A great little record from Booker T and group – often overlooked amidst the range between Green Onions and Melting Pot, but a very strong album of soulful Memphis instrumentals all the way through! Book's organ is bubbling hot, and the band's tight rhythm style works in a perfect laid-back mode to push the group way past the stock grooves of earlier albums – thanks to great work from the rest of the combo too. There's some mighty nice rhythm changes on this one, and a good range of non-pop tunes like "Night Owl Walk", "Chinese Checkers", "Soul Dressing", "Tic Tac Toe", "Outrage", "Home Grown", "Big Train", "Jelly Bread", and "Plum Nellie". LP, Vinyl record album

Very hip work from Booker T & The MGs – an album that has them standing out under a pier by the ocean on the cover – clearly a long way from their Memphis roots! The sound here still has a good dose of those roots, though – but it also shows them picking up some hipper rhythmic touches too – heard most famously on the title tune, "Soul Limbo" – which is a great number to signal the more open styles in the group's approach. Other hip originals on the set include "Heads Or Tails" and "Over Easy" – and the record also sports some great covers that include "La La Means I Love You", "Eleanor Rigby", and "Hang Em High", which they do in a nice western vein! LP, Vinyl record album

Very hip work from Booker T & The MGs – an album that has them standing out under a pier by the ocean on the cover – clearly a long way from their Memphis roots! The sound here still has a good dose of those roots, though – but it also shows them picking up some hipper rhythmic touches too – heard most famously on the title tune, "Soul Limbo" – which is a great number to signal the more open styles in the group's approach. Other hip originals on the set include "Heads Or Tails" and "Over Easy" – and the record also sports some great covers that include "La La Means I Love You", "Eleanor Rigby", and "Hang Em High", which they do in a nice western vein! LP, Vinyl record album

... CD

Two killer cuts from the late 60s Latin soul years at Columbia Records – both great! Sonny Bravo takes on Archie Bell's "Tighten Up", but in a way that's even harder and funkier than the original – thanks to some heavy conga at the bottom, and a very badass East Harlem sort of presentation! "We Got Latin Soul" is one of the heaviest Mongo Santamaria cuts from the time – a track that's drenched in the Latin Soul of the title, with killer percussion, and mighty nice vocals! 7-inch, Vinyl record

A set that's got all the classic soul vibe you might guess from the title and the cover, but one that's also got some more contemporary elements too – as Bella Brown and the group weave together strands of soulful influences from many decades – all with the feeling as if a 60s act on Atlantic Records were brought forward in time to hear a bit of Afro Funk from the 70s, Brand New Heavies from the late 80s, and other sweet bits which they then brought back to influence their sound! Bella's a very strong singer in the lead, able to shift things into her own mode way past standard retro soul approaches – and titles include "Bang Bang Bang", "Lady Time", "What Will You Leave Behind", "Soul Clap", "There Is Love", and "Fast As Lighting". LP, Vinyl record album

We don't know much about Bill Brown and his group – but they're a fantastic lost act from the 70s, and one who have a fantastic way of mixing warm soul harmonies with some very sharp grooves! The rhythms are pretty upbeat on most tracks, but the vibe is before the disco and club years – that special moment when funk musicians were able to move quick, and never lose their groove – and singers like Bill were able to slide into the mix and really soar with their vocals! We've never heard any of these cuts before, and the whole thing is like discovering a lost chapter of 70s soul that we'd completely missed – one that we'd rank right up there with some of the hippest east coast group soul of the time. Titles include "Bip Bam (parts 1 & 2)", "Stay Off The Moon", "Sock It To The Landlord", "Rainbow", "Time After Time", "Fool-Ology", "Love Under The Apple Tree", and "Dreamworld Fantasies". Also includes an instrumental of "Time After Time" – and a Billy Wilson version of "Fool-Ology". LP, Vinyl record album

Raw soul, indeed – a term that could have been coined for James Brown's vocal approach, and which probably makes one of its first appearances here on a record! The album's kind of a grab bag of earlier sides that James recorded for King, but it's a perfect showcase for his amazing sound in any setting – as it brings together funky bits with more straightforward soul numbers. Tracks include the great funky numbers "Money Won't Change You" and "Bring It Up", both of which show the new hard sound of James coming to the forefront – plus the tracks "Stone Fox", "Tell Me That You Love Me", "Money Won't Change You (parts 1 & 2)', "Let Yourself Go", and the hip message cut "Don't Be A Drop Out". LP, Vinyl record album

A different James Brown album – but a nice one! James doesn't sing soul, so much as jazz – in front of large backings by Louis Bellson, with arrangements by Oliver Nelson that are in his best 60s soul mode – and which give the album a very very groovy feel overall! The record's not funky, but James' vocals are plenty darn soulful – and the album is proof that he could be a huge talent in just about any mode that he chose – shining with a brilliance that was irrepressible! James covers a few of his older tracks on the album, and sings a few other pop standards – and titles include nice versions of "It's Magic", "The Man In The Glass", "Papa's Got A Brand New Bag", "That's My Desire", and "I Need Your Key (To Turn Me On)". LP, Vinyl record album

A different James Brown album – but a nice one! James doesn't sing soul, so much as jazz – in front of large backings by Louis Bellson, with arrangements by Oliver Nelson that are in his best 60s soul mode – and which give the album a very very groovy feel overall! The record's not funky, but James' vocals are plenty darn soulful – and the album is proof that he could be a huge talent in just about any mode that he chose – shining with a brilliance that was irrepressible! James covers a few of his older tracks on the album, and sings a few other pop standards – and titles include nice versions of "It's Magic", "The Man In The Glass", "Papa's Got A Brand New Bag", "That's My Desire", and "I Need Your Key (To Turn Me On)". CD features the previously unissued bonus track "There Was A Time" – plus the full, unedited versions of 4 other tracks – appearing here for the first time ever! CD

