Really fantastic work from a scene that interacted briefly with our culture during the Vietnam war – yet still managed to hold on to a groove that was very much its own! This isn't the sound of American rock blaring out of a transistor radio in some fiction film about the war – and instead, these cuts go head to head with anything we might have been turning out at the time – yet with a very different vibe overall, as the mix of language, rhythms, and instrumentation are completely unique to the scene in Vietnam! There's definitely more than a few funky moments on the set – some great drums and basslines set amidst larger arrangements – but the phrasing of the vocals makes for all sorts of unusual twists and turns along the way, even when electric guitars, organ lines, and other elements might sound slightly familiar. Maybe the best volume so far in this wonderful series – with titles that include "Han Mac Tu" by Truc Mai, "Hinh Anh Nguoi" by Thanh Lan, "Trach Yeu" by Hung Cuong & Mai Le Huyen, "Tinh Anh" by Tuy Phuong, "Nang Chieu" by Son Ca, "Ban Nhac Khng Ten" by Ban Nhac Le Van Thien", and "Xuan Muon" by Hoang Oanh. LP, Vinyl record album

A really great take on the sort of territory that's usually covered in Cramps-related compilations like this – a set of tracks that still trawls through the weird and wooly world of the 7" single in the late 50s and early 60s, but one that does so here with a special ear towards British 45s from the time – stacked up with a whole host of cool, offbeat tracks we never would have heard otherwise! The set mixes instrumentals, rockers, vocal numbers, and other modes together – with a total of 28 weird tracks that really work wonders together – and make you feel like you've found some very old jukebox in the back room of some east end pub that has been standing in the same place for decades. Titles include "Cool Gool" by Sharkey Todd & The Monsters, "Demon Lover" by Lynn Cornell, "The Mole In The Hole" by The Southlanders, "My Baby's Crazy Bout Elvis" by Billy Boyle, "Diabolical Twist" by Max Bygraves, "Taboo" by Sounds Inc, "Death Valley" by Charles Blackwell, "Fried Onions" by Ted Taylor Four, "African Waltz" by Johnny Dankworth, "Payroll" by Reg Owen, "Juvenile Delinquent" by Suzy Cope, and "Just Couldn't Resist Her With Her Pocket Transistor" by Alma Cogan. CD

An undisputed classic! "I Spy" is one of those rare soul tunes that everyone knows – collector or not – and Jamo's version is the original, the best, and the totally essential Chicago soul single that's a must-have in any collection. Produced by Monk Higgins and Burgess Gardner, with a sound so raw it'll blow the lid off your transistor! 7-inch, Vinyl record

One of the coolest club combos of the 70s – the mighty Dr Buzzard's Original Savannah Band – a group with a sound that's a lot tighter than their name! The group's probably best known for giving exposure to August Darnell in his pre-Kid Creole years – but they've also got a sound that's really all their own, and which draws strongly from all members of the group – making them way more than just another Darnell side project. Old and new styles come together wonderfully in the band's music – but the approach isn't just easy retro disco, and instead is often a warmer take on mainstream 70s disco modes – one that dips into the past to pull back the right elements to bring a bit more life to the sound. Arrangements are mostly by Stony Browder Jr, who co-wrote most of the tunes – and titles include "The Gigolo & I", "You Got Something/Betcha The Love Bug Bitcha", "Transistor Madness/Future DJ", "Cherchez La Femme/Se Si Bon", "Mister Love", "Sunshower", "Nocturnal Interludes", "Soraya/March Of The Nignies", "Auf Wiedersehen/Darrio", "I'll Play The Fool", and "Hard Times". CD

One of the rarest Steve Lacy albums of the 70s, and one of the most compelling too – as it features Steve in territory that's quite different than some of his group and solo performances of the period! The group is a trio – with Yuji Takahashi on piano and celeste, and Takehisa Kosugi on electric violin – and in addition to his usual soprano sax, Lacy also plays tenor, timpani, transistor radio, and a variety of other odd elements – as do the other two members of the group – all of which makes for a very open sense of improvisation, full of unusual sounds! Steve is far more open than usual – and if you were to hear the record without seeing his name on the front, you might be surprised that it's a Lacy album at all – which is only one more layer of the album's charm. Titles include "Distance Voice", "Flying Off", and "Midsummer Blues". LP, Vinyl record album