A really great chapter in the career of Madlib, and one that shows the really diverse musical inspirations that have informed his contributions to hip hop – served up here in a set of instrumentals based on samples from rare rock tracks from a hip variety of sources! For the project, Madlib dug deep into the worlds of psych, prog, and other scenes from years back – shuffled, restacked, and presented with that denseness that makes Madlib's production so great – and which likely also hides some of the sources for the music as well! The CD version compiles every track from the Part 1 and Part 2 vinyl releases, and more – no tracklist, but who cares – it's all about the experience. Madlib in mix master mode, blending diverse, seemingly disparate material into a distinctive whole – to put it succinctly, it's Madlib at his best! 48 tracks on 2CDs! CD

Great grooves from Jackson Conti – not a dude, but a duo – one that features Madlib teamed with Mamao, drummer from the legendary Azymuth! The album's got a really unique feel – one that mixes Madlib's chunky, fuzzy style of production with some of the cleaner, jazzier Azymuth grooves of late – a combination that shouldn't work so well, but which comes across with really amazing results! There's a bit of beats on the set, but a fair bit of the percussion is acoustic too – making for more warmth than before from Madlib – almost a transplantation of the Yesterday's New Quintet sound to the sunnier Rio scene. Keyboards have a strong role too – often with the sort of edgey, compelling tones you'd hear on the first few Azymuth recordings of the 70s – and other instrumentation includes bits of guitar, flute, sax, and other well-placed touches – but all used in weird ways that are somewhere between typical jazz and Brazilian modes. Titles include "Upa Neguinho", "Xibaba", "Sao Paulo Nights", "Brasilian Sugar", "Mamaoism", "Berumba", "Papaya", "Segura Esta Onda", "Sunset At Sujinho", "Tijuca Man", and "Waiting On The Corner". CD