A rare TK Records effort from James Brown – very much in the best uptempo funk mode of the later Polydor years! The groove here is quite similar to those better-known efforts – grooves that are a bit quicker than a few years before, but still played in a core JB funky style – live and lively, with plenty of emphasis on the rhythms! Brown often referred to his style here as disco, but it's a lot more like some of the P-Funk progressions of the period – a mode that's more polished than a grittier funky generation, yet far from smooth club or disco overall. There's plenty of choppy little groovers that make the record great – and titles include the long cut "Rapp Payback", plus "Funky Men", "Smokin & Drinkin", "Stay With Me", and "Mashed Potatoes". CD

A rare TK Records effort from James Brown – very much in the best uptempo funk mode of the later Polydor years! The groove here is quite similar to those better-known efforts – grooves that are a bit quicker than a few years before, but still played in a core JB funky style – live and lively, with plenty of emphasis on the rhythms! Brown often referred to his style here as disco, but it's a lot more like some of the P-Funk progressions of the period – a mode that's more polished than a grittier funky generation, yet far from smooth club or disco overall. There's plenty of choppy little groovers that make the record great – and titles include the long cut "Rapp Payback", plus "Funky Men", "Smokin & Drinkin", "Stay With Me", and "Mashed Potatoes". CD

... LP, Vinyl record album

A killer record from bassist Paul Brusger – a set that features plenty of great work from Eric Alexander on tenor and alto – the latter an instrument that he's really begun to embrace in recent years! The rest of the group is wonderful too – Steve Davis on trombone, Rick Germanson on piano, and Willie Jones III on drums – a combo with a hard-swinging energy, and lots of individual identity in the way each member expresses themselves within the group – no egos getting in the way of the groove, even though the musicians themselves are an all-star group! Yet credit should really be given to Brusger for not only pulling the whole thing together, but also composing most of the material for the set – really great tunes that bristle with fresh life and vision, on selections that include "A Slice Of Gryce", "Just A Tadd More Please", "Do Dreams Really Matter", "The Sugar Glider", and "Blues For Another Time". CD

Beautiful uptown soul from Jerry – with pre Gamble-Huff arrangements by Jo Renzetti and Jimmy Wisner. The tracks do a great job of maintaining the perfect Iceman sound from Jerry's late Vee Jay years, yet also hint nicely at the direction to come. Titles include "You Walked Into My Life", "I'm Gonna Make You Love Me", "Some Kind Of Magic", "The Way Of Love", and "Why Did I Lose You". LP, Vinyl record album

A trio session – but a killer, too – very different than just about any other piano trio material from the time – with that special sort of edge that always made Jaki Byard really stand out from the pack! There's some very unusual things happening in the rhythms – some slight Eastern elements, a few trippy touches, and other heady elements that live up to the title – but in a subtle way, too. Byard plays piano throughout, but also handles a bit of guitar, too – and the group features Ornette Coleman's bassist David Izenzon on bass, plus Elvin Jones on drums and tympani – the latter of which is used in some very cool ways. Titles include "Trendsition Zildijian", "Sunshine", "Cast Away", and "Chandra". CD

A great soul set from the Italian scene – mellow-stepping and easygoing, with a gentle groove that really makes the whole thing sparkle! The singer Sabreetha Vee has a great style – slightly accented, which gives her approach a quality that's a bit like that of Sade on some cuts – maybe more like Corinne Drewery at others – and the grooves are served up by the Lombaro Brothers, who have a way of taking American roots filtered through a UK soul approach from later generations – which creates this classic sound that nicely spans decades! Titles include "So Strong", "Summer Memories", "Shooting Star", "Like Glue", "My Time", "Everything Is Alright", and "Nobody Like You". CD

Classic work from one of Brazil's greatest soul singers of the 70s – an album of rich feeling that's a wonderful bridge between American soul music and some of the sophisticated song stylings of the MPB generation! Cassiano's somewhere in the territory of contemporary Tim Maia – but is a bit smoother and more sophisticated – more of a mature soul mode next to Maia's rougher funk – served up here with impeccable arrangements that really draw from all the best changes in Brazilian music during the early 70s. The album includes the funky "Central Do Brasil", the extended midtempo groover "Onda", the semi-hit "Hoje E Natal", and the cuts "De Bar Em Bar", "Ana", "A Lua E Eu", and "Salve Essa Flor". LP, Vinyl record album

... 7-inch, Vinyl record

An odd collection of tracks, but they're all great, and the set's an excellent batch of some of Chandler's harder-to-find material from the mid and late 60s! The tracks are pulled from his years at Chess, Brunswick, and Mercury (one of the advantages of the recent Universal/Polygram merger!) – and there's a total of 10 songs, including "Rainbow '65 (part 2)", "To Be True", "Groovy Situation", "I Won't Need You", "Think Nothing About It", "From The Teacher To The Preacher", "To Be A Lover", "I Fooled You This Time", "River Of Tears", and "Nothing Can Stop Me". CD

A wonderful chapter in the career of Ray Charles – and a key album in helping raise his respect level a notch or two in the early 60s! We might argue with the mathematics in the title – or at least joke that Ray was using equations as titles years before Anthony Braxton – but you can't contest the fact that this one's a classic treat, and a legendary attempt to class up Ray's bluesy style for the masses. Quincy Jones and Ralph Burns handled the arrangements, and given that the record was issued by ABC a few years before they brought Ray into a country mode, it's interesting to think what might have happened had his career continued this way. There's only a small number of vocal tracks on the record, and most of the rest feature Ray at the organ, grooving away very nicely! Titles include "One Mint Julep", "Moanin", "I've Got News For You", "Mister C", and "Stompin Room Only". LP, Vinyl record album

