... LP, Vinyl record album

... LP, Vinyl record album

In-store play sampler with selections by Emerson Lake & Palmer, Peter Gabriel, Foreigner, Steve Hunter, Hall & Oates, Bad Company, Mama's Pride, Led Zepellin, Spinners, England Dan & John Ford Coley, Kenny Rankin, and Bryan Ferry. LP, Vinyl record album

A whole new kind of trio session for the 70s – one that has the airy, open lines of guitarist John Abercrombie stretching out nicely in the company of drummer Jack DeJohnette and bassist Dave Holland! The music is archetypal ECM work of the time – a complete contrast to a guitar trio session from a decade before, or even a few years before on any different sort of label. Abercrombie's got a bit of bite at a few moments, but mostly keeps things spare and spacious – and Holland and DeJohnette are more than happy to follow suit. Titles include "Backwoods Song", "May Dance", "Waiting", "Jamala", and "Sorcery 1". LP, Vinyl record album

A seminal live set by a young Albert Ayler – an unusual one-sided record that featured only 20 minutes of music, performed with an intensity that hardly leaves room for complaints about the shortness of the album! The single track "Bells" was performed at Town Hall by Ayler with a group that includes Donald Ayler on trumpet, Charles Tyler on alto sax, Lewis Worrell on bass, and Sunny Murray on percussion – all coming together in a raw, real sense of freedom – beautifully explored here without ever getting too overindulgent. The tune may well be one of the greatest illustrations of the ESP format at its best – as Ayler and company never stray too far, but carve out some incredibly imaginative space through their starkly-blown horn solos! LP, Vinyl record album

A rare early side of Miles Davis – recorded in postwar Paris in the company of Tadd Dameron! The group's a quintet – with Miles on trumpet and Tadd on piano – and although the overall vibe certainly shows a lot of bop generation spirit, there's also a strong indication of the deeper ideas that were already becoming a part of both artists' music. The group features some excellent work on tenor from James Moody – plus bass from Barney Spieler and drums from Kenny Clarke. Tunes include a fair bit of familiar numbers from the Charlie Parker camp – and titles include "Rifftide", "Good Bait", "Don't Blame Me", "Lady Bird", "Wah Hoo", "Allen's Alley", "Embraceable You", "Ornithology" and "All The Things You Are". LP, Vinyl record album

Mark Murphy magic for Muse – a great little record that has the singer working in wonderfully warm company – a great group of players, and an assortment of excellent tunes! The album moves nicely between the more obscure numbers we always love from Murphy and a few familiar standards – always handled with class and creativity, and that real "cut above" vocalization that makes Mark way more than just a standard jazz singer. Players include Richie Cole on alto, Ronnie Cuber on baritone, Slide Hampton on trombone, Tom Harrell on trumpet, and Gene Bertoncini on guitar – and titles include "Waltz for Debby", "All the Things You Are", "Bijou", "Eleanor Rigby", "I Return to Music" and "Don't Misunderstand". LP, Vinyl record album

The title might sound a bit clinical, but the music within is anything but – and instead is that sort of special, magical work that always makes Sonny Stitt a real cut above most of his contemporaries! The notes try to link Stitt to Charlie Parker – but apart from a postwar sense of invention on alto sax, the sounds within are quite different – more spacious and soulful than Parker, although equally deft in their own sort of way – blown with a confidence that knows how to take its time, in a way that comes through especially strong on the mellow cuts. At the surface, there might not be anything special to the record – but the first listen will definitely let you know you're in they company of something special – on titles that include "Blues For Yard", "Harlem Nocturne", "Windy Ride", and a haunting take of "Because Of You". LP, Vinyl record album

One of the oddest titles in the Funky Delicacies series, but some great grooves nonetheless – and the kind of music that really shows the label opening up a bit more than before! Lots of the cuts here fall into the space between funk and uptempo soul – tracks that groove at a pace that's often a bit faster than deep funk – yet which still feature live funk instrumentation, and an overall sound that's tight and gritty! Most numbers have vocals, and although we might have hoped for a bit more in the way of liner notes, the music here stands up pretty well on its own! Titles include "Try It You'll Like It (part 1)" by Del Ingrid, "Stick Your Finger In The Ground (parts 1 & 2)" by Bridge, "Booties" and "Boo On You" by Chuck Jones & Company, "Life Ain't Easy (voc, inst)" by The Electric Express, "Where You Comin From (parts 1 & 2)" by The Electric Express, and "You've Blown My Mind (parts 1 & 2)" by The Versatile Gents. LP, Vinyl record album

