazz funk, and other topics related to jazz – including New York, movies, and concerts. The softcover book is 375 pages, and mostly images – presented in their original colors, or black and white if applicable – and there's a few short essays in both English and Japanese. Book

A really amazing look at the secret art and language of gang culture in Chicago – the most detailed book we've ever seen to examine the words on the street during the 60s, 70s, and 80s! Chicago had a very special sort of language to communicate gang activity and culture during the heyday of the city's big gangs – graffiti that was filled with codes and symbols, and which really predated major street art in New York – plus a network of patches, business cards, and other objects that conveyed a special sort of numerology and message – sometimes harmless words about parties and events, sometimes essential details about the criminal underworld. This book is fascinating on so many different levels – not just a prurient true crime story, but instead a very detailed examination of gang culture in terms of linguistics, visual media, and representation. Yet all that detail doesn't make things too dry, either – as the book is overflowing with photos and images – examples of street graffiti, countless business cards, patches, portraits, and more – even some maps at the back. The whole thing is a massive 375 pages, full color throughout, and very beautifully done! Book

The secret history of Chicago house music – a side of the scene that's even more obscure than its many rare records or long-departed clubs! The book is a fantastic follow up to the first volume – and like that one, features rare flyers, posters, and ads for some of the underground Chicago house music events and venues – some of them legitimate entertainment venues, but others more obscure hole-in-the-wall places – including some churches that were surprising hosts to house music events back in the day! The book has no text, but features full color reproductions of dozens of flyers and posters – most of them very detailed and vibrant, with loads of information on obscure artists, DJs, and other forces helping to make house music happen – often emblazoned with addresses that will come as a real surprise if you only know the Chicago of the 21st Century! A beautiful book – and one that makes us proud to call Chicago our home. Book