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A raw cooker from the Chicago scene of the 70s – the best kind of gritty electric blues that was being recorded by the indie labels, even at a time when other bigger companies were trying to turn it into cliche! Eddie Campbell is great here – with raw vocals that captivate instantly, which are then followed by some really nice guitar solos too – lean, and with a quality that's both bold and fragile on the strings at the same time. The group also features a young Carey Bell on harmonica – getting plenty of solos in too – plus piano from Lafayette Leake and bass from Lurrie Bell, on titles that include "She's Nineteen Years Old", "Weary Blues", "Cheaper To Keep Her", "Smokin Potatoes", "King Of The Jungle", "We Both Must Cry", and "The Red Rooster". LP, Vinyl record album

An early full length album from the great Arthur Crudup – and one that wasn't cut until after he'd had years on the scene, including some work that was a key inspiration for Elvis Presley and others of his generation! The set's done in a nice raw style – that grittier side of the Fire/Fury label, with a vibe that's much more southern than you'd expect from the legendary New York imprint – really just Crudup on vocals and lean electric guitar, but with a nicely skittish drummer urging things on in a great way too! Titles include "Look On Yonder Wall", "Ethel Mae", "Greyhound Bus", "Coal Black Mare", "Dig Myself A Hole", and a great version of "That's Alright". LP, Vinyl record album

Some of the funkiest work we've ever heard from Vernon Garrett – recorded in California, but with a nicely gritty southern soul sound! The tunes have some of the bluesy inflections of Vernon's more famous work – but they also come across with a groove that's tighter, especially on the drums, which snap out of the warmer backings with a kick that's a bit unusual for a record like this – and which keeps things lively throughout, even on some of the mellower numbers. Vernon's vocals are great – rich, and touched with a bit of Tyrone Davis-like styles – and female vocalist Margaret Love makes an appearance on many of the numbers on the record too. Titles include "Satisfied Woman Satisfied Man", "I Made My Own World", "Don't Do What I Do", "I Learned My Lesson", "Going To My Baby's Place", "Love Junkie", and "Something Went Wrong". (Soul, Blues) LP, Vinyl record album

Raw genius from Smokey Hogg – a set of recordings originally issued as singles for the Modern/RPM label, brought together here to make one of the few full length documents of Hogg's talents from the time! Smokey sings here with spare acoustic guitar on most tracks, and a bit of piano added in on some others – but all with a very lean, very rootsy vibe that reflects his rural roots, and which is especially resonant with Lightning Hopkins on the piano-less tunes! Titles include "I Got Your Picture", "Goin Back To Chicago", "Coming Back Home To You Again", "You Can't Keep Your Business Straight", "Look In Your Eyes Pretty Mama", and "It's Raining Here". LP, Vinyl record album

A real 60s killer from Lightnin Hopkins – the kind of set that showed that even when just working alone, he could carry the force of a much bigger group! Hopkins plays guitar here with just a bit of rhythm at points – a drummer who kicks things up on a few cuts – and he's got a confidence and presence that makes you think that he's fronting a trio or quartet, with deliver that's bold and full of spirit, and guitar work on an acoustic that's clearly informed by all the new experiments on electric – yet served up with equal power! There's some great electric work at points too – and titles include the two part instrumental "Move On Out", plus "Back Door Friend", "Fishing Clothes", "Gamblers Blues", "Found My Baby Crying", "Wig Wearing Woman", "Lonesome Dog Blues", and "Last Affair". LP, Vinyl record album

Howlin Wolf sings the blues, and comes across in a way that influences an entire generation too – with that raw, raspy sound that made the singer a perfect blend of delta roots and contemporary sounds that were bubbling up in the postwar years! These tracks have a spare, simple, stark style that's still a lot more powerful than most of the records that tried to copy Wolf's modes in later years – mindblowing guitar work from Willie Johnson, harmonica lines that weave the whole thing together, and tremendous vocals that would shake the paint off your walls, even without any other instrumentation! Titles include "Crying At Daybreak", "Twisting & Turning", "Brown Skin Woman", "Morning At Midnight", "Backslide Boogie", "House Rockin Boogie", "Keep What You Got", and "Worried About My Baby". LP, Vinyl record album

Seminal sounds from Elmore James – a classic album that brings together material recorded in California, New Orleans, and Chicago – all with an amazing focus on Elmore's stunning talents on electric guitar! The music here mixes sides that have tight band backing with some smaller combo work – but throughout, James is the king – playing with a bold sense of tone, and singing with a voice to match – in a style that helped completely redefine the sound of blues music during these key electric years. Elmore is sublime throughout – and titles include "Dark & Dreary", "Dust My Blues", "Sunnyland", "Standing At The Crossroads", "Happy Home", "Blues Before Sunrise", "I Was A Fool", and "Mean & Evil". Includes 2 bonus tracks, too – "Wild About You Baby" and "Hand In Hand". LP, Vinyl record album

The definitely got the title right here – as BB King is plenty great, and already a powerhouse in these early years of his career! King sprung forth from the Memphis scene almost fully-formed – and in addition to his famous guitar work, he was also a hell of a singer who could bring a new sort of soulful presence to blues music – able to croon with the charm of a jazz singer in the right moments, join with a doo wop group at others, yet come on with the power of a bluesman whenever he stepped in front of the mic! This great album has BB in all these modes – recorded with brilliantly bold sound – and titles include "I Had A Woman", "Sweet Sixteen", "Someday Baby", "I'm Gonna Quit My Baby", and "I Was Blind". LP, Vinyl record album