The Heavenly Sweetness label celebrates its first ten years in business – with a special birthday present of all-exclusive unreleased tracks! This set doesn't look back at the previous decade of the label, but instead points the way forward – with a wonderful selection of newly-recorded tracks by some of hte label's best artists – including some who've helped define their groove strongly in recent years, and some whose talents are soon to be presenting full length sets for the company! As with the previous ten years of records, the music here is a fantastic blend of new styles and global elements – some strands of soul, jazz, and hip hop influences – but often used in ways that are completely fresh and contemporary – at a level that's made Heavenly Sweetness one of our go-to labels for new and interesting sounds over the past decade. Titles include "You Party Too Much" by The Mule, "O Circo" by Cotonete", "Have A Little Faith" by Blundetto and Ken Boothe, "An Ba Galba" by Roger Raspail and Vincent Segal, "Tijan Ka (2017 version)" by Edmondy Krater and I Live, "Tijan (Hugh LX rmx)" by Edmondy Krater, "F*ck With The Police" by Florian Pellissier Quintet with Roger Raspail and Nawer, "Hip Hop Muse (Lefto rmx)" by Rongetz Foundation, "Be The River" by Anthony Joseph and Hanyo, and "Move In Silence" by Guts with Patrice, Feve, Djeuhdjoah, and Lieutenant Nicholson. LP, Vinyl record album

The first Thelonious Monk album for Columbia Records – and one of the best, as well – a beautiful illustration of the way that his shift in labels really set some new fire to his music in the early 60s! The group is Monk's sharp-edged quartet with the amazing Charlie Rouse on tenor, John Ore on bass, and Frankie Dunlop on drums – a group that's beautifully understated, but able to do incredible things in the company of the pianist – hanging back to let Thelonious take center stage one minute, then swinging hard together the next. The set includes great renditions of Monk classics that really illustrate his new energy at Columbia – and titles include "Bolivar Blues", "Bye-Ya", and "Monk's Dream" – plus great remakes of "Body & Soul" and "Just A Gigolo". LP, Vinyl record album

A soaring stormer from T-Connection – and a set that has them sounding even better than before! There's a perfection here the group didn't have with earlier releases – a quality that goes way past indie funk ensemble, into the realm of some of the best mainstream acts on the bigger labels at the time – company shared by a rare few, like Earth Wind & Fire, Ohio Players, or the Bar-Kays! Things are every bit as funky as before – but there's a way of putting the tunes together that really blows us away – fusing all the elements together perfectly, and making everything work towards the groove – yet all without making anything sound too slick or polished either. Mighty nice all the way through – and titles include "Funky Lady", "Don't Stop The Music", "Funkannection", "Saturday Night", "At Midnight", and "Love Supreme". LP, Vinyl record album

An early Motown live album - one that shows just how strongly the company was invested in presenting its artists as more than just studio stars. Lots of tasty tracks here, all live, including "Dream Come True" by The Temptations, "Love Me All The Way" and "He's Alright" by Kim Weston, "Pride & Joy" and "Days Of Wine & Roses" by Marvin Gaye, "Quicksand" and "It's Alright" by Martha & The Vandellas, and "Moon River" and "I Call It Pretty Music" by Stevie Wonder. LP, Vinyl record album

The sound of tomorrow, today – served up here with the genius of Brownswood Records – a company who've been one of the most forward-thinking in modern music for quite a few years! Brownswood is run by longtime DJ Gilles Peterson – whose ears are always amazing for picking out sounds that blow our mind – especially when it comes to up-and-coming artists, of the sort who are getting some great exposure here! As with previous volumes, there's a genre-blending mix of soul, jazz, and other styles going on – on cuts that include "Catastrophe" by Tadi The Great, "To Be A Woman" by Plumm, "Voyager One Lost" by Seigfried Komidiashi, "Twice" by Ceeow, "Rough Of The Felt" by Nowsm, "Good & Low Key" by Victoria Jane, "Keeping On" by Jericho Noguera with Buddy Analogue, "Crinje" by Zenel x Plumm, and "Like Summer" by Shirkers x Ceeow. LP, Vinyl record album

The first album by Gregg Diamond's Bionic Boogie group – and a cooker of a set that follows strongly from Gregg's previous Hot Butterfly gem! Luther Vandross isn't on board this time around, but the overall groove is still totally great – upbeat, soaring, and put together with a jazzy undercurrent that really keeps things interesting – far more so than most other mainstream disco sets of the time! Brad Baker – of B Baker Chocolate Company – handled the arrangements – and the grooves spin out nicely from Diamond's keyboards, and a tight mix of strings and jazzy horns. Vocals are from the soulful trio of Gwen Guthrie, Ullanda McCullough, and Zachary Sanders – and titles include "Dance Little Dreamer", "Risky Changes", "Boogie Boo", "We Must Believe In Music", "Feel Like Dancing", and "Don't Lose The Number". LP, Vinyl record album

