The first-ever full length album from Big Joe Williams, despite a much longer legacy as a blues singer in the south – captured in a few different intimate settings in St Louis by the then-fledgling Delmark Records! The approach is very lean, of the sort that made the record a key statement in the folk blues revival at the end of the 50s – with Joe playing this really unique nine string guitar from two different instruments put together, and singing with this really compelling trill in his voice that marks the singer as very distinct from so many others in his generation. JD Short adds harmonica and a bit of guitar – and titles include "Mellow Peaches", "No More Whiskey", "Tailor Made Babe", "Omaha Blues", "Juanita", "Tailor Made Babe", and the interesting "Big Joe Talking" – which has Williams speaking a bit on his life! CD

The first-ever full length album from Big Joe Williams, despite a much longer legacy as a blues singer in the south – captured in a few different intimate settings in St Louis by the then-fledgling Delmark Records! The approach is very lean, of the sort that made the record a key statement in the folk blues revival at the end of the 50s – with Joe playing this really unique nine string guitar from two different instruments put together, and singing with this really compelling trill in his voice that marks the singer as very distinct from so many others in his generation. JD Short adds harmonica and a bit of guitar – and titles include "Mellow Peaches", "No More Whiskey", "Tailor Made Babe", "Omaha Blues", "Juanita", "Tailor Made Babe", and the interesting "Big Joe Talking" – which has Williams speaking a bit on his life! LP, Vinyl record album

A smoking live set from Jimmy Reed – filled with the kind of rocking, rollicking numbers that made his bluesy groove an undeniable influence on the UK scene of the 60s! Most numbers begin with a compelling vamp, then have Jimmy taking the lead on vocals – adding in plenty of charm in ways that few later bluesmen ever seemed to be able to match. And at times, there's a nice undercurrent of fuzz in Reed's guitar – almost making him one of the first folks to really use distortion in his music – on a great set of cuts that includes "I'm Going Upside Your Head", "The Devil's Shoestring (part 2)", "A New Leaf", "I Wanna Be Loved", "Wear Something Green", "You've Got Me Waiting", and "When You're Doing Alright". LP, Vinyl record album

Incredible early work from the legendary T Bone Walker – very early recordings of the electric guitar in blues, and maybe still some of the best! Walker's already a master here – playing with this hard tone on the strings, but one that also has a surprising amount of sensitive jazz inflections too – a hollow-body mode that echoes Charlie Christian at times, but definitely explores the bluer side of the spectrum – yet never with that sort of hit-you-over-the-head quality that later artists might use. Instead, Walker's a master of understatement here – in a sublime way – and the blend of guitar solos and his own enigmatic vocals is often given a slight west coast R&B undercurrent. Still some of our favorite electric blues ever – with tracks that include "No Worry Blues", "Got A Break Baby", "T Bone Shuffle", "You're My Best Poker Hand", "First Love Blues", and "T Bone Jumps Again". LP, Vinyl record album