A wonderful chapter in the career of Ray Charles – and a key album in helping raise his respect level a notch or two in the early 60s! We might argue with the mathematics in the title – or at least joke that Ray was using equations as titles years before Anthony Braxton – but you can't contest the fact that this one's a classic treat, and a legendary attempt to class up Ray's bluesy style for the masses. Quincy Jones and Ralph Burns handled the arrangements, and given that the record was issued by ABC a few years before they brought Ray into a country mode, it's interesting to think what might have happened had his career continued this way. There's only a small number of vocal tracks on the record, and most of the rest feature Ray at the organ, grooving away very nicely! Titles include "One Mint Julep", "Moanin", "I've Got News For You", "Mister C", and "Stompin Room Only". LP, Vinyl record album

... LP, Vinyl record album

Four classic albums from UK singer Tina Charles – an artist who mixes older vocal touches with the swirling sounds of the legendary Biddu – in a groove that's got a heck of a lot to offer! Tina never was one of the most underground singers of her generation – but it's her confidence in that fact that makes this music so great – an unabashed love of the poppier sounds of the dancefloor, in a way that beautifully mixes together 70s AM sensibilities with the growing sounds of the disco movement. Biddu's a great choice for the project – as the use of light strings and disco grooves resonates with his own solo work, but also maybe has more of a crossover focus, thanks to Tina's poppy vocals in the lead! The 2CD set features the full albums I Love To Love, Dance Little Lady, Heart N Soul, and Just One Smile – with a total of 40 tracks in all. CD

... CD

With Art Porter on alto sax, Roscoe Mitchell on flute, Soprano and alto sax, Odies Williams on bass, and Ernie Adams on drums. CD

Jeff Clayton on alto saxophone, soprano, and tenor saxophone, and flute, Bill Green on alto and tenor saxophone, Rickey Woodard on tenor saxophone, Charlie Owens on tenor saxophone and clarinet, Lee Callet on baritone saxophone and bass clarinet, George Bohanon, Ira Nepus, and Thurman Green on trombone, Maurice Spears on bass trombone, Bobby Bryant, Clay Jenkins, Oscar Brashear, Ray Brown, and Snooky Young on trumpet and flugelhorn, Bill Cunliffe on piano, Jim Hershman on guitar, John Clayton on arco bass, Herb Mickman on double bass, and Jeff Hamilton on drums. CD

Hey, don't hold Wayne Cochran's hair against him – because he's one massively soulful dude, despite a high white pompadour – and really knew how to rock the clubs back in the 60s! Cochran's a really unique figure – working with a look that was whiter-than-white, but coming across with a groove that was right up there in the best funky soul mode of the time! Wayne played for the same sort of crowds that went to see Baby Huey & The Babysitters – blending together soul and R&B influences with a really party-oriented groove laid down by his legendary CC Riders backup group – and crossing countless borders along the way, all in pursuit of a socking soul sound! This wonderful set is the best we've ever seen on his music – and features tracks pulled from his sessions for King, Chess, and Mercury – plus a full never-issued live album for King, titled The Wayne Cochran Show. There's more than a few covers here of other 60s soul tunes, but Wayne somehow manages to make most of them sound even better than the originals – bringing in funky arrangements that weren't even used on the hits, and making us wish we'd had a chance to catch his cooking show back in the day. 38 tracks in all – with titles that include "Dance To The Music", "Hold On I'm Coming", "Fa Fa Fa Fa Fa (Sad Song)", "I Can't Turn You Loose", "Hard To Handle", "Chopper 70", "Everybody", "Let Me Come With You", "My Machine", "Get Ready", "Which One Should I Choose", "I'm In Trouble", "The Peak Of Love", "Somebody Please", "I'm Leaving It Up To You", and "Big City Woman". CD

With Al Cohn on tenor sax, Zoot Sims on tenor and soprano sax, Jaki Byard on piano, George Duvivier on bass, and Mel Lewis on drums. CD

With Al Cohn on tenor sax, Zoot Sims on tenor and soprano sax, Jaki Byard on piano, George Duvivier on bass, and Mel Lewis on drums. LP, Vinyl record album

... 78 RPM, Vinyl record

A wonderful session of 60s Hammond jazz – a record that was somewhat overlooked at the time, but which has really gotten the attention it deserves over the years! The album's one of a rare few cut by organist Gloria Coleman – an obscure east coast player who was also the wife of tenorist George Coleman, and who follows wonderfully in a strong tradition of female organists that includes Trudy Pitts and Shirley Scott. Even hipper is the fact that Gloria's quartet has a female drummer – the fiery Pola Roberts, who's got a light touch on the kit that makes the cuts dance nicely. And even still hipper is the fact that that group is completed by Grant Green on guitar and Leo Wright on alto – both of whom groove in a totally tight soul jazz mode that resembles their best work from the early 60s. The session's a wonderful burner, of the sort that you'd proudly display in a collection of 60s soul jazz – and it's filled with excellent original cuts like "Que Baby", "Hey Sonny Red", "Melba's Minor", and "Funky Bob". CD

A wonderful session of 60s Hammond jazz – a record that was somewhat overlooked at the time, but which has really gotten the attention it deserves over the years! The album's one of a rare few cut by organist Gloria Coleman – an obscure east coast player who was also the wife of tenorist George Coleman, and who follows wonderfully in a strong tradition of female organists that includes Trudy Pitts and Shirley Scott. Even hipper is the fact that Gloria's quartet has a female drummer – the fiery Pola Roberts, who's got a light touch on the kit that makes the cuts dance nicely. And even still hipper is the fact that that group is completed by Grant Green on guitar and Leo Wright on alto – both of whom groove in a totally tight soul jazz mode that resembles their best work from the early 60s. The session's a wonderful burner, of the sort that you'd proudly display in a collection of 60s soul jazz – and it's filled with excellent original cuts like "Que Baby", "Hey Sonny Red", "Melba's Minor", and "Funky Bob". LP, Vinyl record album

... CD

31 tracks from Hank Crawford, Hank Crawford with the Marty Paich Orchestra, and Hank Crawford with Ray Charles, David Newman, Jimmy McGriff, BB King, and Etta James. CD