The very first full length album from BB King – a killer collection of previous singles for the RPM Records label, served up as a bold statement of King's early genius! The record announces its presence right from the very first note – that brilliant blend of effortless electric guitar solo work and completely charismatic vocals that made BB such a star, right from the get-go – and which maybe comes through even more clearly here than in some of his overproduced material from later decades! Many tracks have nicely jumping backings by the great Maxwell Davis – and titles include "Please Love Me", "Bad Luck", "3 O'Clock Blues", "Ten Long Years", "Sweet Little Angel", "You Upset Me Baby", and a classic early take on "Every Day I Have The Blues". LP, Vinyl record album

The title's not right – as there's plenty of soul and plenty of blues throughout – just the sort of thing we'd expect from Stan Mosley's long legacy of indie recordings from the contemporary underground! We first started hearing Stan's music on the Malaco label at the end of the 90s – a great continuation of that company's way of keeping southern soul alive by mixing it with a bit of blues – a quality that definitely comes through on some of these cuts, with a bit of blues guitar solo in the lineup – while Stan soars out as more of a deep soul singer on others! The vocals are wonderful throughout – nicely unbridled, and very much up to Mosley's legacy – on titles that include "You Need Love", "Blues Man", "I Can't Get Next To You", "This Train", "Losing Hand", "Stomp", "Right Next Door", and "I'm Back To Collect". LP, Vinyl record album

One of THE all time classics of funky blues – a record built around Lowell's huge single "Tramp" – a massive tune that spawned a whole generation of answer tunes! "Tramp" kicks off the set with a stone break that's worth the price of the album – then Lowell slides into some tunes that have a bit more of a conventional bluesy approach, mixed with a few other nice cuts that get a bit funky too! A rough-edged classic that really stands out – and which has made Fulsom one of the better-collected bluesmen of the beathead crowd. In addition to "Tramp", other tracks include "Two Way Wishin", "Back Door Key", "Year Of 29", "Pico", "Goin' Home", and "Black Nights". LP, Vinyl record album

Great work from Smokey Wilson – a southern bluesman by birth, but one who relocated to the LA scene in the postwar years, where he really started to groove! This 70s album is a great example of the way that Wilson merged his roots with some of the soulful currents of the Cali scene – and like some of the other records on the short-lived Big Town label, an offshoot of Kent, the set's got a tight groove and a nicely urban take on earlier modes, but all without hitting any of the more commercial cliches that were creeping into electric blues at the time. Titles include "Go Go Train", "Tell Me Baby", "Straighten Up Baby", "I'm Gonna Put You Down", "I'm Gonna Leave You Baby", "Teach Me How To Love You", and "I Wanna Do It To You Baby". LP, Vinyl record album

Some of the most hard-edged, gritty material ever cut by the legendary Otis Rush – work done on the Chicago scene of the 50s for Cobra Records – a company who were even more low-fi than Chess Records at the time! Otis' vocals are as incredible as his guitar – and the groups here are often nicely full – not large ensembles, but well-crafted combos that feature plenty of work from key contemporaries on the scene – including Walter Horton on harmonica, Lafayette Leake and Little Brother Montgomery on piano, Harold Ashby and Red Holloway on tenors, and Willie Dixon on bass. All these cuts were originally only issued as rare singles back in the day – and the set features 16 tracks that include "Groaning The Blues", "Violent Love", "Sit Down Baby", "I Can't Quit You Baby", "Checking On My Baby", "She's A Good Un", "Three Times A Fool", and "Love That Woman". LP, Vinyl record album

A great chapter in the career of Howlin Wolf – late 50s work recorded for Chess Records, served up here in a cool Japanese-only package! Features Willie Dixon on bass, Abe Locke on tenor, and Hubert Sumlin on guitar. LP, Vinyl record album

A pair of very stripped-down albums from John Lee Hooker – issued together in this 70s set! First up is Country Blues Of John Lee Hooker – featuring the legendary John Lee Hooker, heard here in one of his more obscure recordings from the late 50s – at least in contrast to his famous sides for Vee Jay Records! This set's an unusual date – recorded in Detroit, despite the claim of the title – and featuring Hooker on acoustic guitar and vocals, without any other instrumentation at all – pitched much more towards the growing folk blues scene than some of his more familiar Chicago recordings. Tracks are short, but pack plenty of punch – and titles include "Black Snake", "I Rowed A Little Boat", "Bundle Up & Go", "Behind The Plow", "Water Boy", "Tupelo Blues", and "Pea Vine Special". That's My Story is from 1960, and features great rootsy blues from John Lee Hooker – and an unusual session that has him getting backup help from jazz players Sam Jones on bass and Louis Hayes on drums! Jones and Hayes only play on a handful of tracks, and most of the focus is on Hooker's damn-great vocals, and acoustic guitar – spun out nicely over a set of tracks that includes "I Need Some Money", a controversial clash with early Motown – plus "One Of These Days", "Gonna Use My Rod", "I Want To Talk About You", "Democrat Man", and "I'm Wanderin". LP, Vinyl record album

The legendary John Lee Hooker, heard here in one of his more obscure recordings from the late 50s – at least in contrast to his famous sides for Vee Jay Records! This set's an unusual date – recorded in Detroit, despite the claim of the title – and featuring Hooker on acoustic guitar and vocals, without any other instrumentation at all – pitched much more towards the growing folk blues scene than some of his more familiar Chicago recordings. Tracks are short, but pack plenty of punch – and titles include "Black Snake", "I Rowed A Little Boat", "Bundle Up & Go", "Behind The Plow", "Water Boy", "Tupelo Blues", and "Pea Vine Special". LP, Vinyl record album