A fantastic document of the first-ever Ann Arbor Blues Festival – the start of a great event that would blossom into other styles of music in the 70s, but which stood as a strong blues-based event in its initial year of 1969! In some ways, the three day series of concerts is a roots answer to Woodstock – which took place just a few weeks before – as the festival featured a great scope of blues talents, from the rootsier sort of artists who were recording for labels like Folkways or Arhoolie, to some of the sharper modern talents rising to the top on Chess or Delmark! The package alone is almost worth the price of admission – beautiful photographs of the event, detailed notes, and the first-ever release of this music – which has sat in the vaults for decades, finally to see the light of day. Titles on this second volume include "Long Distance Call" by Muddy Waters, "Off The Wall" by James Cotton Band, "Juanita" by Big Joe Williams, "Jelly Jelly Blues" by Shirley Griffin, "I Feel So Good" by Magic Sam, "Call It Stormy Monday" by T-Bone Walker, "Death Letter Blues" by Son House, "Key To The Highway" by Sam Lay, and "Mojo Hand" by Lightnin Hopkins. LP, Vinyl record album

A classic set from this legendary Detroit festival – a mighty assemblage of roots and jazz performers that was put together by John Sinclair! The event was legendary at the time – and has lived on strongly via this great recording by Atlantic – one that really gets at the special fire of all the performers, and their very enthusiastic welcome by the audience too! Most of the material here is blues – but the set features a key track from Sun Ra & His Solar Myth Arkestra – a performance of "Live Is Splendid" from the Space Is The Place Suite. Other tracks include "I Walk On Gilded Splinters" by Dr John, "Road Runner" by Jr Walker, "Wang Dang Doodle" by Koko Taylor, "Gambler's Blues" by Otis Rush, "Ain't That Loving You" by Bobby Blue Bland, "Honey Bee" by Muddy Waters, "Form Kinetic" by CJQ, "Dust My Broom" by Johnny Shines, and "Goin Down" by Freddie King. (Jazz, Blues) LP, Vinyl record album

A long-overdue recognition of the blues contributions of Willie Dixon – a set that pulls him out of the indie ghetto and pushes him firmly into the mainstream with this key release on Columbia Records! Yet despite that placement, the style is nicely down home – a strong recreation of older Chicago blues modes by producer Abner Spector – one that has Willie singing versions of his classic tunes like "Back Door Man", "The Seventh Son", "Little Red Rooster", "I'm Your Hoochie Coochie Man", and "The Same Thing". LP, Vinyl record album

A long-overdue recognition of the blues contributions of Willie Dixon – a set that pulls him out of the indie ghetto and pushes him firmly into the mainstream with this key release on Columbia Records! Yet despite that placement, the style is nicely down home – a strong recreation of older Chicago blues modes by producer Abner Spector – one that has Willie singing versions of his classic tunes like "Back Door Man", "The Seventh Son", "Little Red Rooster", "I'm Your Hoochie Coochie Man", and "The Same Thing". LP, Vinyl record album