A double-length disco symphony – and a surprisingly good one at that! The set was put together by DJ Frankie Crocker – but we're guessing the real talent lies elsewhere, most likely in the talents of the session players – an all-star group that includes Billy Mitchell on piano, Wah Wah Ragin on guitar, James Gatson on drums, and Sonny Burke on keyboards. The tracks are mostly standards, redone in a long, swirling disco mode – with surprisingly tight rhythms underneath soaring strings, and standout instrumental work from the players mentioned above. The album's an all-instrumental affair, and tracks include "Poinciana", "Friendly Persuasion", "I Can't Get Started", "Flamingo", "Skylark", and "Be My Love". LP, Vinyl record album

A really great project from Tito Puente – maybe not his only collaboration with Celia Cruz, but maybe one of the best – a top-to-bottom album of unified vision, topped with sublime vocals from the legendary lady! The set was arranged and produced by Tito – and brings together tunes that are maybe a bit rootsier than some of his other work – that return to tradition that Puente was clamoring for as the 70s began, as a way of shaking off what he felt were the worse influences of the Latin Soul youngsters (not something we agree with ourselves!) The vibe of the album is quite different than its 1970 date – more like something from pre-Castro Havana at times, but with an updated, more sophisticated sense of arrangements and percussion. Titles include "Guiro 6/8", "Chango", "Alguien Vendra", "Cuyi", "Sahara", "Elegua", and "Salsa De Tomate". LP, Vinyl record album

The mindblowing debut of De La Soul – a set that's inarguably one of the most important records in hip hop history – overflowing with playful, endearingly oddball trio rhymes and Prince Paul production at it's most sprawlingly sampled and creative! The set has classic songs that stand out well enough on their own – but they're all also wonderfully linked together as a whole, making the album one of the first really well-thought out full length albums in hip hop – filled with loosely connective skits with recurring characters that are vital to the experience of listening to the record as a whole! Additionally, the set is especially fascinating given its 1989 release year – a time when so many of the contemporaneous crews and solo MCs on both the east coast and west coast were going grittier, darker and more profane – but it doesn't feel like a conscious reaction to that, as much it feels like sharp trio and a brilliant producer carving out their own damn creative niche. Includes "Me Myself & I", "The Magic Number", "Plug Tunin", "Say No Go", "Tread Water", "Eye Know", "Buddy" and much more! CD

The mindblowing debut of De La Soul – a set that's inarguably one of the most important records in hip hop history – overflowing with playful, endearingly oddball trio rhymes and Prince Paul production at it's most sprawlingly sampled and creative! The set has classic songs that stand out well enough on their own – but they're all also wonderfully linked together as a whole, making the album one of the first really well-thought out full length albums in hip hop – filled with loosely connective skits with recurring characters that are vital to the experience of listening to the record as a whole! Additionally, the set is especially fascinating given its 1989 release year – a time when so many of the contemporaneous crews and solo MCs on both the east coast and west coast were going grittier, darker and more profane – but it doesn't feel like a conscious reaction to that, as much it feels like sharp trio and a brilliant producer carving out their own damn creative niche. Includes "Me Myself & I", "The Magic Number", "Plug Tunin", "Say No Go", "Tread Water", "Eye Know", "Buddy" and much more! LP, Vinyl record album

The mindblowing debut of De La Soul – a set that's inarguably one of the most important records in hip hop history – overflowing with playful, endearingly oddball trio rhymes and Prince Paul production at it's most sprawlingly sampled and creative! The set has classic songs that stand out well enough on their own – but they're all also wonderfully linked together as a whole, making the album one of the first really well-thought out full length albums in hip hop – filled with loosely connective skits with recurring characters that are vital to the experience of listening to the record as a whole! Additionally, the set is especially fascinating given its 1989 release year – a time when so many of the contemporaneous crews and solo MCs on both the east coast and west coast were going grittier, darker and more profane – but it doesn't feel like a conscious reaction to that, as much it feels like sharp trio and a brilliant producer carving out their own damn creative niche. Includes "Me Myself & I", "The Magic Number", "Plug Tunin", "Say No Go", "Tread Water", "Eye Know", "Buddy" and much more! LP, Vinyl record album

The mindblowing debut of De La Soul – a set that's inarguably one of the most important records in hip hop history – overflowing with playful, endearingly oddball trio rhymes and Prince Paul production at it's most sprawlingly sampled and creative! The set has classic songs that stand out well enough on their own – but they're all also wonderfully linked together as a whole, making the album one of the first really well-thought out full length albums in hip hop – filled with loosely connective skits with recurring characters that are vital to the experience of listening to the record as a whole! Additionally, the set is especially fascinating given its 1989 release year – a time when so many of the contemporaneous crews and solo MCs on both the east coast and west coast were going grittier, darker and more profane – but it doesn't feel like a conscious reaction to that, as much it feels like sharp trio and a brilliant producer carving out their own damn creative niche. Includes "Me Myself & I", "The Magic Number", "Plug Tunin", "Say No Go", "Tread Water", "Eye Know", "Buddy" and much more! LP, Vinyl record album

A rock-solid effort from De La Soul at the start of the 21st Century – a record that really has the group coming back into their own! On previous records, it had been a little difficult to tell if De La Soul has been trying harder to please their critics, or simply finally being true to themselves by expelling all traces of the perceived hippy-isms of their earlier work – and the answer is probably somewhere in between, but leaning towards their autonomy. They've been a new group all together since Stakes Is High, and Bionix is certainly their best work since – with the Wu Tang-like piano driven beat of the title track, the catchy soul of "Baby Phat" and "Simply", both of which should be nice club hits, and more than a few subtle nods to the Prince Paul years, especially on the "Simply Havin" interlude. "What We Do (For Love)" makes great use of a Slick Rick guest spot – complete with the horny fanfare. Cee-Lo shows up on "Held Down", and B-Real appears on "Peer Pressure" – both of which suggest that De La spent a little time in Stankonia last year. Other tracks include "Watch Out", "Special", "The Sauce", "Pawn Star", "It's American", and "Trying People". LP, Vinyl record album

