Four albums from this wonderful group – all brought together in a single set! First up is the self-titled Spanky & Our Gang – the first, and perhaps the most conventional album by the group, but still pretty darn insane! Spanky & Our Gang are a strange mix of 60s styles – with bits of We Five, bits of Harpers Bizarre, bits of The Association – but a totally strange and totally fun approach to pop that's very much their own. Cuts on the album are a mix of originals and covers – and highlights include the incredible "5 Definitions Of Love" by Bob Dorough, "Distance" by Joe Renzetti, "Commercial" by the band, and the track "It Ain't Necessarily Bird Avenue". Great groovy stuff – and with arrangements by Renzetti, Dorough, and Stuart Scharf. Like To Get To Know You is a tiny little pop masterpiece was produced and arranged by Stuart Scharf and the great Bob Dorough, and is filled with one of the grooviest approaches to pop we've heard in ages. The album includes the sublime hit "Like To Get To Know You", set in a very different LP setting – plus great versions of "Suzanne" and "Everybody's Talkin", and the cuts "Stardust", "The Swingin Gate", and "My Bill". Anything You Choose is the third movement in the fantastic pop symphony that is Spanky & Our Gang! The record's perhaps their oddest to date – and mixes groovy vocal stylings with some fairly advanced production approaches that work perfectly with the incredible songs written by Stuart Scharf and Bob Dorough. The voices swirl about in a mad rush – interweaving lines of melody and poetry, punctuated by strange sounds, spacey airy instrumentation, and wonderful little rhythms. Titles include "Anything You Choose", "1-3-5-8", "Without Rhyme Or Reason", "Give A Damn", and "Nowhere To Go". Live is an unusual album from this groovy group – especially given that most of their famous work was in the studio – and done with really inventive arrangements and production! Yet those qualities still come through here, even in a live setting – as the record's got this stripped-down approach that shows just how much of the group's own inventive vocal interplay and harmonies were part of their fantastically groovy style! Titles include "Wasn't It You", "Dirty Old Man", "The Klan", "Nagasaki", "Amelia Earhart's Last Flight", and "That's What You Get For Lovin Me". CD

2 Ohio Players classics – back to back on one CD! Skin Tight is the band's first album for Mercury – and although one might have the temptation to say that the label cut down the radical funk sound of the trippy Westbound years, the move also taught the band to sharpen up their act, and get out of the repetitive sloppy groove into which they'd been lapsing during the past few years. The record's a lot smoother than earlier work – with a polished funky sound that would soon push the band right up there with Earth Wind & Fire at the top of the soul charts. And although there's familiar funky numbers like "Skin Tight", "Jive Turkey", and "Streakin Cheek To Cheek" – the best moment on the entire album is the wonderful spacey soul number "Heaven Must be Like This", a seven minute mellow groover that's got a sophisticated jazzy soul style, with voices and piano soaring into the heavens, in a way that always still sends chills down our spine! That cut shows the band's tremendous growth – and it's one of their best-ever! Fire is one of the biggest albums ever for Ohio Players – a set that took their earlier funk sound and targeted firmly at the mainstream with a lean, mean groove that a million other groups copied at the time! There's still plenty of the soul of the early years in the group's approach here – and sometimes, the mellower tracks show a wonderful talent for harmonies coming even more fully to the top. But the real appeal of the record has always been the bold, bassy grooves that hit strongly just as ensemble funk was exploding in the mainstream during the early years of disco – making plenty of space for the Players and their contemporaries to grab up new audiences who never would have touched a record like this five years before! There's plenty of grit in the grooves on the best numbers – a style that's maybe not as dirty as on Westbound, but still more than enough to make any real funk fan proud. Titles include "Fire", "Together", "Together/Feelings", "It's All Over", "Runnin' From the Devil", "Smoke", "What The Hell", and "I Want To Be Free". CD

A fantastic document of the first-ever Ann Arbor Blues Festival – the start of a great event that would blossom into other styles of music in the 70s, but which stood as a strong blues-based event in its initial year of 1969! In some ways, the three day series of concerts is a roots answer to Woodstock – which took place just a few weeks before – as the festival featured a great scope of blues talents, from the rootsier sort of artists who were recording for labels like Folkways or Arhoolie, to some of the sharper modern talents rising to the top on Chess or Delmark! The package alone is almost worth the price of admission – beautiful photographs of the event, detailed notes, and the first-ever release of this music – which has sat in the vaults for decades, finally to see the light of day. Titles include "Dirty Mother For You" by Roosevelt Sykes, "So Glad You're Mine" by Arthur Big Boy Crudup, "Everybody Must Suffer/Stone Crazy" by Luther Allison & The Blue Nebulae, "Help Me" by Junior Wells, "I Wonder Why" by Jimmy Dawkins, "Too Much Alcohol" by JB Hutto & His Hawks, "So Many Roads So Many Trains" by Otis Rush, "Long Distance Call" by Muddy Waters, "Off The Wall" by James Cotton Band, "Juanita" by Big Joe Williams, "Jelly Jelly Blues" by Shirley Griffin, "I Feel So Good" by Magic Sam, "Call It Stormy Monday" by T-Bone Walker, "Death Letter Blues" by Son House, "Key To The Highway" by Sam Lay, and "Mojo Hand" by Lightnin Hopkins. CD