A wonderful duet set from Ike Hayes and Dionne Warwick – one that draws on the classiest side of the Hayes spectrum, and uses his groove to help Dionne find some great new energy! Even in performance, the music has that great rich quality that Isaac always brought to his solo recordings in the 70s – with strings, backup singers, and some tight undercurrents that help keep things soulful throughout – really cutting through the schmaltz of Ike's shiny tux on the cover! Dionne really sparkles in his company – and the record features duo numbers, solo spots, and even some nice medley tracks. The band behind the pair are electric, mellow, and very soulful – and titles include "Can't Hide Love", "Chocolate Chip", "Then Came You", "Come Live With Me", "Unity", and "By The Time I Get To Phoenix" and "I Say A Little Prayer", done nicely in a medley together. LP, Vinyl record album

... LP, Vinyl record album

One of the coolest collections of music we've ever heard from the legendary TK Records in Miami – a company that was a powerhouse of 70s hits and disco classics – but which also cut some wonderful underground soul at the time! This sublime set looks at that great lesser-known legacy of TK – the hipper, more sophisticated music they cut in between the chart numbers and boogie singles – often by soul artists who had some involvement with bigger acts, but who really got a chance here to shine on their own! There's a surprising amount of funk in the mix – that deeper current that made Miami a key heir to 60s funky styles from Memphis and New Orleans – and there's some equally great modern soul, but served up with a complexity that goes way past the usual – both in the songwriting and arrangements. If you've only heard TK hit collections, you'll find plenty to love here – and even for deeper diggers like us, there's still plenty of new bits to be discovered! Titles include "Confusion" by Leno Phillips, "You Knock Me Out" by Wildflower, "Hey There Jim" by Jimmy Bo Horne, "Tears Of The World" by Robert Moore, "I Got Bills To Pay" by Johnny K, "I Want To Be Loved" by Stevens & Foster, "Sleep On Dream On" by Raphael Munnings, "Life Is A Beautiful Feeling" by Formula 1, "Bahama Soul Stew" by Funky Nassau, "Lay It On Me" by Willie Johnson, "The Silence That You Keep (version 1)" by Milton Wright, and "There Must Be Something" by Friday Saturday & Sunday. LP, Vinyl record album

Moody material from Bobby Hutcherson – and one of the first records to feature his vibes in the company of tenorist Harold Land – a player who would help Hutcherson make some mighty fine music over the years! The set's got a super-hip group – with Stanley Cowell on piano, giving the record a warm, spiritual undercurrent – one that works perfectly with the lyrical soul of Land's horn. Other players include Reggie Johnson on bass and Joe Chambers on drums – and titles include "Spiral", "Ruth", "Poor People's March", and "Visions". The album also includes one more track – "Jasper" – which was recorded in a 1965 session without Land and Cowell – but with Sam Rivers on tenor and bass clarinet, Freddie Hubbard on trumpet, and Andrew Hill on piano! Recorded in the 60s, but only initially issued on vinyl in 1979! LP, Vinyl record album

A surprising side of the legendary Stax Records – especially if you only know the Memphis powerhouse as an outlet for funk and soul! There was always a bit of crossover between country and soul – even in the early days, a label like King Records could easily handle both – or a company like Atlantic could find a way to make its soul singers handle country tunes with ease. Yet the approach here is pure country – tracks recorded during the final few years of Stax – at a time when the company was both growing strongly, thanks to the fame of Isaac Hayes and others – and also trying out new ideas to round out the strength of their operation. Given their proximity to Nashville, and the fact that Memphis studios like Sun or Ardent had handled country-styled sounds – the move seemed to be a good one, and definitely comes across here in the quality of the tracks! The music has a nice left-of-Nashville vibe – almost like some of the growing wave from Austin soon to come, but also a bit like the cooler indie 45 country market of the 70s – which is finally getting its due these days. Either way, the sounds here are way past the hits, and way past the more standard modes of the time – and show that Stax Records could bring as much of a magic touch to country as they could to other sounds they recorded. Titles include "Hippie From The Hills" by Roland Eaton, "The River's Too Wide" by Karen Casey, "That Glass" by Eddie Bond, "Sweet Country Music" by Becki Bluefield, "My Girl" by Danny Bryan, "Satisfied Woman" by Paige O'Brian, "All The Love You'll Ever Need" by Cliff Cochran, "A Mom & A Dad For Christmas" by Lee Denson, and "Truck Driver's Heaven" by Roger Hallmark. LP, Vinyl record album