Tracks include "U Can Do (Life)", "My Writes", "Oooh", "Thru Ya City", "IC Y'all", "View", "Set The Mood", "All Good?", "Declaration", "Squat!", "Words From The Chief Rocker", "With Me", "Copa (Cabanga)", "Foolin", "The Art Of Getting Jumped", and "U Don't Wanna BDS"! LP, Vinyl record album

An insanely wonderful record from De La Soul – a set that's sometimes eclipsed by its legendary precursors, but which would easily stand as the best record in the catalog by any other group! Prince Paul's production is impeccable – leaner than before, likely due to new restrictions on samples – but with a focus that really hones in on the incredible word play that De La have developed even more strongly than before! That strong sense of whole album presentation the group really helped forge in hip hop is definitely in place here – on titles that include the classics "Ego Trippin' (Part 2)" and "Breakadawn", "Eye Patch", "En Focus", "Patti Dooke", "I Be Blowin'", "3 Days Later", "Area", "I Am I Be", "In The Woods", and "Stone Age". LP, Vinyl record album

If De La Soul took the world by storm with their groundbreaking debut, they definitely pushed hip hop even farther ahead with this killer second album – a record that refines all the best impulses of the first set, and has the trio coming across with an even greater command of the space of a full length set! After a decade or more where most hip hop albums were just a string of singles and other cuts, De La (along with Public Enemy and a select few others) really helped the medium move into the realm of the album – weaving together cuts that are killer enough to be singles with all sorts of skits and album tracks, all with a vibe that has the whole thing flowing together wonderfully! The humor and wit of the group in their youth is still very much on point, as is the production work of Prince Paul – and the album bubbles over with longform imagination and careful execution that many groups could still hope to match! The samples are superb, nice and funky – and titles include "Oodles Of O's", "Talkin Bout Hey Love", "A Roller Skating Jam Named Saturdays", "Millie Pulled A Pistol On Santa", "Ring Ring Ring", "Keepin The Faith", "Bitties In The BK Lounge", "Pass The Plugs", "Pease Porridge", and "Fanatic Of The B Word". LP, Vinyl record album

... CD

De La Soul take on the world of hip hop with a record that's very much at the top of their game – leaner in production than before, but at a level that also brings a bit more bite to their rhymes – a good thing too, as the group take on some of their contemporaries as they assess the state of hip hop in the shadow of the 21st Century! The shift from previous records is almost like that taken by Tribe Called Quest on Low End Theory – focusing their music, while still throwing in some of their trademark skits – and maybe even making the group sound more serious, yet never in some of the "too hard" styles that they rail against on the set. The set has two key moments for the up-and-coming generation – great cut "The Bizness", with a guest appearance by Common, and "Big Brother Beat" with help from Mos Def – next to other tracks that include "Supa Emcees", "Itzsoweezee", and "Betta Listen". CD

De La Soul take on the world of hip hop with a record that's very much at the top of their game – leaner in production than before, but at a level that also brings a bit more bite to their rhymes – a good thing too, as the group take on some of their contemporaries as they assess the state of hip hop in the shadow of the 21st Century! The shift from previous records is almost like that taken by Tribe Called Quest on Low End Theory – focusing their music, while still throwing in some of their trademark skits – and maybe even making the group sound more serious, yet never in some of the "too hard" styles that they rail against on the set. The set has two key moments for the up-and-coming generation – great cut "The Bizness", with a guest appearance by Common, and "Big Brother Beat" with help from Mos Def – next to other tracks that include "Supa Emcees", "Itzsoweezee", and "Betta Listen". LP, Vinyl record album

Sam Dees was one of the greatest unsung talents in 70s soul music – an important writer, arranger, and general background talent who helped so many other singers hit the heights – but who hardly ever issued much work under his own name! Apart from key singles and an important album on Atlantic, the recorded legacy of Dees isn't what it should be – given his impact on music, especially deep soul – but fortunately, sets like this have come along to correct that lack! As part of Sam's creative process, he would often record songs first on his own – not as rough demo tracks, but as surprisingly well done studio versions to illustrate the material – tracks that were often better than later versions of his tunes, and most of the other commercial soul on the market. This sweet set brings together 12 of those tracks – private recordings from Sam, of songs he'd later give to singers like Loletta Holloway, Ben E King, and others – an essential record from the great Dees, pressed up on super-heavy vinyl! Titles include the previously unissued "Married But Not To Each Other" – plus "Good Guys Don't Always Win", "Who Are You Gonna Love", "Con Me", "Only Lonely People", "False Alarms", "Standing In The Wings Of A Heartache", "The World Don't Owe You Nothing", and "Black Tattler". LP, Vinyl record album

A group with a name that might not easily roll of the tongue, but one who've got a sublime harmony sound that's wonderfully fluid overall – a combination of nine young voices from the scene in Soweto, working without any other instrumentation at all! The combination of vocals almost takes us back to the sound of Take 6 on their first album – and as with that group, the message here is spiritual, but not entirely pointed at the church – with much more of a universal appeal that's perfect for the subtly righteous power of the harmonies! Titles include "Too Late For Mama", "Nomalizo", "My Brother", "Who Knows", "Sip", and "Baninzi". LP, Vinyl record album

Dave Douglas on trumpet, Chris Speed on clarinet and tenor saxophone, Joshua Roseman on trombone, Greg Tardy on clarinet, bass clarinet and tenor saxophone, Uri Caine on piano, James Genus on bass, and Joey Baron on drums. Tracks are a mix of originals and compositions by Mary Lou Williams. CD

Two sublime early tracks from pianist George Duke – both from his first MPS album, never issued in the US! "My Soul" has this great rolling groove, with congas from Armando Peraza giving things a nice Latin vibe – as George plays both piano and Fender Rhodes together, for a very warm sound! "Au Right" has lots more great Rhodes – a killer solo that bumps along beautifully over funky drums! 7-inch, Vinyl record

