A wide-ranging book on soundtrack cultures from around the globe – presented as a series of different essays on the music by a variety of different academic who specialize in film music! Mark Slobin edited the volume, and contributes a few early essays on American film music – including a look at the cult around Max Steiner – and other essays look at Bollywood soundtracks, Hindi film music, other cinematic sounds in Chinese, Brazilian, Tamil, Indonesian, Egyptian, Mexican, and other cultures. The book is hefty – 383 pages for this softcover edition, with some black and white images – and contributors include Greg Booth, Abdalla Uba Adamu, Joseph Getter, Marilyn Miller, Sue MC Tuohy, Sumarsam, Eric Galm, Martin Stokes, and Brenda Berrian. Book

Ralph J Gleason might just be one of the coolest cats to ever write about music – a key part of the San Francisco scene during the postwar years – where his talents helped illuminate both the worlds of art and music during the beat generation – then really helped shine a spotlight on all the cultural changes in the city during the 60s – which even led to Gleason's role in the founding of Rolling Stone magazine! Gleason always had a great eye (and ear) for things that were new and special, but never in a way that was slavish to the moment – or to its creator – and the book features an initial section on his writings on jazz and blues – with essays on John Coltrane, Charles Mingus, Carmen McRae, BB King, John Handy, Vince Guaraldi & Bola Sete, Cal Tjader, Ben Webster, the San Francisco Jazz scene, and other diverse topics. The second section features Gleason on folk and rock – with bits on Jefferson Airplane, Hank Williams, Lenny Bruce, Odetta, The Beatles, Bob Dylan, and others – and the final section features articles on politics and culture – covering topics that include Richard Nixon, radio payola, Law & Order, flower children, and other slices of society, seen from the Gleason viewpoint. Book is hardcover, and 309 pages. Book