Backings by Eddie Chamblee, on a host of Bessie Smith classics – updated with more of a 50s R&B vibe. (Vocalists, Blues) LP, Vinyl record album

... LP, Vinyl record album

Bo Diddley we already love you – but this set gives us another reason why! Although Bo's probably best known for his classic R&B work of the late 50s and early 60s, but during the 70s he also managed to cut some massively funky albums for Chess – working in the blues revival/funk turnover sound that was pioneered in the Cadet Concept studios with some of the label's classic artists of earlier years. The grooves on this set are amazing – heavy funk all the way, and filled with a ripplingly strong guitar sound over heavy drums and bass – still handled with the same offbeat sense of humor that we love in Bo's older work, but retuned nicely for the hip heavy sound of the 70s! The CD features 20 tracks in all – pulled from 4 albums on Chess from the early 70s – and titles include "I Don't Like You", "Funky Fly", "Shut Up Woman", "Elephant Man", "Down On The Corner", "The Shape I'm In", "Bad Trip", "Hey Jerome", "Infatuation", "Take It All Off", "Bo Diddley-It Is", "Stop The Pusher", and "Hit Or Miss". CD

Here it is, the mother of them all! The set's got 8CDs worth of killer soul, funk, and Rhythm & Blues – all culled from the rich history of the Atlantic records label, and lovingly put together with great notes and everything! Although this sort of set usually tends to be a bit simplistic, this box actually features a beautiful mix of tracks, lots of which are hard to get in any format. It's a lot to go through, but it's worth the trip! We can't even begin to list the tracks here, there's 203(!) of them in all, but some of the artists include the Bar Kays, the Beginning of the End, Archie Bell & The Drells, Ruth Brown, Solomon Burke, the Capitols, Clarence Carter, the Chords, the Cookies, Don Covay, King Curtis, Tyrone Davis, the Drifters, Roberta Flack, King Floyd, Aretha Franklin, Major Harris, Donny Hathaway, the Ikettes, Willis Jackson, Nat Kendricks & The Swans, Barabra Lewis,the Mar-keys, Les McCann & Eddie Harris, Stick McGhee, Otis & Carla, the Persuaders, Percy Sledge, The Spinners, Willie Tee, Joe Tex, Chuck Willis, Betty Wright and loads more! (Soul, Blues) CD

Nasty nasty funk from the great Bo Diddley – one of his rare funky 70s classics for Chess – produced by Johnny Otis with a really tripped-out groove! The album's got an edge that seems to go even farther than some of Bo's other Chess work at the time – and picks up the full-on Otis funky mode by leaning hard on the drums, pulling up the bass, and bringing in a trio of female lovelies to back up Bo on vocals! Gloria Scott's one of the vocalists on the album, and Shuggie Otis even joins in on the funky party with some sweet guitar! But even with all this help, Bo's still the star of the story – and his massive chugging approach to guitar is moving full steam ahead on the set – really ripping a groove through a great batch of original tracks that include "Take It All Off", "I've Had It Hard", "Good Thing", "Bad Trip", "Infatuation", "Bo Diddley-Itis", "Woman", and "Look At Grandma". LP, Vinyl record album

British blues meets LA's Laurel Canyon – a trans-Atlantic (or is it Pacific?) blend that makes for one of John Mayall's most compelling albums of the 60s! The album was recorded after the breakup of the Blues Breakers group – but it still features strong support from Mick Taylor on guitar – a key factor in the previous combo's sound, given almost even more space here to stand out front with Mayall. Other instrumentation includes bass and drums, plus a bit of tablas – and the overall approach is a lot more spare than other Blues Breakers sets – still bluesy in approach, but with some definite freer-thinking moments too, picked up from a trip to Laurel Canyon that was Mayall's inspiration for the set. Titles include "Walking On Sunset", "Vacation", "Ready To Ride", "Medicine Man", "Miss James", "The Bear", "First Time Alone", and "Fly Tomorrow". (Rock, Blues) CD

Great early work from Albert Collins – the kind of mean, lean music that Collins specialized in before his later years of cliche – served up here in a style that's almost more funk than blues overall! The tracks are all instrumentals, with lots of raw guitar and soulful saxophone – coming across with a rootsy feel that's much more in the mode of work on a soul-based indie than you'd expect from the usual slicker sides on Blue Thumb – hardly smooth LA, and instead almost a funky 45 vibe overall! The titles give a good example of the stripped-down sound of the tunes – and they include "Kool Aide", "Thaw Out", "Hot N Cold", "Frosty", "Tremble", and "Icy Blue". LP, Vinyl record album