Sure, Rickie Lee Jones went onto become a bit of a cliche in later years, but this early album's still got an undeniable power – and was a great breath of fresh air, at a time when it seemed like most of modern music was forgetting its roots! What is it with the LA scene from the 60s onward that they always seemed to find their best inspiration in the past? Artists like Harpers Bizarre, Randy Newman, Tom Waits and others set the stage for a record like this – by reaching back into older styles and bringing them forward with a more contemporary spin. (And why was it that LA seemed to be the center of this mode – and New York, Chicago, and other cities never worked that way?) Rickie serves up a nice assortment of older-styled vocal cuts – performed with a mixture of traditional and 70s jazz backings, supported by some extra-classy Warner production from Lenny Waronker. Titles are all originals, but done with an older hipser sort of feel – and titles include "Easy Money", "Chuck E's In Love", "Young Blood", "The Last Chance Texaco", "Danny's All Star Joint", "Weasel & The White Boys Cool", "Company", "Coolsville", and "On Saturday Afternoons In 1963". LP, Vinyl record album

Libras take note! This record is for you, with a book on your star sign, plus lots of music to accompany your reading. Tracks include "A Man and A Woman", "I Say a Little Prayer", and "Love Theme from 'Elvira Madigan'", a keen fave with all the Libras we know. LP, Vinyl record album

One of the weirdest records Sun Ra ever made – music to accompany the strange film Space Is The Place – which itself was an odd mixture of science fiction and blacksploitation-type action! The sounds here are sometimes in the usual Arkestra mode – wonderfully exotic rhythms mixed with freewheeling jazz solos – but other parts seem to follow more of a soundtrack-styled need – and include some bolder action riffs, spare scene-setting moments, and even some strong vocal themes. Titles include "Watusa", "Calling Planet Earth", "Mysterious Crystal", "Outerspaceways Incorporated", "Cosmic Forces", "Satellites Are Spinning", and a version of "Space Is The Place". This special set also includes the bonus Mathematics Of The Altered Destiny, a full LP of unreleased music from Sun Ra featuring June Tyson – and the first ever US Blu-ray release of the film, and a standard DVD as well! LP, Vinyl record album

A second volume of ethnographic field recordings – an intriguing portrait of music not often captured on tape. While the title describes the rituals the music was meant to accompany as "witchcraft", the ceremonies are healing and, in some cases, celebratory, such as weddings and ritual circumcision. The music features a variety of percussion and tuned drums, as well as chants and ceremonial vocal refrains, and was recorded in Kenya and Tanzania. 16 pieces in all, including "Matondoni Wedding", "Tuken Moral Songs", "Giriama Spirit Dance", "Pokot Dance", "Song Of Dawn" and "Nyatiti". LP, Vinyl record album

Side one of this LP isn't much to write home about – dramatic orchestral music, written by Mark Lawrence, and conducted by Norman Paris – dark stuff to accompany the film in the title. Side two is great, though – jazzy "impressions" of the main themes, played by a group that's led by Victor Feldman, with a free lyrical approach that's better than most of his other work from the time. Titles include "Theme From David & Lisa", "David & Lisa's Love Song", "Paree Paree Paree", and "Clock Smash". LP, Vinyl record album

Tom Waits's follow-up to Rain Dogs – and a batch of songs that do double duty as a straight-up, stand alone record from his wild years at Island Records – and also as the musical accompaniment to a play he co-wrote with wife Kathleen Brennan! (As Chicagoans, we have a special fondness for that side of the project, since the play premiered here with the Steppenwolf Theatre Company.) It's a prime batch of Waits songcraft from this most amazing creative peak period – with the trademark gritty, howled vocals, primal drums, pre-rock horns. Titles include "More Than Rain", "Way Down In The Hole", "Straight To The Top", "Telephone Call From Istanbul", "Train Song", "Cold Cold Ground", "I'll Be Gone", "Yesterday Is Here", "Blow Wind Blow", and "Hang On St Christopher". LP, Vinyl record album