The best collection we've ever seen of the work of funky soul legends Dyke & The Blazers – a double-length set that features full, unedited versions of their classics – plus a whopping batch of previously unreleased tunes! Dyke & The Blazers had a groove that was mighty solid back in the late 60s – a hard-vamping, tightly rhythmic groove that easily matched the best early funk of the time from Charles Wright, Sly Stone, or James Brown – and which was often served up with a rougher edge, and an overall sound that was a lot more dangerous! However, many of the group's singles really trimmed down their performances – shaving off key instrumental moments that are lovingly re-attached here, and combining them with some even rarer tracks that never saw the light of day back in the 60s. The whole thing's amazing – and the 2CD set features a whopping 33 tracks in all, split into one disc of material recorded in Phoenix, and one more of tracks from Hollywood! Titles include "Black Boy", "Stuff", "Moon", "Booga Jivin", "Runaway People", "Funky Broadway Time (parts 1 & 2)", "Swamp Walk", "Extra Funk", "Let A Woman Be A Woman Let A Man Be A Man", "Soul Cake", "She Knows It", "Let's Do It Together", "Bring It On Back", "Funky Walk (parts 1 & 2)", and "Triple Funk". CD

Incredible work by The Exciters – material we totally love to death, most of which is a lot harder-hitting than the group's earlier hits in the 60s! The package pulls together their post-UA recordings for the Bang, Shout, and RCA labels – the first to of which are represented by singles, the last by a full LP and some great extra material from 45s – all of which is really incredible stuff that moves way past any pop soul expectations you may have! Production is by Bert Berns on the non-RCA material, and Larry Banks on the RCA sides – and both producers bring an incredibly hip sound to the recordings, mixing the unique deep soul lead of Brenda Reid with some very groovy backings – arranged by Artie Butler, George Patterson, and Teacho Wiltshire, all of whom bring something unique to the mix. The force of these sides is amazing – almost a revolution in female soul, captured in the history of one group – and the booklet features very full notes on the girls, culled from interviews, and telling the story of their legendary years in the 60s. CD contains all of the legendary Caviar & Chitlins LP, plus lots of singles – 21 tracks that include "Take One Step I'll Take Two", "Soul Motion", "Number One", "A Little Bit Of Soap", "Number One", "You Don't Know What You're Missing", "Blowing Up My Mind", "Movin Too Slow", "Turn Me On", "A Year Ago", "You Got Me", "Always", "Fight That Feelin", "Give It All", and "Weddings Make Me Cry". CD

After a disastrous attempt at recording a live show, the Fania All-Stars went in the studio with guests like Billy Cobham and Manu Dibango and created their funkiest and one of their finest albums of the seventies! A few cuts are more straight Latin sounding, some of these tracks have a nice hard funky jazz feel, and sound like they could have been recorded for Prestige. There's great versions of "Soul Makossa" and "Viva Tirado", plus a very nice track called "Smoke". Other titles include ""El Raton", "Congo Bongo", "Chanchullo", "There You Go" and "Mama Guela". LP, Vinyl record album

Never-failing genius from Art Farmer – recording here in his later years, and working in that long and open-ended mode we love so much! There's few trumpeters who could make a record like this work – but Farmer's got a tremendous ability to stretch out on longer tunes with well-crafted solos that make beautiful use of soundspace and texture – letting his trumpet almost float along in the air and find its own notes, while the trio of Geoff Keezer piano, Kenny Davis bass, and Lewis Nash on drums provide just the right sort of accompaniment. The album's got a grace that matches any of Art's excellent mid 70s sides from Japan – and is proof that his talents never waned as the years went on – making him one of the few talents from his generation who continued to create and invent beautifully over time. Titles include "Soul Eyes", "Isfahan", "Will You Still Be Mine", "Sad To Say", "Time On My Hands", and "Recorda Me". CD

A 70s indie club classic – and the only album we've ever seen from Maryann Farra & Satin Soul! The group have a sound that's equal parts Brunswick Chicago soul and New York early disco groove – a combination that's brought out even more by the production talents of disco maestro Tony Valor and Chi-soul genius Eugene Record! The tunes groove along in a really rich style of arrangement – often using sweeping strings over tighter rhythms – sometimes hitting the loping midtempo groove you'd expect from Brunswick records at the time, yet also going for some of the faster, freer rhythms that were cropping up on the east coast indies of the time. Some tracks have a tight dancefloor feel – like "Never Gonna Leave You", "Do Those Little Things", and "Just A Little Timing" – while others have a beautiful soul groove – like "You Got To Be The One" and "Living In The Footsteps of Another Girl" – which both have a sound that feels like it was lifted from a lost Barbara Acklin or Chi-Lites album! The set also includes a female soul remake of "Stoned Out Of My Mind" that's almost worth the price of the record alone! LP, Vinyl record album

One of three amazing albums the Fatback Band cut for the Perception label in the early 70s – and a set that's definitely the most soulful of the bunch! The difference here is that the group opens up some space for lead vocals from the great Johnny King – a singer with a really unique sound, and one whose special touch brings plenty to the already-great funky instrumentation of the group – deepening their sound in all the right ways! The set features both vocal and instrumental versions of Weldon Irvine's great cut "Feeling Mellow" – done even better than the original – and other cuts include "Makin' Love", "Sketches of Life", "Meet Me Over My House", and "Three Dimensional World". CD

An overlooked 70s gem from the great Jose Feliciano – a set that really continues the warm soul styles he'd hit on his last few years at RCA – a wonderful blend for his unique vocals and his tremendous way of putting over a tune! The set was recorded down at Muscle Shoals, but it's got a nicely subtle approach that never tries to lean on the modes of that studio too strongly – avoiding some of the cliches that other records might showcase in such a setting – and throughout it all, it's clear that Jose's the star in the spotlight, using that warmly crackling vocal approach in a wonderful way – especially on the more upbeat modern soul moments. Titles include "Every Woman", "Marguerita", "Loving Her Was Easier", "Sweet Soul Music", "I Love Making Love To You", "Love Comes From Unexpected Places", and "Funny/Night Life". CD features the bonus track "What I Wanna Do". CD