Raw funky blues from the Cleveland scene – unreleased recordings from the obscure singer Fred Davis, who hardly ever set his music to wax back in the day! The album's got a gritty blend of blues inflections and soulful expressions – similar to some of the hippest west side work from Chicago around the same time, but maybe even grittier and more stripped down – as the whole thing wasn't done by a bigger, professional label! Titles include "Express Train", "Midnight Is Falling", "Euclid Avenue", "Five Long Years", "Piano Boogie", "Time When You Say You Love Me", "Express Train", and "Wine Hop". LP, Vinyl record album

They don't call Jimmy Dawkins "fast fingers" for nothing – and the first few minutes of the record are definitely testament to his mighty power on the guitar! The instrument is electric, and recorded with this sense of powerful echo that easily has Dawkins blowing away some of the UK blues rockers who were starting to get into the game at the time – as do his vocals, which we'd put head to head with some of the giants who took this mode and ran with it through the arena rock scene of the 70s! Yet throughout, it's the guitar that's especially amazing – completely confident and masterful, even though this was Jimmy's first album – with nice lean support from Eddie Shaw on tenor, Lafayette Leake on piano and organ, and Mighty Joe Young on second guitar. Titles include "Little Angel Child", "Night Rock", "Triple Trebles", "It Serves Me Right To Suffer", "Breaking Down", "I Don't Know What Love Is", and "I Wonder Why". CD features two bonus tracks – "Sad & Blues" and "Back Home Blues". CD

A smoking live performance from these two Chicago blues legends – recorded at the Montreux Jazz Festival in Switzerland, but with a gritty electric vibe that's very much like the duo's best work back home! The approach is very stripped-down and unadorned – just vocals by both Guy and Wells – with Buddy on guitar and Junior on harmonica – plus additional piano from Pinetop Perkins, and even the mighty Bill Wyman on bass. Wyman produced the set – very faithfully too – and titles include "How Can One Woman Be So Mean", "Hoodoo Man Blues", "My Younger Days", "Messin With The Kid", and "Ten Years Ago". CD

A pair of very stripped-down albums from John Lee Hooker – issued together in this 70s set! First up is Country Blues Of John Lee Hooker – featuring the legendary John Lee Hooker, heard here in one of his more obscure recordings from the late 50s – at least in contrast to his famous sides for Vee Jay Records! This set's an unusual date – recorded in Detroit, despite the claim of the title – and featuring Hooker on acoustic guitar and vocals, without any other instrumentation at all – pitched much more towards the growing folk blues scene than some of his more familiar Chicago recordings. Tracks are short, but pack plenty of punch – and titles include "Black Snake", "I Rowed A Little Boat", "Bundle Up & Go", "Behind The Plow", "Water Boy", "Tupelo Blues", and "Pea Vine Special". That's My Story is from 1960, and features great rootsy blues from John Lee Hooker – and an unusual session that has him getting backup help from jazz players Sam Jones on bass and Louis Hayes on drums! Jones and Hayes only play on a handful of tracks, and most of the focus is on Hooker's damn-great vocals, and acoustic guitar – spun out nicely over a set of tracks that includes "I Need Some Money", a controversial clash with early Motown – plus "One Of These Days", "Gonna Use My Rod", "I Want To Talk About You", "Democrat Man", and "I'm Wanderin". LP, Vinyl record album

Lightnin Hopkins at his best – a set that rings out with all his bold electric tones on the guitar, yet which also has the moody, stripped-down feel of a blues recording from a few decades before! The electricity really does a lot to deepen the tone – both in the echo from Hopkins' guitar, and in the way his vocals stretch out in the same space! There's no other backing at all – which makes for a moody feel, and a quality that lives up to the "folk" in the title – yet Lightnin also gives the whole thing a crackling sort of energy that's also very much in the best postwar blues mode. Titles include "Sick Feelin Blues", "Blues For My Cookie", "My Baby's Gone", "Lightnin's Special", "Nothin But The Blues", and "Don't Think Cause You're Pretty". CD features loads of bonus tracks – and has a total of 26 titles in all, which includes material from other Herald Records singles! CD

A great title for this second set from Taj Mahal – because the sound here is even more stripped-down and natural than on his first LP! Taj turns in a lot more original tunes this time around – and is in wonderfully comfortable territory with his own lead lyrics, sung alongside his own work on harmonica and steel guitar too. Jesse Ed Davis adds in plenty of great lead guitar, and also handles the rhythm arrangements too – and Al Kooper guests a bit on piano, but like all musicians here is very respectful of Mahal's role as the lead. Titles include "Good Morning Miss Brown", "Done Changed My Way Of Living", "I Ain't Gonna Let Nobody Steal My Jellyroll", "The Cuckoo", and "Ain't That A Lot Of Love". LP, Vinyl record album