A long-overdue second volume to the original Pirate's Choice collection from Studio One – which itself was a bit of a stab at Duke Reid and his Treasure Isle label! Legendary Jamaican producer Clement Dodd serves up a host of lost gems from the Studio One catalog – not hits, but some rare mixes and under-heard tracks – all presented in the kind of format that shows just how deep Dodd's reach was back in the day, and how deep the Studio One vaults are to be turning up greatness like this! Titles include "All The Way" by Willie Williams, "You Hold The Handle" by The Conquerors, "Chinese Beauty" by Lennie Hibbert, "Heart Breaker" by Cool Operator, "Jah Light" by Cedric Im Brooks, "Pirate's Choice" by Brentford Rockers, "Sweet Child" by Freddy McGregor, and "Black Is Black" by Freedom Singers. CD features four bonus tracks – "Plea My Cause" by Main Roots, "Dirty People" by Roy Richards, "Jah Light Dub (dub plate mix)" by Brentford Disco Set, and "Homeward Bound Dub (dub plate mix)" by Freddie & Brentford Rockers. CD

Funky genius from the legendary Stax studios! During the 60s, Stax was well known for their work in the soul music field – turning out hit singles by the likes of Otis Redding, Sam & Dave, and others – but after 1968, when the label finished their deal with Atlantic, they really started getting down and dirty, and hitting on all burners in the funk department. This tasty set features 21 tracks from those exiting years –many of them only ever issued on singles, and a few of them by some of the label's more famous LP artists – but all of them with a nice Memphis funky groove! Titles include "Turn Your Damper Down" by Rufus Thomas, "Broadway Freeze" by Harvey Scales, "Life Is Funky" by Round Robin Monopoly, "The Dryer" by Roy Lee Johnson, "She's My Old Lady Too" by Lee Sain, "Slipped & Tripped" by The Sweet Inspirations, "Brothers & Sisters" by Kim Weston, "Movin Dancer" by Bobby Holley, "Eli's Pork Chop" by Little Sonny, "A Man Never Knows" by Chris & Shack, "Grab A Handful" by Art Jerry Miller, "I'll Kill A Brick (About My Man)" by Hot Sauce, "Watch The Dog That Brings The Bone" by Inez Foxx, "Sock Soul" by The Bar Kays, and "Getting Funky Round Here" by Black Nasty! CD

A mountain of funk from one of the greatest soul labels of all time! Stax is known round the world over for their soulful work – by singers like Otis Redding or Carla Thomas, and instrumental tunes by Booker T & The MGs – but the label was also quite a funky powerhouse – especially as the 60s drew to a close, and the management of the company got a lot hipper, and a heck of a lot more musically open-minded! This killer batch of tracks features 21 numbers from those days – including many obscure and funky tunes that only ever came out on singles, or which were recorded by artists that never made it as big as Stax stars from earlier years. The result of all that obscurity is an extremely fresh selection of tracks – plenty of down-n-dirty funky 45 numbers, played by hip Memphis combos, and featuring some really deep soul vocals. Titles include "Dark Skin Woman" by Sir Mack Rice, "Ain't No Sin" by John Kasandra, "Bump & Boogie" by The Wrecking Crew, "Shame On The Family Name" by Calvin Scott, "Cool Strut" by Bernie Hayes, "Bump Mean" by Sir Mack Rice, "Soul Machine" by Reggie Milner, "How Can You Mistreat The One You Love" by Katie Love, "Cold Blooded" by The Bar Kays, "Do The Side Saddle" by Rufus Thomas, "Stay Away From That Monkey" by Jimmy McCracklin, "Them Hot Pants" by Lee Sain, "Devil In A Man" by Stu Gardner, "Circuits Overloaded" by Inez Foxx, "From Toys To Boys" by The Emotions, "Got It Together (parts 1 & 2)" by Rudy Robinson & The Hungry Five, and "Crosscut Saw" by Albert King. CD

The amazing first album from The Nite-Liters – the instrumental combo who were part of the larger New Birth family of soul on RCA, but who cut work that was a lot more funky overall! The group are right up there with The Meters or JBs for pure instrumental brilliance – able to serve up short, tight cuts that are filled with heavy drums, riffing guitars, and mighty nice horns – all at a level that easily make them one of the best soul instrumental groups of the early 70s – a killer combo, even though they don't always get their due! The whole album's a gem – like a pile of rare funky 45s – and titles include "Itchy Brother", "Snap Your Twig", "Down & Dirty", "The Heckler", and "Stuff N It". CD