... CD

Killer work by this fab Chicago soul group – a bunch of young kids, ala The Jackson Five, with sweet soul sound that actually predates the work of Jermaine and Michael and Tito, and which paved the way for countless 70s groups to come! The Five Stairsteps were first discovered by Curtis Mayfield – who wrote and produced a number of tracks on the set – but they had a strength of their own (thanks in part to a young Keni Burke, who was in the group), and continued to grow over the years, changing their sound to fit their expanding ages, and the changing material they needed to cope with the growth in soul in the early 70s. The set's filled with classics – including the super-huge hit "Ooh Child", plus "The Girl I Love", "Behind Curtains", "Come Back", "World Of Fantasy", "You Waited Too Long", "We Must Be in Love", "Oooh, Baby Baby", "Don't Waste Your Time", "Something's Missing", and the break-heavy "Don't Change Your Love". CD

... 78 RPM, Vinyl record

... CD

'69 was certainly Aretha's year – as the success of her initial round of Atlantic recordings had pushed her fully into the limelight, making her one of the most exposed, most reported-on artists in soul music! This album was cut during the height of that time, with Arif Mardin handling all of the arrangements, and Aretha singing a mix of soul, blues, and pop tunes, all nicely reworked in her own famous style. Titles include "Tracks Of My Tears", "So Long", "I'll Never Be Free", "Gentle On My Mind", "Bring It On Home To Me", and "Crazy He Calls Me". LP, Vinyl record album

Aretha Franklin's definitely growing into her role as a soul sister here – a later date for Columbia Records that hints a bit at the sounds to come on Atlantic! Backings are by Robert Mersey and Belford Hendricks – both of whom use some relatively full orchestrations and occasional backing vocals – in ways that almost translate a 60s country soul aesthetic to a leaner, cleaner sound for Aretha's strong vocals. Franklin, as always, is great – the kind of singer that really illuminates any tune she gets – even familiar numbers that seem to take on new life in her hands. The material is a bit deeper-digging than before on Columbia – less covers, and more tunes that are well-suited to Aretha's sensibilities – including a few penned by Van McCoy or Hendricks. Titles include "Until You Were Gone", "Follow Your Heart", "A Mother's Love", "I'm Losing You", "Take A Look", and "Can't You See Me". LP, Vinyl record album

The second album by The Freedom Sounds – a very cool west coast soul jazz collective, headed by Wayne Henderson, and featuring a great mix of jazz, soul, and Latin rhythms! This set's a little more ambitious than the group's first album – with a number of tracks that groove in a very strong Latin jazz mode, sounding a lot like some of the best work on Atlantic at the time by Mongo Santamaria, Hubert Laws, and others. Henderson's trombone is still a key solo instrument, but the album also features some incredible sax work from Willie Gresham – a player we know little about, but who makes the album cook in the same fantastic way that Hubert Laws and Sonny Fortune did for Mongo's best work of the 60s! The grooves are very right-on, with plenty of excellent percussion work – and titles include the originals "Love-Out", "Behold The Day", and "Soul Sound System", plus some groovy covers, like "All You Need is Love", "What The World Needs Now Is Love", and "Are You Sure?" – all done with a great Latiny groove! LP, Vinyl record album

20 tracks of wonderful Columbia recordings from Erroll Garner! CD

Recorded live at the Glasgow International Jazz Festival and Musikhusit Aarhus in Copenhagen –with Kenny Barron, Ray Drummond, and Ben Riley! CD

A fantastic bit of late 60's funk, and a surprisingly slammin' record from Dizzy! The album's got tight, hard, choppy funk arrangements from Ed Bland – who went onto to do some great work at the Perception label – and the group features James Moody blowing hard lean funky solos right next to Diz, in the way that he'd do on some of his own funk work from the same time. The record is wonderful all the way through – killer heavy drums, heavy electric bass, searing sax solos from Diz and Moody – all produced with a mad mad full-on funk sound that will make your jaw drop! Titles include "Blue Chuchifrito", "Chicken Giblets", "Rutabega Pie", "The Fly Fox", "Pot Licka" "Stomped & Wasted" and "Casbah Melon". CD

A fantastic bit of late 60's funk, and a surprisingly slammin' record from Dizzy! The album's got tight, hard, choppy funk arrangements from Ed Bland – who went onto to do some great work at the Perception label – and the group features James Moody blowing hard lean funky solos right next to Diz, in the way that he'd do on some of his own funk work from the same time. The record is wonderful all the way through – killer heavy drums, heavy electric bass, searing sax solos from Diz and Moody – all produced with a mad mad full-on funk sound that will make your jaw drop! Titles include "Blue Chuchifrito", "Chicken Giblets", "Rutabega Pie", "The Fly Fox", "Pot Licka" "Stomped & Wasted" and "Casbah Melon". LP, Vinyl record album

A groundbreaking set of work from the team of Jef Gilson and Hal Singer – a uniquely cross-cultural session recorded in the Paris scene of the 70s, and easily some of the best work ever from both musicians! Singer's probably best remembered on these shores for his older R&B tenor work of the 50s – but sometime during the 60s, he moved over to Paris, where he cut some mighty great music – including the legendary Paris Soul Food album, which predates this one by a few years. Gilson was always a great artist on the French scene – a modern pianist whose work of the 60s was always fresh and new, and a player who moved into more of a world jazz sensibility as the 70s approached. Together, both players work some real magic here – deep soul from Singers tenor, sharper tones from Gilson's piano – and a range of weird and wonderful notes from other players who include Bernard Lubat on vibes, Jacky Samson on bass, Frank Raholison on drums, and both Del Rabenja and Gerard Rakotoarivony on percussion – really helping the record live up to its "Africa" title! Samson's bass is especially amazing – roundly-toned, and incredibly soulful – as much so as his legendary work with Marco DiMarco, but pitched slightly differently here – and titles include "The High Life", "Liberation", "Mother Africa", "Chant Inca", and "Garvey's Strut". Plus, as an added bonus the CD also features 2 incredible earlier tracks by Gilson – material recorded with Lloyd Miller back in the 60s – playing "micro organ" and balaphon, with a sound that's almost even more haunting than the main album. Other players include "Pierre Caron on tenor and Alain Tabar-Nouval on alto – and titles include "Le Grand Bidou" and "Fable Of Gutenberg". CD