Another great step forward for the legendary John Mayall – proof that he was never just content to copy American blues modes, and always willing to bring something new to the table! Although steeped in sounds from the delta on up to Chicago, the record's also got a hipper, almost trippier feel at times too – long-winding interplay between the guitar and organ, and some slow-building rhythms that shake off blues stereotypes, and mark Mayall as having an equal ear for forward-thinking 60s rockers. The group here is great – with Mick Taylor on guitar, Henry Lowther on cornet, Chris Mercer on tenor, and Dick Heckstall-Smith on tenor and soprano sax – all playing in a freely creative mode that stands the test of time surprisingly well Titles include "I'm A Stranger", "Harley Quits", "Killing Time", "Sandy", "She's Too Young", and "No Reply". (Rock, Blues) LP, Vinyl record album

An incredible record from Mississippi Fred McDowell – a set that was issued on a big label, but which has a wonderfully rootsy feel throughout – in a way that almost out-does any work from the indie blues labels of the time! The package was put together by Tommy Couch as an early Malaco production – but it's even more stripped-down than later blues work from those studios – as it features mostly just Fred on vocals and guitar, introducing himself and his music – then working through these incredible inflections on electric guitar, which are as far from the rockish sound of all the crossover blues that McDowell promises he won't provide in the title! Really timeless stuff, brilliantly recorded – with cuts that include "Red Cross Store", "61 Highway", "Jesus Is On The Mainline", "Kokomo Me Baby", and "Good Morning Little School Girl". CD

If you've never got the concept of a string band, this is the record to really illuminate your ears – as it features a beautiful set of stripped-down sides by the Mississippi Sheiks – all recorded in the early 30s, and a wonderful blend of bluesy inflection and folksy roots! Most tracks just features guitar, violin, and some especially great vocals – pushed with lots of delta-styled elements on the edges, but set to music that's got plenty of touches from the other side of the fence. The blend is wonderful, and the set features tracks recorded in Grafton, Wisconsin in July of 1932, Chicago in June of 1933, and San Antonio in 1934. Titles include "New Shake That Thing", "Don't Wake It Up", "Kitty Cat Blues", "Show Me What You Got", "Hitting The Numbers", "Pencil Won't Write No More", "I Am The Devil", "She's Got Something Crazy", and more. LP, Vinyl record album

If you've never got the concept of a string band, this is the record to really illuminate your ears – as it features a beautiful set of stripped-down sides by the Mississippi Sheiks – all recorded in the early 30s, and a wonderful blend of bluesy inflection and folksy roots! Most tracks just features guitar, violin, and some especially great vocals – pushed with lots of delta-styled elements on the edges, but set to music that's got plenty of touches from the other side of the fence. The blend is wonderful, and the set features tracks recorded in San Antonio in 1934, and New Orleans in 1935 and 1936. Titles include "Lonesome Grave Took My Baby", "Pop Skull Blues", "Dead Wagon Blues", "If You Don't Want Me Please Don't Dog Me Around", "Wake Me Just Before Day", "Stir It Now", and more. LP, Vinyl record album

Johnny's very much in his "revival" mode here – dipping back to his earlier R&B roots, and working with a host of famous older blues singers. The set's got vocals by Roy Milton, Roy Brown, Esther Phillips, Mighty Mouth Evans, Ivory Joe Hunter, Eddie Cleanhead Vinson, Margie Evans, and Big Joe Turner – and even though Shuggie Otis is on the album, the whole thing's a pretty bluesy affair overall. Titles include "Shuggie's Boogie", "Plastic Man", "Margie's Boogie", "Baby You Don't Know", "Little Esther's Blues", "RM Blues", "Goin Back To LA", "Willie & The Hand Jive", and "Since I Met You Baby". (Soul, Blues) LP, Vinyl record album

Essential New Orleans piano from Professor Longhair – an artist who was neither a professor, nor a man with much hair! The chrome-domed pianist had a huge influence on the sound of New Orleans R&B and soul to come – as he played in a triplet-heavy way that was rooted in blues, but provided a key link to the rhythms that would dominate Crescent City music in following decades. This album features original Atlantic sides cut in New Orleans in 1949 and 1953 – about as classic as you can get for Longhair, with tunes that include "Tipitina", "Hey Now Baby", "In The Night", "Ball The Wall", "Who's Been Fooling You", "She Walks Right In", and "Willie Mae". (Soul, Blues) CD

Johnny Shines isn't standing at the crossroads at the same time as Robert Johnson, but he's still sounding pretty darn great here – recording this stripped-down set in Cali in 1970, with just his own guitar alongside his vocals! Shines is maybe best known for his Chicago recordings of the postwar years – but the sound here is in a style that actually goes back farther than that, and recalls the modes that Johnny first used when picking up the guitar in the early 30s – a time in which he also crossed paths with Johnson, given a tribute here in the approach of the record. Titles include "Standing At The Crossroads", "My Rat", "Don't Take A Country Woman", "Kind Hearted Woman", "Baby Sister Blues", and "Drunken Man's Prayer". LP, Vinyl record album