Features "Suitcase Blues" by Sippie Wallace, "Trouble In Mind" by Jimmy Witherspoon, "Make Me A Pallet On The Floor" by Mama Yancey, "St Louis Blues" by Big Joe Turner, "Every Time" by Lil Green, "Destination Love" by Wynonie Harris, "Rain Is A Bringdown" by Ruth Brown, "I Don't Want To Be President" by Percy Mayfield and much more. LP, Vinyl record album

Culled from the rich history of the Atlantic records label, and lovingly put together with great notes and everything! Tracks include "Lowe Groovin", "Anytime, Anyplace, Anywhere", & "Applejack" by Joe Morris, "That Old Black Magic", "Annie Laurie", & "Midnight Special" by Tiny Grimes, "Cole Slaw", by Frank Cully, "So Long", "I'll Get Along Somehow", "Daddy Daddy", & "5-10-15 Hours" by Ruth Brown, "One Monkey Don't Stop No Show" & "Drinkin Wine Spo-Dee-O-Dee" by Stick Mcghee, "The Chill Is On", "Chains Of Love", & "Sweet Sixteen" by Joe Turner, "Hey Little Girl" & "Mardi Gras In New Orleans" by Professor Longhair, "Fool Fool Fool" & "One Mint Julep" by the Clovers, and "The Midnight Hour" by Ray Charles. (Soul, Blues) LP, Vinyl record album

(Rock, Blues) CD

Classic Stax blues by the king of the Memphis blues scene of the late 60's. Production's handled by Stax, even though the LP was released on Atlantic, and the set includes "Born Under A Bad Sign", "Overall Junction", "Laundromat Blues", "Cold Feet", and "You're Gonna Need Me". CD

Wild electric work from Les McCann – an album of free, open sounds that's quite a change from his styles of the 60s – and from most of his other work of the 70s too! Side one features an extended 26 minute track titled "The Lovers" – a slow-building number that has Les on sublime Fender Rhodes, as things build slowly with this really spiritual current that comes from the addition of Yusef Lateef on reeds, Cornell Dupree and David Spinozza on guitar, Corky Hale on harp, and both Bernard Purdie and Alphonse Mouzon on drums! The track is loose, but builds into some great funky moments – almost a keyboard version of electric Miles Davis at the time, but a lot more soulful. And side two continues the heavy keyboard vibe – with a killer remake of Les' classic "Beaux J Poo Poo" and a similar "Poo Pye McGoochie", both with the kind of choppy funky grooves Les laid down with Eddie Harris a few years prior! (Jazz, Blues) LP, Vinyl record album

Essential New Orleans piano from Professor Longhair – an artist who was neither a professor, nor a man with much hair! The chrome-domed pianist had a huge influence on the sound of New Orleans R&B and soul to come – as he played in a triplet-heavy way that was rooted in blues, but provided a key link to the rhythms that would dominate Crescent City music in following decades. This album features original Atlantic sides cut in New Orleans in 1949 and 1953 – about as classic as you can get for Longhair, with tunes that include "Tipitina", "Hey Now Baby", "In The Night", "Ball The Wall", "Who's Been Fooling You", "She Walks Right In", and "Willie Mae". (Soul, Blues) CD

A funky bit of blues from Otis Rush – the guitarist's debut album, and a surprisingly great batch of tracks recorded at Fame Studios! Production is by Mike Bloomfield and Nick Gravenites, who are clearly going for more of a crossover sound than Rick Hall might have given the set – but that approach is a strong one, as it really brings a hard focus on Rush's guitar, and sets his slyly sliding vocals a bit more back in the mix. Sweet electric Chicago blues before it got over-Alligatorized – with tracks that include "Feel So Bad", "Baby I Love You So", "Me", "Working Man", "You're Killing My Love", and "Can't Wait No Longer". CD

A real classic from blues giant Joe Turner – a singer who burst back to the mainstream on 50s Atlantic Records, thanks to a host of R&B singles that burned up the charts – but who here returns to his roots, and lays down a great set of jazzy tunes that get back to his roots in the Kansas City scene of the 30s! The shift is a bit like that Ray Charles made at the end of the 50s on Atlantic – R&B to more of a jazz-based groove – and Joe works here with great help from Pete Brown on alto, Pete Johnson on piano, Joe Newman on trumpet, and Lawrence Brown on trombone. After the raw hard R&B of Joe's bigger hit sides for Atlantic, the album's a compelling change – a reminder that Turner had roots that went much deeper than his rock and roll fame – and a depth of delivery that would keep his career strong, long after some of his 50s R&B contemporaries faded! The mix of modes – R&B and jazz – is a bit like some of the later Ray Charles albums on Atlantic – and tracks include "Low Down Dog", "Roll Em Pete", "Cherry Red", "How Long Blues", and "Morning Glories". LP, Vinyl record album

Later work from guitar genius T-Bone Walker, but still very much in the style of his best R&B work! The album features small group backings that do the best to bring out the jazzier side of T-Bone's style – one that was a direct influence on countless jazz funk guitarists in later years – and players include Plas Johnson, Earl Palmer, Lloyd Glenn, and Barney Kessell playing some second guitar. Titles include "T Bone Blues", "Papa Ain't Salty", "Two Bones & A Pick", "Mean Old World", "T Bone Shuffle", and "Blues For Marili". CD

A really wonderful collection of early work from the great Esther Phillips – different than her later material for Atlantic and Kudu Records – as it was done in a raw R&B style for the mighty King Records! 16 tracks in all – and detailed notes on the material, too! (Soul, Blues) LP, Vinyl record album