Rootsy blues from the 78rpm years – a collection of well-recorded Specialty Records material by Frankie Lee Sims – an artist who was born in New Orleans, but was also a Texas-raised cousin of Lightnin Hopkins too! Sims' music here has lots of the styles we love in Hopkins' work of the time – kind of an evolution of blues past the delta years, but not too far either – mostly acoustic instrumentation, including bold lines by Sims that accompany his lyrics – and a stark sense of recording that really lets the simple elements come through. Titles include "Married Woman", "Lucy Mae Blues", "Don't Take It Out On Me", "I'm So Glad", "Jelly Roll Baker", and "Wine & Gin Bounce". LP, Vinyl record album

One of the rare few albums cut as a leader by bassist Clint Houston – a player who always worked with very hip collections of musicians, including the lineup for this unusual date! The album's got a wonderfully warm, soulful vibe – a mode that's never polished or commercial, but which has Houston expressing himself in this very personal sort of way – in the company of players who include Onaje Allen Gumbs on piano and moog, Joanne Brackeen on piano, John Abercrombie on guitar, and Al Foster on drums – playing with even more sensitivity than usual. Abercrombie's especially great – and his chromatic notes have a way of ringing out with a slightly sprightly feel that illuminates some of Clint's deeper tones on bass – a balance that's also offset well by the acoustic piano. Titles include "Escape Velocity", "Watership Down", "Lifetrip", "Con Alma", and "Afternoon Moods". LP, Vinyl record album

Haunting music composed to accompany the trippy Labyrinthe at Expo '67 in Montreal. Supposedly, the Labyrinthe was this wild maze of shapes, sounds, film images, and music with kind of a political twist to it. Rathburn's music includes a lot of electronic bits, and the sound shifts around a lot to move with the maze's different themes like "The Universe Spins On the Point Of My Head" or "The Wind In My Hand". And who says you ever needed drugs in the 60's? LP, Vinyl record album

A great little album, put together to accompany one of Muhammad Ali's finest moments on the big screen – in a blend of music that's way deeper than the usual sounds you'd hear ringside! Michael Masser helmed the set – produced and wrote most of the material – but also with key contributions from George Benson, whose vocals grace some of the sweeter songs on the album – plus Mandrill, who help with some of the more hard-driving funky cuts! The set features the extended clubby groover "Ali Bombaye" – an almost Afro Funk-ish tune, performed by Mandrill – and other cuts include the mellower "I Always Knew I Had It In Me" and "The Greatest Love Of All", both sung by George Benson, plus "Ali's Theme", which is pretty nice. LP, Vinyl record album

Wonderful live material from Pharoah Sanders – a key record in a time when the tenor genius was really coming back into his own in the 80s – finding a new level of soul and spiritualism after his early run of albums on Impulse Records! The group here are a well-matched array of players who would accompany Pharoah on other key musical journeys at the time – John Hicks on piano, Walter Booker on bass, and Idris Muhammad on drums – the last of whom is also going through a righteous transformation as he gets past some of his funk and club modes of the 70s. The centerpiece of the album is a long quartet version of "You've Got To Have Freedom" – one that's nice and grooving, but in a very different way than the more famous studio version. Another real winner is "Pharomba", a 13 minute long track that has a gentle groove and some extremely nice work on tenor from Pharoah! LP, Vinyl record album

A great Fantasy Records soundtrack – put together to accompany the Ralph Bakshi feature-length cartoon Heavy Traffic! The feel is similar to the Fritz The Cat soundtrack – in that the movie features some original music penned for the film, plus a fair bit of other tracks by better-known artists – all slipped into the movie as a sort of pop culture pastiche! As you might guess, we're partial to the original tracks – penned mostly by Ed Bogas, and featuring some organ and keyboards by Merl Saunders. These tunes include "Angie's Theme", "Carol's Theme", "What You Sow", "Heavy Traffic", "Cartoon Time", and "Scarborough Street Fair". Other titles include "Take Five" by Dave Brubeck, "Maybelline" by Chuck Berry, "Twist & Shout" by The Isley Brothers, and "Scarborough Fair" by Sergio Mendes & Brasil 66. LP, Vinyl record album

The drums are certainly unlimited here – and the album's a really unique one, in that it shows Max Roach in 2 different settings – one with a group, and one that's simply solo! One batch of tracks has Max in the company of a tight group of soul jazz players like Freddie Hubbard, Roland Alexander, James Spaulding, and Ronnie Matthews. The group is very tight, and they've got hard wailing sound similar to a Blue Note group, but with a bit more of a soul jazz feel. They play on two long tracks – "Nommo" and "In the Red". The rest of the tracks – "Drums Unlimited", "The Drum Also Waltzes", and "For Big Sid" – feature Max playing solo, which is a rare treat for a recording of this vintage. The tracks are great, with a very musical groove, and lively playing by Max that never gets too self indulgent. LP, Vinyl record album