A very cool Japanese version of this mighty groover from the great Nico Gomez! Nico's known for his harder pounding tracks that have become favorites with the funky crowd, but this stellar album shows that Nico could also work in jazzier territory when he wanted to – as the album's a wonderful batch of tunes that mix together Latin, groovy, and bossa styles! There's some very nice wordless female vocals on a few cuts, scatting along with a warm breezy feel – and other tracks feature vibes, or guitar, sax, and other strong instrumental elements – with more than enough punch to be funky at a few points. The whole thing's as groovy as groovy can be – with a sound that's past bossa, and way more than any fake easy instrumental attempt at the genre – a real peep into the mad mind of Nico Gomez, and proof that his albums are always worth tracking down! Titles include "Din Din Din", "Aquarela", "Samba De Rio", "Saudade Do Rio", "Agua", "Rio", and "O Barquinho". CD

A very cool Japanese version of this mighty groover from the great Nico Gomez! Nico's known for his harder pounding tracks that have become favorites with the funky crowd, but this stellar album shows that Nico could also work in jazzier territory when he wanted to – as the album's a wonderful batch of tunes that mix together Latin, groovy, and bossa styles! There's some very nice wordless female vocals on a few cuts, scatting along with a warm breezy feel – and other tracks feature vibes, or guitar, sax, and other strong instrumental elements – with more than enough punch to be funky at a few points. The whole thing's as groovy as groovy can be – with a sound that's past bossa, and way more than any fake easy instrumental attempt at the genre – a real peep into the mad mind of Nico Gomez, and proof that his albums are always worth tracking down! Titles include "Din Din Din", "Aquarela", "Samba De Rio", "Saudade Do Rio", "Agua", "Rio", and "O Barquinho". LP, Vinyl record album

... LP, Vinyl record album

A classic of Canadian rock – and a set that broke big on this side of the border too! Wheatfield Soul is a sublime showcase for the young talents of Burton Cummings, Randy Bachman, and other members of the group – working here in a mix of jazz/rock modes and blue-eyed soul that would go onto set the scene for countless other groups in years to come – hard to describe accurately, but beautifully summed up in the album's "These Eyes" hit! Cummings vocals and keyboards come across wonderfully – and the rhythms often have clever changes that hint at his jazzy future to come, but on shorter tunes here that have a rich amount of complexity packed in a very tight space. Titles include "These Eyes", "Lightfoot", "I Found Her In A Star", "Pink Wine Sparkles In The Glass", "Maple Fudge", "We're Coming To Dinner", "When You Touch Me", and the amazing 10 minute tune "Friends Of Mine". LP, Vinyl record album

Hard driving jazz from the Japanese scene of the 50s! The album's one of the best recorded by Nobu Hara and the legendary Sharpes & Flats group – a really swinging set of big band jazz that drives with the power of some of the 60s recordings by the Clarke-Boland Big Band, and which offers plenty of space for the soloists to swing out during the set. Unfortunately, all the notes are in Japanese – so we can't tell you the exact lineup or the song titles – but the album's a strong one, and a perfect example of the strength of the Japanese scene in the postwar years! CD

The title certainly gets it right – as Derrick Harriott serves up a wonderful mix of sounds that owes plenty to American funk and soul of the early 70s – some cool Kingston covers of famous US tunes, and some other originals that are equally groovy overall! The set's one of the best that we've ever heard from the Dub Store label – and almost has a Soul Jazz level of track selection – really wonderful work that either features Derrick in the lead, or working with some hip contemporaries, in a groove that's totally great – neither straight reggae, but also quite far from more familiar funk and soul too. Titles include "Black Moses" by The Preacher, "Tougher Than Tough" by I Roy, "Brown Baby" by Derrick Harriott, "Hell Below" by Crystal Generation, "Going Back Home" by The Chosen Few, "Psychedelic Train" by Derrick Harriott, "Slippery" by Karl Bryan & The Crystalites, "Home Sweet Home" by Bongo Herman & Les, "Rescue The Children" by Junior Murvin, "Phoenix" by Noel Brown, "People Make The World Go Round" by The Chosen Few, and "Message From A Black Man" by Derrick Harriott. LP, Vinyl record album

A beautiful collection of early Sansu Records material from Betty Harris – a fantastic funky female singer from New Orleans – and one who rose up in the same generation as greats like Lee Dorsey and Ernie K Doe! And like some of her best Crescent City contemporaries, Betty gets key help here from the young Allen Toussaint, working with his studio partner Marshall Sehorn – in a style that really creates all these tight, sharp corners on the tunes – all elements that really underscore the funky depth of Betty's vocals. Titles include "Ride Your Pony", "What A Sad Feeling", "I'm Evil Tonight", "What'd I Do Wrong", "I Don't Wanna Hear It", "Bad Luck", and "Mean Man". LP, Vinyl record album

Strange soundtrack to a weird early 70s film about a Jesus-peddler – with songs that are mostly in a folk-rock mode similar to some of the drippier tunes showing up on AIP soundtracks of a few years before. The best tunes are the instrumentals by Hatcher, which have kind of a biker bluesy sound to them – but the bulk of the album is vocal numbers, sung by Matthew Crowe & His Travelin Band. Oh for the days when the studios had this much money to throw away! Titles include "Send Me A Friend", "Brian's Theme", "Heleana's Love Theme", "San Diego Blues", "Soul Hustler", and "Set Me Free". LP, Vinyl record album

... LP, Vinyl record album